Cinematographic adaptation of classical Russian play "Dowry-less" by A. Ostrovsky. Noble but poor widow seeks to arrange marriage for her three daughters. She maintains "open house" or ... See full summary »
Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the ... See full summary »
When Sir Charles Baskerville is found dead in his country house, Dr James Mortimer asks Sherlock Holmes for help to save Sir Henry Baskerville, the only known heir, from the curse that haunts Baskerville family.
Stories from the lives of the tennants of the Moscow's communal apatment: Kostik, who is a college student, lives with his aunt while studying; Arkady Velyurov who is a performing artist; ... See full summary »
Young Siberian writer Volodya meets Kolya in the Moscow metro in his visit to a famous author. Volodya and Kolya's friend Sasha adventure their love interests in their own way, while Kolya sets out to help them.
Country girl Nadia moves to the city and becomes a maid in Valya's apartment. Valya, who is a member of the local District Committee, does not know that Nadia fell in love with her ... See full summary »
After Kashtanka (1975) and Lone Wolf (1978), two films based on classical Russian books, director Roman Balayan remained inactive for several years as he wasn't interested in making communist films he was offered. According to him, 'Polyoty vo sne i nayavu' became the film where he put all the anger and disappointment accumulated in him within these years. See more »
On the eve of his fortieth anniversary Sergei Makarov (Oleg Yankovsky), looks back at his life and learns that he has achieved nothing. He was not able to be happy and to bring happiness to the closest people in his life, neither to his long-suffering wife nor young mistress nor friends nor work... It is about the men who never grew up and could not find themselves in the time of stagnation gifted, charming, but infantile and lost, they never were able to realize themselves...
This film became a super-hit in the Soviet Union of the eightieth. The audiences were divided into two camps. Some saw it as a personal insult, others - as a personal victory, as truth about their time and about themselves. When I saw it twenty four years ago, everyone was fascinated by the courage of the movie creators who chose a weak man, an anti-hero as a symbol of his times. When I saw it last night, the main character irritated me most of the time and I simply could not bring myself to sympathize or identify with him. Some of the best Russian actors gave very good performances (Oleg Yankovsky, Oleg Tabakov, Lyudmila Gurchenko and Nikita Mikhalkov in a short but memorable cameo) but the movie belongs to its era and it did not age well...
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