8.1/10
7,337
33 user 50 critic

Sans soleil (1983)

Not Rated | | Documentary, Drama | 2 March 1983 (France)
"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, ... See full summary »

Director:

(as Chris. Marker)

Writer:

(as Chris. Marker)
Reviews

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Cast

Credited cast:
Florence Delay ...
Narrator (French version) (voice)
...
Herself
Riyoko Ikeda ...
Narrator (Japanese version) (voice)
Charlotte Kerr ...
Narrator (German version) (voice)
...
Herself / Madeleine Elster / Judy Burton (archive footage)
...
Narrator (English version) (voice)
...
Himself / John 'Scottie' Ferguson (archive footage)
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Storyline

"He wrote me...." A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco. Written by George S. Davis <mgeorges@prodigy.net>

Plot Summary | Add Synopsis

Genres:

Documentary | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Release Date:

2 March 1983 (France)  »

Also Known As:

Bez slonca  »

Box Office

Opening Weekend:

$1,899 (USA) (5 December 2003)

Gross:

$30,878 (USA) (5 December 2003)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(archive footage)|

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Quotes

Narrator: He liked the fragility of those moments suspended in time. Those memories whose only function had been to leave behind nothing but memories. He wrote: I've been round the world several times and now only banality still interests me. On this trip I've tracked it with the relentlessness of a bounty hunter. At dawn we'll be in Tokyo.
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Connections

References Stalker (1979) See more »

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User Reviews

 
An amazement
26 January 2000 | by See all my reviews

I've only seen this film twice, both on the same day, nearly fifteen years ago; and yet its poetic-philosophical themes, its melancholy, its images still remain with me. Viewing it was an intensely personal experience; I find myself a little startled to find that other people have seen it. I find myself plagiarising it constantly; I think of it at odd times (when I accidentally catch someone's eyes and immediately look away; whenever I visit San Francisco); it is a work of lingering and subtle beauty that percolates through my bloodstream, informing the hours and days, changing the things and ways I see...


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