Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ... See full summary »
ASSA is set in Crimea during the winter in the mid eighties. A young musician (Bananan) falls for mobster's (Krymov) young mistress (Alika). The parallel story line involves an 18th century... See full summary »
A story about a young woman, Vera, who is somebody, living the life of a troubled teenager in the time right before the end of the Soviet Union. She lives in a very small Russian apartment ... See full summary »
A soldier of the Red Army named Sukhov has been fighting in the Russian Civil War in Russian Asia for many years. Just as he is about to return home to his wife, Sukhov is chosen to guard ... See full summary »
Two Russian soldiers, one battle-seasoned and the other barely into his boots and uniform, are taken prisoner by an anxious Islamic father from a remote village hoping to trade them for his captured son.
Stories from the lives of the tennants of the Moscow's communal apatment: Kostik, who is a college student, lives with his aunt while studying; Arkady Velyurov who is a performing artist; ... See full summary »
Young Siberian writer Volodya meets Kolya in the Moscow metro in his visit to a famous author. Volodya and Kolya's friend Sasha adventure their love interests in their own way, while Kolya sets out to help them.
Platon Ryabinin, a pianist, is traveling by train to a distant town of Griboedov to visit his father. He gets off to have lunch during a twenty minute stop at Zastupinsk railway station. He... See full summary »
After Kashtanka (1975) and Lone Wolf (1978), two films based on classical Russian books, director Roman Balayan remained inactive for several years as he wasn't interested in communist films he was offered. According to him, 'Polyoty vo sne i nayavu' became the film where he put all the anger and disappointment accumulated in him within these years. See more »
On the eve of his fortieth anniversary Sergei Makarov (Oleg Yankovsky), looks back at his life and learns that he has achieved nothing. He was not able to be happy and to bring happiness to the closest people in his life, neither to his long-suffering wife nor young mistress nor friends nor work... It is about the men who never grew up and could not find themselves in the time of stagnation gifted, charming, but infantile and lost, they never were able to realize themselves...
This film became a super-hit in the Soviet Union of the eightieth. The audiences were divided into two camps. Some saw it as a personal insult, others - as a personal victory, as truth about their time and about themselves. When I saw it twenty four years ago, everyone was fascinated by the courage of the movie creators who chose a weak man, an anti-hero as a symbol of his times. When I saw it last night, the main character irritated me most of the time and I simply could not bring myself to sympathize or identify with him. Some of the best Russian actors gave very good performances (Oleg Yankovsky, Oleg Tabakov, Lyudmila Gurchenko and Nikita Mikhalkov in a short but memorable cameo) but the movie belongs to its era and it did not age well...
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