| Michael Moriarty | ... | Jimmy Quinn | |
| Candy Clark | ... | Joan | |
| David Carradine | ... | Shepard | |
| Richard Roundtree | ... | Powell | |
| James Dixon | ... | Lt. Murray | |
| Malachy McCourt | ... | Commissioner | |
| Fred J. Scollay | ... | Capt. Fletcher | |
| Peter Hock | ... | Det. Clifford | |
| Ron Cey | ... | Det. Hoberman | |
| Mary Louise Weller | ... | Mrs. Pauley | |
| Bruce Carradine | ... | The Victim | |
| John Capodice | ... | Doyle | |
| Tony Page | ... | Webb | |
| Larkin Ford | ... | Curator | |
| Larry Pine | ... | The Professor | |
| Eddie Jones | ... | The Watchman | |
| Shelly Desai | ... | Kahea | |
| Lee Louis | ... | Officer Banyon | |
| Fred Morsell | ... | First Robber | |
| Ed Kovens | ... | Second Robber | |
| Richard Duggan | ... | Construction Worker | |
| Jennifer Howard | ... | Newscaster | |
| David Snell | ... | Attorney | |
| Larry Silvestri | ... | Policeman | |
| Perry Genovese | ... | Policeman | |
| Gabriel Wohl | ... | Policeman | |
| Nancy Stafford | ... | Eyewitness | |
| Bobbie Burns | ... | Sunbather (as Bobbi Burns) |
Directed by | |||
| Larry Cohen | |||
Writing credits(in alphabetical order) | ||
| Larry Cohen | ||
Original Music by | |||
| Robert O. Ragland | |||
Cinematography by | |||
| Robert Levi | |||
| Fred Murphy | |||
Film Editing by | |||
| Armond Lebowitz | |||
Makeup Department | |||
| Dennis Eger | .... | special makeup | |
| Steve Neill | .... | special makeup effects (uncredited) | |
| Rick Stratton | .... | special makeup effects (uncredited) | |
Production Management | |||
| Peter Sabiston | .... | executive in charge of production | |
| Michelle Solotar | .... | unit manager | |
Sound Department | |||
| Sandy Berman | .... | sound designer | |
| Jane Landis | .... | boom operator | |
| Don Minkler | .... | sound re-recording mixer | |
| Lee Minkler | .... | sound re-recording mixer | |
| T.A. Moore Jr. | .... | sound re-recording mixer | |
Visual Effects by | |||
| Aiko | .... | additional modelmaker | |
| David Allen | .... | special visual effects | |
| Randall William Cook | .... | special visual effects (as Randy Cook) | |
| Roger Dicken | .... | additional modelmaker | |
| Dennis Gordon | .... | additional modelmaker | |
| Peter Kuran | .... | special visual effects | |
| Deed Rossiter | .... | additional modelmaker | |
Stunts | |||
| Peter Hock | .... | stunt coordinator | |
Editorial Department | |||
| Jim Finn | .... | negative cutter | |
Music Department | |||
| Arlon Ober | .... | music editor | |
Other crew | |||
| Anthony Baldasare | .... | production assistant | |
| John Bruno | .... | production office assistant | |
| Nancy Juliber | .... | production coordinator | |
| Dennis Stuart Murphy | .... | production coordinator | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
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| King Kong | King of New York | 15 Minutes | The Phantom of the Opera | Like Minds |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
This flick is a distinctive and haunting oddity , concerning about a winged serpent, a dragonlike, which carries out creepy killings , happening in N.Y. City. A detectives(David Carradine, Richard Roundtree) are investigating the strange events. The giant winged bird hungry for sunbathers and rooftop construction workers.Thanks help a delinquent(Michael Moriarty) who encounters the monster's hidden nest on the Chrisler building, detective Sheperd discovers that several murders committed of violent manner have been executed as bloody sacrifices to Aztec God named Quetzalcoatl, a feathered serpent whose two halves are a serpent and a bird.
This is a rough-edged chiller and results to be an entertaining return to monster movies from the 50s. Simple and stop-motion monster special effects by recently deceased David Allen, usual of 'Full moon and Empire' factory. Good cast as an overacting Michael Moriarty , David Carradine, Richard Roundtree as Police Inspectors and nice support casting
as Eddie Jones and Candy Clark as crooks'fiancée.The film is well produced by Samuel Z Arkoff who along with James H Nicholson financed numerous movies of various genres, including monsters movies, during the 50s,60s, and 70s by their production company called American International. Cool photography by Fred Murphy, today with a successful career as cameraman. The picture is originally realized by Larry Cohen. He's a B series expert, such as terror genre(Stuff,Return to Salem's Lot, It's alive I,I and Island of the alive), hard hitting crime films(FX,Ambulance) and Blaxploitation(Black Caesar, Hell up in Harlem,Original gangsters), plus a prestigious screenwriter(Phone booth,The ex,Invasion of privacy) and usually writes all his own scripts. This is a cult movie to be liked for chillers and monsters films admirers.