| Photos (see all 23 | slideshow) | Videos (see all 7) |
Directed by | |||
| Bob Clark | |||
Writing credits | ||
| Bob Clark | (written by) | |
Original Music by | |||
| Paul Zaza | |||
| Carl Zittrer | |||
Cinematography by | |||
| Reginald H. Morris | |||
Film Editing by | |||
| Stan Cole | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Reuben Freed | |||
Set Decoration by | |||
| Mark S. Freeborn | (as Mark Freeborn) | ||
| Paul Harding | |||
Costume Design by | |||
| Mary E. McLeod | (as Mary McLeod) | ||
| Larry S. Wells | (as Larry Wells) | ||
Makeup Department | |||
| J.B. | .... | hair designer | |
| Aunt Linda | .... | makeup assistant | |
| Valli O'Reilly | .... | makeup artist (as Aunt Valli) | |
| Tom Sobeck | .... | hair stylist | |
Production Management | |||
| Martin L. Gillen | .... | production manager | |
| John McAulay | .... | post-production supervisor | |
| Josette Perrotta | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Don Brough | .... | second assistant director (as Donald R. Brough) | |
| Ken Goch | .... | first assistant director | |
| Alan Goluboff | .... | third assistant director | |
Art Department | |||
| John Balling | .... | charge scenic | |
| Barry W. Brolly | .... | art department coordinator (as Barry Brolly) | |
| J. Tracy Budd | .... | property master | |
| David Charles | .... | assistant set decorator | |
| Harold Collins | .... | construction coordinator | |
| Dan Davis | .... | second assistant art director (as Daniel R. Davis) | |
| Robert James | .... | assistant props | |
| Barbara Tranter | .... | assistant art director | |
Sound Department | |||
| Martin Ashbee | .... | dialogue editor (as Martin Ashby) | |
| Steven Cole | .... | assistant sound editor | |
| David Evans | .... | sound effects editor | |
| Austin Grimaldi | .... | sound re-recording mixer | |
| Joe Grimaldi | .... | sound re-recording mixer | |
| Rod Haykin | .... | location sound mixer (as Rodney Haykin) | |
| Ann Heeley-Ray | .... | dialogue editor | |
| Kenneth Heeley-Ray | .... | post-production sound editor (as Ken Heeley-Ray) | |
| Kenneth Heeley-Ray | .... | sound supervisor (as Ken Heeley-Ray) | |
| Brenda Hewitt | .... | assistant sound editor | |
| Andy Malcolm | .... | sound effects editor (as Andrew Malcolm) | |
| Omero Pataracchia | .... | boom man | |
| Dino Pigat | .... | sound re-recording mixer | |
| Kevin Ward | .... | sound effects editor | |
| Barry Wilson | .... | cableman | |
| Christopher Greenwood | .... | post sound mix (uncredited) | |
| Don White | .... | foley recording mixer (uncredited) | |
Special Effects by | |||
| Martin Malivoire | .... | special effects | |
| Neil Trifunovich | .... | special effects man | |
| Walter Woloszczuk | .... | special effects assistant (as Walter Woloszcsuk) | |
Stunts | |||
| Courtney Brown | .... | stunt player | |
| Alex Edlin | .... | stunt player | |
| Gary Maas | .... | stunt player | |
| Dwayne McLean | .... | stunt coordinator | |
| Chuck Mitchell | .... | stunt player | |
| Betty Raymond | .... | stunt player | |
| Butch Raymond | .... | stunt player | |
| Peter Tors | .... | stunt player | |
| Roger Womack | .... | stunt player | |
Camera and Electrical Department | |||
| Michael Beer | .... | electrician | |
| Paul Bolton | .... | best boy (as Paul D. Bolton) | |
| Ron Chegwidden | .... | electrician | |
| Ted Churchill | .... | Steadicam operator | |
| Jose Cue | .... | grip | |
| Craig DiBona | .... | panaglide operator (as Craig E. DiBona) | |
| Kenneth Dunning | .... | electrician | |
| Thomas Elmore | .... | gaffer (as Thomas V. Elmore) | |
| Wayne Goodchild | .... | assistant key grip | |
| Jonathan Hackett | .... | key grip | |
| Roy Irvine | .... | grip | |
| Kevin Jewison | .... | second assistant camera | |
| Perry A. Jones | .... | grip (as Perry Jones) | |
| Gordon Langevin | .... | first assistant camera | |
| Gene Moffat | .... | generator operator (as Eugene Moffatt) | |
| Patti Morein | .... | third assistant camera | |
| Harald Ortenburger | .... | camera operator | |
| Jack Rowand | .... | still photographer | |
Casting Department | |||
| Dee Miller | .... | location casting (uncredited) | |
Costume and Wardrobe Department | |||
| Erla Lank | .... | wardrobe mistress | |
| Harold Richter | .... | wardrobe assistant | |
| Esther Robinson | .... | wardrobe assistant (as Esther O. Robinson) | |
Editorial Department | |||
| Chantal Bowen | .... | second assistant editor | |
| Richard Cadger | .... | assistant editor (as Richard A. Cadger) | |
| Thomas Metzger | .... | color timer (uncredited) | |
Music Department | |||
| Gerry Young | .... | music consultant (as Gerry A. Young) | |
| Frank Morrone | .... | music recordist (uncredited) | |
Transportation Department | |||
| Fran Kandaras | .... | vehicle coordinator | |
| Sam Segal | .... | transportation captain | |
Other crew | |||
| Victoria Barney | .... | executive assistant | |
| Harriet Birnholz | .... | production office coordinator | |
| Robert Birnholz | .... | production assistant | |
| Brad Blackwood | .... | craft service | |
| Orin Borsten | .... | unit publicist | |
| Réjane Boudreau | .... | production accountant | |
| Jim Connell | .... | production assistant | |
| Céline Daignault | .... | assistant bookkeeper | |
| Rob Goodridge | .... | film intern: Florida State | |
| Joel Greenberg | .... | production assistant | |
| Stephen Greenberg | .... | production executive | |
| Dawn Hudson | .... | bookkeeper | |
| Sandra Kolber | .... | creative liaison: Astral Film Productions | |
| Elton MacPherson | .... | representative: Simon Distribution Inc. | |
| Blanche McDermaid | .... | continuity | |
| Cindy Morton | .... | assistant to producers (as Cindy Morton Rossy) | |
| Eddy Rosenberg | .... | production executive | |
| Roger Swaybill | .... | advisor | |
| Jay Tobias | .... | film intern: Florida State | |
| Andrew Waxman | .... | production assistant | |
| Joseph Bearman | .... | production assistant (uncredited) | |
Thanks | |||
| Mary Lee Lander | .... | the producers wish to thank for their cooperation: Metro Dade County Florida Office of Film and Television Co-ordination | |
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| City of Shoulders and Noses | Carrie | Across the Universe | The Cheerleaders | Cidade de Deus |
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Porky's is the original teen sex comedy.
I had the great pleasure of seeing Porky's in a late night showing on opening day in March 1982 in a theater packed to the gills with 18-25 year olds (although I was 30). I hurt for 3 days from laughing so hard.
There is a portion of the movie, beginning close to the 1 hour mark that is the absolute funniest 14 minutes ever put on film. This includes these three hilarious scenes: Coach and Lassie in the boys locker room (Coach Brackett finds out why they call Miss Honeywell Lassie), then it segues to the guys peeping through the holes into the girls shower room, where Beulah Balbricker gets a 'handle' on Tommy's situation, immediately followed by the scene with Coach Brackett, Coach Warren and Head Coach Goodenough in Principal Carter's office with Beulah describing the "incriminating mole". There were people out of their seats, laying on the floor of the theater screaming with laughter. I have yet to see another motion picture invoke this kind of hilarity in a movie theater. I saw it in the theater 2 or 3 times in it's original theatrical run with the same response. When it became available, I bought the VHS copy, then the laser disc copy and when I got the DVD a few month's ago, I watched it for the zillionth time and I still laugh my butt off when I see those scenes. The acting is great for a bunch of no-names, there are actually great multiple plot-lines (in addition to the typical "get laid at any cost" plot) and the cinematography, editing and sound is above average. They made this movie in 90 days for less than $4 million and it grossed $7 million opening weekend and has grossed over $100 million in theaters to date, most of that in 1982 dollars. The only thing I can say bad about Porky's is that they should have stopped after the first one. The first pathetic sequel (The Next Day) lacked humor, the second sequel (Porky's Revenge) had 30-year-olds playing teenagers and they had long-since lost their youthful charm.