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Richard Pryor: Live on the Sunset Strip (1982)

R  |   |  Documentary, Comedy  |  12 March 1982 (USA)
7.6
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Ratings: 7.6/10 from 2,526 users  
Reviews: 15 user | 14 critic

Richard Pryor performs his stand-up comedy act on the Sunset Strip.

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Title: Richard Pryor: Live on the Sunset Strip (1982)

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Storyline

One of comedian Richard Pryor's live performances (at the Sunset Strip, obviously) caught on film. Pryor talks about most of his standard subjects, including rascism and the differences between blacks and whites, along with talking about some of his recent film roles. Written by Jean-Marc Rocher <rocher@fiberbit.net>

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Release Date:

12 March 1982 (USA)  »

Also Known As:

Live on the Sunset Strip  »

Box Office

Gross:

$34,688,873 (USA)
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Did You Know?

Trivia

The film was edited together from at least two performances. The chief giveaway is the constantly changing length of the black handkerchief in Pryor's jacket pocket. See more »

Quotes

Richard Pryor: When that fire hit your ass, it will sober your ass up *quick*! I saw something, I went, "Well, that's a pretty blue. You know what? That looks like *fire*!" Fire is inspirational. They should use it in the Olympics, because I ran the 100 in 4.3.
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Connections

Referenced in Mike & Mike: Episode dated 24 February 2014 (2014) See more »

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User Reviews

 
stand up rehab
11 November 2007 | by (Canada) – See all my reviews

Pryor on the cusp and on the mend, halfway between the careening scatological genius of his 70s persona and the PG-rated grown man of the 80s. Yes PG Pryor generally sucks, but you know, setting yourself on fire can and should mellow anybody out. This movie is a stab at synthesis - he's still cultivating his mastery of the squirmy edge, but at the same time he's just turned his keen-eyed intelligence in on himself. It's funny and it's also very, very moving. The N-word disavowal is of course breathtaking - coming from Pryor it's like Rene Levesque doing a stop-smoking PSA. The story of being rescued from his talking freebase pipe by Jim Brown is another peak. And topping all is his seemingly spontaneous response to a shouted Mudbone request, applying that character's merciless storytelling bravado to the ballad of Richard Pryor. There are more dud bits than I'd like, but who cares? This is a fitting testament to a great artist and a good man.


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