The Kung-Fu Instructor was director Sun Cheng's homage to Akira Kurosawa's Yojimbo where Ti Lung plays a righteous weapon instructor. It's the first time a Shaw Brother's director uses a ... See full summary »
The anti-Ching patriots, under the guidance of Ho Kuang-han, have secretly set up their base in Canton, disguised as school masters. During a brutal Manchu attack, Lui manages to escape and... See full summary »
A young man who has been beaten, abused, humiliated and laughed at all his life finds that he has an unusual empathy with snakes. He can talk to them and they understand him, and eventually... See full summary »
Hung escapes Shaolin after the temple is attacked by the Ching, only to be jailed with the help of Fang (also of Shoalin) who mistakes him for a bandit. Fang must now help Hung escape so they can challenge the Ching together.
The Shaolin Temple is the last place to resist defeat by the Manchu Dynasty, mostly because of their unique fighting style. Men from far and wide come to wait outside the temple, hoping ... See full summary »
Don't miss this one it is excellent. Chinese sword masters pair up to fight off yet another villain for the deadly PeacockDart. The ending is eye popping don't miss this one. Shaw Brothers come thru yet again
Shaolin Mantis (Orig. Tang lang) is a 1978 Shaw Brothers film directed by Lau Kar-leung. Starring David Chiang and Liu Chia Hui. Shaolin Mantis tells the story of a man who learns martial arts by observing a praying mantis.
A vengeful craftsman (Lo Lieh) sets two warring noblemen (Lau Wing and Chen Kuan-tai) against each other by abducting their loved ones and peeling their skin, which he uses to embellish a series of prize-winning lanterns.
Old-fashioned kung fu thriller with horror asides, distinguished by balletic fight scenes and expansive widescreen cinematography, in typical Shaw Brothers style. Ni Kuang's screenplay (co-written with director Suen Chung) is fairly detailed, and the pace is fast and furious throughout. But the film is weakened by pantomime performances and generic post-sync dialogue, and by an uneasy combination of martial arts mayhem and Hammer-style horror. Beautiful sets and costumes.
NB. The film played uncut on its original theatrical release, though most subsequent video prints have been censored, eliminating nudity and graphic violence. However, the UK DVD (issued by Momentum Asia in 2005) appears to be intact.
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