New York police are bemused by a spate of reports of a giant flying lizard that has been spotted around the rooftops of New York, which they assume to be bogus until the lizard starts to ... See full summary »
A delicious mysterious goo that oozes from the Earth is marketed as the newest dessert sensation. But the tasty treat rots more than teeth when zombie-like snackers who only want to consume more of the strange substance at any cost begin infesting the world.
The mutant babies have been placed by court order on a deserted island. Appalled by the cycnicism and exploitation of the children by the legal system and the media, the man responsible for... See full summary »
A thief breaks into the home of a wealthy, happily married Beverly Hills couple. He soon finds out, though, that the couple is neither as wealthy as he thought they were and are not as ... See full summary »
Joyce Van Patten
Josh Baker meets a very special woman, Cheryl, in the streets of New York. Suddenly she collapses, and she's picked up by an ambulance. When Josh wants to visit her in the hospital, it ... See full summary »
James Earl Jones,
New York police are bemused by a spate of reports of a giant flying lizard that has been spotted around the rooftops of New York, which they assume to be bogus until the lizard starts to eat people. An out-of-work, ex-con piano player is the only person who knows the location of the monster's nest and is determined to turn the knowledge to his advantage, but will his gamble pay off or will he end up as lizard food? Written by
Mark Thompson <firstname.lastname@example.org>
The undercover cop disguised as a mime artist is wearing an Amadeus t-shirt. This is from the popular Broadway play, which was running in 1982, and not the film version which came out two years after Q was released. See more »
When Shepard visits the museum to ask about human sacrifices, the curator explains Aztec practices while gesturing and referring to the displays around them. These are however not Aztec, but North-Western Native American costumes and artifacts made at least 400 years later by a different culture thousands of miles to the North. See more »
I am the plumed serpent, I fly, and I crawl... I have fallen, but I shall rise again!
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Q - The Winged Serpent is a trash movie classic, and it also represents one of the masters of that cinema niche's finest hours. Larry Cohen directs this movie, which follows the standard monster movie formula, and is blended well with a theme of mass hysteria and a gritty New York setting. The plot for the movie is, of course, very simple and it sees two sets of murders being investigated by David Carradine's police detective. One set of murders is made up of ritualistic killings - people being flayed, having their hearts cut out etc. The other bunch of murders is more mysterious, and it sees things such as people having their heads bitten off, or being lifted from high rooftops, as if by a giant bird. Maybe there is simply a giant bird on the loose; or maybe those ritualistic killings have reincarnated an Aztec god known as Quetzalcoatl (or just 'Q' for short), which is currently nesting in one of New York City's high buildings
The special effects in 'Q' are definitely the film's main talking point. While they're not very 'special', they sum the movie's trash status up nicely, and the scenes that see the winged serpent swoop down and take people off rooftops are an absolute riot. The creature is also very well designed. Nowadays, special effects seem to want to be as far removed from convention as possible, so much so that it's getting to the extent that it's more of a cliché to change things than it is to leave them how they were. It is refreshing, therefore, to see that Larry Cohen has stuck the design to the classic dinosaur style. It's abundantly obvious what Cohen wanted to do with this movie, and that shows when it comes to the story surrounding the antics of the giant flying lizard. The story surrounding it has it's moments, but it's clearly just something to fill up the time between the snatch and grab killings. It doesn't matter, though, because the monster ensures that the film is always interesting and if you like your trash classics, you'll sure like this!
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