4.6/10
691
11 user 3 critic

Privates on Parade (1983)

R | | Comedy, Drama, War | 18 March 1983 (UK)
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The members of SADUSEA (Song And Dance Unit South East Asia) fall in and out of love while trying to dodge Malayan Communist bullets in the late 1940s. Not only that, they have to contend ... See full summary »

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Cast

Cast overview, first billed only:
Patrick Pearson ...
Sergeant Steven Flowers
...
Sergeant Major Reg Drummond
Joe Melia ...
Sergeant Len Bonny
...
Captain Sholto Savory
...
Acting Lieutenant Sylvia Morgan
...
Sergeant Eric Young-Love
...
Sergeant Charles Bishop
...
Flight Sergeant Kevin Cartwright
Robin Langford ...
Electrician
Denis Quilley ...
Acting Captain Terri Dennis
...
Pianist
Steve Dixon ...
Drummer
Jasper Jacob ...
Bass Player
Leonard Preston ...
Trombonist
Peter Hutchinson ...
Trumpet Player
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Storyline

The members of SADUSEA (Song And Dance Unit South East Asia) fall in and out of love while trying to dodge Malayan Communist bullets in the late 1940s. Not only that, they have to contend with a loony, bible bashing Major who creates far more danger than any of the jungle inhabitants. Only gay captain Dennis Quilley seems capable of coping with him but even he isn't aware of the cowardly Michael Elphick selling arms to the natives. Written by Rhino <rhino@blueyonder.co.uk>

Plot Summary | Add Synopsis

Taglines:

Malaysia, 1947. Some fought. Some danced.

Genres:

Comedy | Drama | War

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

18 March 1983 (UK)  »

Also Known As:

Angyalbőrben  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

It was set in Malaya in 1947 but was filmed at Shepperton Studios in London. See more »

Quotes

Acting Captain Terri Dennis: [dressed as Carmen Miranda, singing] Come and spend a week-a / Down in Costa Rica! / Come and lose / Your heart in Veracruz! / Think how you would bragua / In lovely Nicaragua! / That's the way to chase away the blues! / Down in old Havana, / Everything's 'manana'! / No-one work and everybody play! / How could you resist a / Weekend with Batista / The Latin American way!
See more »

Connections

Referenced in High Hopes: Privates on Parade (2004) See more »

Soundtracks

Melody on the Move
(uncredited)
Music by Clive Richardson
Chappell Recorded Music Library
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User Reviews

 
Please, someone, help this film figure out what it wants to be
1 November 2007 | by (Denmark) – See all my reviews

Really, the film is as confused as some would argue the cross-dressing military units are. I'm not a fan of John Cleese. That's hardly a secret. I tolerate him on Monty Python, and I will grant that he can entertain, but as a general rule, I don't exactly make it a point to seek out his work(though I do not make as strong efforts as I could to avoid it, either... I reserve that for those that I genuinely cannot stand). This film was purchased for me by someone mistaking it for something having to do with his comedy troupe(with good cause, as its crude pun title was translated to "Python at the Front Lines"). A rather see-through attempt at passing it off as something it's not, really, as he's not joined by even a single other member of the group. One of the main problems is that this cannot seem to make up its mind on what to be; a comedy or a war-drama. Neither of them are achieved particularly effectively, separate from each other, and whenever the two are attempted at the same time, it's even worse. There are times when the war aspect seems tacked on, as if the writers were busy writing the attempts at comedy, and suddenly remember that it's set during war-time. The drama begot little emotional response from me(albeit I will admit that it did manage some, near the very end). The comedy... I don't know, it seemed to mainly consist of the flamboyantly gay character being, well, flamboyantly gay, and shining a spotlight on the fact that the men, soldiers, no less... wait for it... are wearing *dresses*. Yup. That's about it. I guess the musical numbers weren't bad. Cleese does nothing to amuse, playing it more straight than many of us were aware he was capable of. He plays someone who, at least appears to be(it's not really clear) deeply religious, and I couldn't tell if this trait was supposed to be part of the comedy or the drama aspect of the film. I don't know, if you're into musicals and/or men in drag, you may like it. I recommend this to people in either or both of the aforementioned groups(I won't stoop to the level of suggesting that those who enjoy one are highly likely to also enjoy the other), but I'm not sure who else to steer towards this. Don't watch this thinking that Cleese does what you're used to(those goofy-looking poses that you see on the cover of the home release... they're from *one* bit in the film, during the credits, which is really the only time he's Python-y). 5/10


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