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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2005

1-20 of 34 items from 2016   « Prev | Next »


Salem’S Lot (1979) and Cat’S Eye Are Coming to Blu-ray

18 August 2016 9:32 AM, PDT | DailyDead | See recent DailyDead news »

Earlier this summer, Warner Bros. Home Entertainment gave Stephen King fans a big reason to rejoice when they announced a September 20th release date for their It miniseries Blu-ray. And now they’ve added two other King adaptations to their September 20th Blu-ray slate: 1979’s two-part miniseries Salem’s Lot (1979) and the horror anthology Cat’s Eye (1985), with the former being released with a new audio commentary by director Tobe Hooper.

EW reports that Warner Bros. Home Entertainment will release Salem’s Lot and Cat’s Eye on Blu-ray, respectively, on September 20th.

On the new audio commentary for Salem’s Lot, director Tobe Hooper will discuss what should be fascinating insights on the making of the miniseries based on King’s 1975 novel about a small New England town with a serious bloodsucker problem.

Featuring adaptations of King’s short stories “Quitters, Inc.” and “The Ledge,” as well as a third tale starring Drew Barrymore, »

- Derek Anderson

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It Came From The Tube: Salem’S Lot (1979)

14 August 2016 11:09 AM, PDT | DailyDead | See recent DailyDead news »

Stephen King adaptations are very hard to pull off successfully. For every Misery, there’s a Graveyard Shift; Carrie soars while Cujo stalls. The small screen has had it just as bad—the elephantine The Stand benefits from its four-night rollout, while no amount of time could save The Tommyknockers. And that’s just the tip of the iceberg—at last count, there were 91 King adaptations (I’ll need to double-check those figures) across all media. For this blurry-eyed cathode ray kid, however, nothing has yet to match the two-part graveyard dance known as Salem’s Lot (1979).

Originally airing on CBS on Saturday November 17th and 24th, Salem’s Lot was a huge success for the network; there was even talk of turning it into a weekly series. Alas, that never came to be. However, we were gifted with 183 minutes of measured, chilling suspense and terror helmed by none other »

- Scott Drebit

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'Stranger Things' creators explain it all about season 1

27 July 2016 4:00 AM, PDT | Hitfix | See recent Hitfix news »

I really enjoyed Netflix's Stranger Things, an unapologetic tribute to the works of Steven Spielberg, Stephen King, John Carpenter, and other masters of suspense and horror that creators Matt and Ross Duffer grew up loving. (Here's my initial review, and here are some spoiler-heavy thoughts on the season.) Yesterday, I spoke with the Duffer brothers about how they drew the line between homage and straight-up thievery, why the season was only 8 episodes (a length I think more Netflix dramas should try), why actor Gaten Matarazzo deserves so much credit for making Dustin the show's most entertaining character, what a potential second season would be like, and more. That's all coming up just as soon as you give me this phone, two weeks advance, and a pack of Camels... Where did you draw the line between paying homage to all those great movies and books of the period and trying to tell your own story? »

- Alan Sepinwall

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'Stranger Things': How Netflix's Retro Hit Resurrects the Eighties

21 July 2016 6:30 AM, PDT | Rollingstone.com | See recent Rolling Stone news »

It's one thing to set a TV series in the 1980s; it's a whole other thing, however, to make it feel like it was actually shot during the Reagan-and-Rubik's-Cube era. Matt and Ross Duffer's new Netflix series Stranger Things is full of nostalgic nods to the decade and its pop-cultural products, but it's also uncommonly rigorous about getting the details just right — whether it's the many pitch-perfect music cues, the hat-tipping nods and homages to Eighties movies, or simply nailing the cringeworthy fashion statements of the day (those Mom jeans! »

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Netflix's Stranger Things: spotting the movie references

19 July 2016 11:07 AM, PDT | Den of Geek | See recent Den of Geek news »

Dan Cooper Jul 20, 2016

What 80s pop culture references and nods did you spot in Netflix's Stranger Things? We start the ball rolling...

Warning: contains spoilers for Stranger Things.

The term ‘love letter’ gets thrown around a lot these days: citing a few signature texts as being influential in the creation of your movie or TV show is now directorial de rigeur. Not only is it a method proven to pull in fans of those classics seeking to slake their ravenous nostalgic urges, it’s also a great way to borrow a dash of glamour, to stand on the shoulders of giants as it were.

That said, Netflix’s new show, Stranger Things is not one of those love letters. This is no scribbled declaration of romance, hastily scrawled on a Post-It note and hurled at the back of your head. This is a Shakespearean sonnet of a love letter – an artfully constructed declaration of adoration, »

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How Stranger Things Evoked Familiar Things (E.T.! Goonies! Freddy!) While Delivering Fresh, Fun Thrills

19 July 2016 6:50 AM, PDT | TVLine.com | See recent TVLine.com news »

Stranger Things were happening this past weekend for those who sampled and wound up bingeing all eight episodes of Netflix’s new drama series.

(Basic plotline/mild spoilers follow, until I announce otherwise. And I will announce otherwise.)

VideosStranger Things: Watch a Trailer for Winona Ryder Supernatural Drama

Created by brothers Matt and Ross Duffer (who cowrote a few episodes of Wayward Pines) and set in a small Indiana town circa 1983, Stranger Things revolves around the vanishing of a young boy, Will Byers , which comes on the heels of something escaping from a local, “secret” government lab lorded over by Dr. »

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The Stars of Stranger Things Dish on the Show’s "Gnarly, Weird Monster"

15 July 2016 8:35 AM, PDT | POPSUGAR | See recent BuzzSugar news »

Thanks to a heavy dose of mystery and some nostalgic teasers, Netflix's Stranger Things has quickly become one of the most highly anticipated shows of the Summer. Since we couldn't deal with the suspense any more, Popsugar tried to pry a few fun secrets out of David Harbour and Millie Bobby Brown, who respectively star as a gruff, apathetic police chief and a little girl named Eleven who may or may not be able to move things with her mind. From discussing the perils of trying to squeeze into polyester pants to exactly which episode of the first season will have your jaw on the floor, we're more pumped than ever to bingewatch the show this weekend. Popsugar: A few horror/sci-fi TV shows and movies with an '80s vibe have popped up lately, like It Follows and Wayward Pines. What do you think will make Stranger Things stand out from them, »

- Quinn Keaney

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Netflix's Stranger Things: Shawn Levy interview

14 July 2016 1:14 AM, PDT | Den of Geek | See recent Den of Geek news »

Louisa Mellor Jul 15, 2016

We chat to the producer-director of 80s-set sci-fi horror series Stranger Things, now on Netflix, about Spielberg, nostalgia and more…

Read our spoiler-free Stranger Things review here.

Stranger Things, Netflix’s new sci-fi horror series is made by and for our kind of people. Movie nerds Matt and Ross Duffer have translated their love of classic Steven Spielberg, John Carpenter, Wes Craven and Stephen King pictures into an eight-part drama that feels as comfortable as sinking into your favourite chair.

Set in 1983 Indiana, Stranger Things is the story of a boy’s disappearance, odd goings-on at a local government facility and the mystery arrival of a peculiar little girl. With a very likeable young cast (think Freaks & Geeks if Sam, Bill and Neil had to deal with real monsters, not just the high school variety) and Winona Ryder, David Harbour and Matthew Modine capably leading the grown-ups, »

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How Winona Ryder's Child Star Past Bonded Her with Her Stranger Things Costars

12 July 2016 11:15 AM, PDT | PEOPLE.com | See recent PEOPLE.com news »

Winona Ryder, who started her own Hollywood career when she was just entering her teens, reveals shared experience with her young costars from Netflix's Stranger Things did inspire some fond, maternal feelings. "The kids were amazing - it's really their show," Ryder told People at the premiere of the atmospheric adventure/horror series in Los Angeles. "They were just remarkable!" The series, set in small town Indiana in 1983, follows a set of preteens and a set of teenagers in the wake of the paranormal disappearance of a local boy. "It was really nice to see that these particular actors genuinely enjoyed acting, »

- Scott Huver

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Forget The Bfg, Spielberg ain’t past it yet…

9 July 2016 8:00 AM, PDT | Flickeringmyth | See recent Flickeringmyth news »

Tony Black on what the future holds for Steven Spielberg following the box office disappointment of The Bfg

This week, The Bfg joined this year’s list of ‘illustrious’ flops, at least in the Us where it tanked hard as it released off the back of Indepedence Day: Resurgence and the much more successful Finding Dory. That puts it in the same house as The Huntsman’s Winter War, Gods of Egypt & Zoolander 2. A Steven Spielberg movie. Based on a legendary children’s book by Roald Dahl. This can’t be right, surely? Well for whatever reason, nobody wanted to smell what The Bfg was cooking, and almost immediately commentators and sites decried this box office failure as the metaphorical ‘death of Spielberg’, suggesting the master of modern cinema has lost his magic touch with the takings and, moreover, has lost that special ingredient which made him arguably the »

- Tony Black

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‘Stranger Things’ Review Roundup: Critics Praise The Spielbergian ‘80s Nostalgia Thriller

8 July 2016 9:57 AM, PDT | Indiewire Television | See recent Indiewire Television news »

Stranger Things” is a new eight-episode Netflix original series starring Winona Ryder as Joyce Byers, a mother living in Hawkins, Indiana whose son vanishes into thin air under very suspicious circumstances. The Matt and Ross Duffer-created thriller is considered “a love letter to the supernatural classics of the ’80s,” and critics are going wild for it.

“‘Stranger Things’ is nothing if not a surprising, sometimes scary, moving and successful homage to the era of Spielberg’s ‘Et’ and the 1980s themselves – as well as the films of the great John Carpenter,” says Deadline’s Dominic Patten in his video review. “Yes, there are a lot of clichés in ‘Stranger Things,’ but like outdoor string lights, they all hold together. They also cast a warm glow on the sheer enthusiasm and respect the series has for those who have come before and a very particular time in America’s recent »

- Liz Calvario

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‘Stranger Things’ Review Roundup: Critics Praise The Spielbergian ‘80s Nostalgia Thriller

8 July 2016 9:57 AM, PDT | Indiewire | See recent Indiewire news »

Stranger Things” is a new eight-episode Netflix original series starring Winona Ryder as Joyce Byers, a mother living in Hawkins, Indiana whose son vanishes into thin air under very suspicious circumstances. The Matt and Ross Duffer-created thriller is considered “a love letter to the supernatural classics of the ’80s,” and critics are going wild for it.

“‘Stranger Things’ is nothing if not a surprising, sometimes scary, moving and successful homage to the era of Spielberg’s ‘Et’ and the 1980s themselves – as well as the films of the great John Carpenter,” says Deadline’s Dominic Patten in his video review. “Yes, there are a lot of clichés in ‘Stranger Things,’ but like outdoor string lights, they all hold together. They also cast a warm glow on the sheer enthusiasm and respect the series has for those who have come before and a very particular time in America’s recent »

- Liz Calvario

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11 strange or ill-advised abandoned movie sequels

27 June 2016 7:34 AM, PDT | Den of Geek | See recent Den of Geek news »

Ryan Lambie Jun 30, 2016

Jessica Rabbit kidnapped by Nazis. Costner rescuing Princess Diana. We look back at a few strange movie sequels that were never made…

The multi-million dollar success of any movie will inevitably leave Hollywood executives clamouring for a sequel. And while there are plenty of movies whose stories are open-ended enough to warrant a return to the creative well, there are many times when coming up with a follow-up idea requires all sorts of imaginative leaps. Just look at something like Alien: Resurrection, which had to come up an elaborate reason why Ripley had (spoiler alert) managed to survive a swan-dive into a lead foundry in Alien 3.

Which brings us to this list, which is devoted to a few of the weirder sequel ideas that never made it to the big screen. An E.T. sequel in which little Elliott gets tortured by aliens? Forrest Gump dancing with Princess Diana? »

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Winona Ryder: from teen rebel to screen mum

18 June 2016 4:04 PM, PDT | The Guardian - TV News | See recent The Guardian - TV News news »

As the 80s star of Beetlejuice and Heathers returns with a plum role on Netflix, we chart her troubled career

Next month sees the arrival of the Netflix’s drama Stranger Things, a much-anticipated supernatural chiller about a missing boy, which pays homage to everything from Twin Peaks to Poltergeist and has been described by Us critics as “looking like the show Steven Spielberg and Stephen King never made”.

It also marks the next, and perhaps most important, stage in Winona Ryder’s return to Hollywood’s spotlight. Now 44, Ryder has spent the past few years slowly rebuilding her career since it imploded in the early years of this century with a conviction for grand theft, shoplifting and vandalism amid rumours of prescription drug addiction. (She was subsequently sentenced to three years probation and ordered to undergo drug counselling.) Since then Ryder has taken a low-key approach to her career. »

- Sarah Hughes

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James Wan interview: The Conjuring 2, Fast 7, Statham

12 June 2016 9:51 AM, PDT | Den of Geek | See recent Den of Geek news »

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From directing Statham vs The Rock in Fast 7, the directing The Conjuring 2: we have a chat with Mr James Wan...

Fittingly on the day of this interview, having just watched a wet, grey depiction of England on screen in The Conjuring 2, I left the film to find that London was characteristically on form by chucking it down with rain just as summer was officially about to start. Director James Wan however was as enthusiastic and full of laughs as you could hope for, talking with a speed and passion that made him a delight to interview.

It’s no surprise I guess, considering that one of his strongest assets as a director is the enthusiasm and love that he has for cinema, especially horror, which shines through in his work and really helps to set him apart from many of his peers. If you take a look at the first Conjuring, you can see influences from the likes of The Texas Chainsaw Massacre and Poltergeist, yet he somehow always manages to add his own imprint and freshness to stories we either know, or think we know – the sight of a familiar house at the start of The Conjuring 2 is an absolute delight, for instance.

Wan has also successfully managed to create multiple franchises out of his horror movies, with The Conjuring, apart from spawning its own sequel, creating the world of Annabelle which has also now got a second film in the works, then there’s Insidious and of course Saw, both of which have a string of follow ups.

I suspect that his gift for creating worlds is in no small part why Warners decided to give him the reigns to its upcoming Aquaman, so it’s all fingers crossed that he manages to make a hit out of such an unusual DC hero. Of course there’s also the large matter of him directing The Statham fighting The Rock in Fast 7 and for that alone, he merits a spot at the Den of Geek table just about any time he wants.

So with that in mind, we sat down to talk about all things Conjuring, with just a little Statham on the side…

I’ve just come from the screening and there’s something really great about watching a horror film first thing in the morning - you’re completely open to it.

Yikes! It’s, I don’t know, a weird concept to me to see a scary movie first thing in the morning!

It has that more impact, I think, as you have nothing else in your head. The thing I really like about this sequel was that it built on what was set up in the first Conjuring, which was that you have all these rich supporting stories around Ed and Lorraine - was it always your intention to world-build?

Well, I mean you know you kind of fantasise about building a world and having the opportunity to expand down the line, if the first movie works but you know, I try not to think about stuff like that too much because it’s almost like saying to the universe to screw things up for you! But I definitely always plan and think hopefully that we’ll have the opportunity that we could expand on it more and it gives us, gives me as a film maker, places to grow and, like the characters, grow and expand and just leave more stories and places to take it. I always say, what is cool for me with The Conjuring, is it’s not just another scary set piece, or another scary case, it’s more about what I can do with the characters of Ed and Lorraine Warren.

I think the characters are definitely key, because as a life-long horror fan, I think too many horror films can get lost and they can become too cold, because they don’t have any heart at their core. With Ed and Lorraine were those characters you were aware of in real life, or were they something you learnt about?

Well, I definitely pulled inspirations from hanging out with Lorraine, that was something that was important for Patrick Wilson, Vera and myself, is to try and do justice - or at least be respectful to who they are and who Ed was. So, at the same time though I knew that, I wanted it to be like our own cinematic version for the Warrens and so, yet again you know, I think for me anyway, the most successful horror movies that work are the ones that can create characters who you care about and that have characteristics that resonate with you and I think that is highly important, because if you can create characters that are likeable and people you can relate to, to me it makes the scares that much more scarier.

Because you have that sense of investment and I think that’s what made this more successful than a lot of horror sequels, because you’ve already have one film to become invested in Ed and Lorraine’s relationship and so there is a sort of strange beauty to The Conjuring 2 as a whole, because you care about them…

There is a set of continuity to the characters and because you’ve invested in who they are from the first movie already, you want to go along with them on their second journey - it gives me a lot of short hand to open things up more.

It is always been fascinating to me when directors use the same actors again and again. With Patrick Wilson I wondered if you signed some exclusive rights to use him!?

[Laughs] I joked that I - you know how Johnny Depp was to Tim Burton, Patrick Wilson is my Johnny Depp. I don’t know, I think the guy is such a cool guy and he to me in a lot of ways is the kind of embodiment of a leading actor for me as a director you know, he’s a great actor, he's a very thoughtful thespian, always thinks about his characters.

He’ll really think about the roles that he plays, but at the same time he’s easy going, really cool and as a director that’s so great, you know, like you want to work with people who you enjoy working with, you know, because making a movie is so difficult, and you do not need an extra layer of craziness that go along with it and Patrick is so easy and cool and besides being a talented actor as well, he’s just so fun to have around on set.

I love watching the way he interacts with Vera Farmiga, because they have such an easy chemistry between the two of them and I love it – a lot of them time I see them screwing around, just joking off camera and I just want to turn the camera on and just capture that! [Laughs] And what more can a director ask for than great chemistry between the two leads.

It’s fascinating actually, that you mention like the Burton and Johnny Depp thing, because obviously I grew up with that and a lot of those filmic relationships. Who are your horror influences because of course, I’m a huge Carpenter and Russell fan…

Who isn’t, right? Well especially for us as such genre geeks! Definitely I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies. I mean Jaws to me is one of the scariest movies ever made, and Poltergeist as well and all the way back to Duel, his first movie. I loved those films, I love the way he crafts his scenes with so much tension, and such classic sort of pure cinema style of filmmaking, you now obviously his love for Hitchcock, and so I guess I admire Hitchcock in a roundabout way through Steven Spielberg as well.

And so yeah he's definitely one that I always sort of aspire to and I mean I know it’s a cliché and everything ‘cause everyone loves Steven Spielberg but definitely - you know I even put a lot of that stuff that I love in my horror filmmaking, or tension building into my other movie like Fast And Furious 7, because I think that’s the style of film making that I really love.

Yeah its funny, I hadn't considered it until you said it but Conjuring 2 was obviously about family and so was the first Conjuring and then actually you have a family dynamic in Fast 7, as well…

It just ties into that… I don’t know if that was something consciously that I was doing [laughs]! I think it’s more of a coincidence than anything, but in terms of the stylistic aesthetic, I carried a lot of my sort of my horror film making designs, definitely into Fast And Furious 7 and then now learning from that I bring it into Conjuring 2, and so I like to think that with every movie I make, I develop and I evolve as a filmmaker and I'm still growing which I think is a good thing - I definitely did not peak with my first film! [laughs and looks comically anxious!]

No definitely not! And talking of being a genre geek, I have to ask as you now have the honour of course, talking about Russell and Carpenter, of doing the best Kurt Russell action sequence for well over a decade?

Yeah a long time! Yeah, yeah! [laughs]

Because he sort of disappeared and then he's suddenly come back…

Yeah, believe me it was a big joy for me as a fan to get the chance to direct Kurt Russell, and like you say in this really cool action scene as well, it was small, but yet it was just cool to kinda let Kurt Russell be Kurt Russell! [laughs] Be Snake Plissken, you know just seeing shades of Snake, so that was really fun, and the fact that Patrick actually worked with him on Bone Tomahawk and so we love sharing our Kurt Russell stories! [laughs] He's such a great guy, I love Kurt.

What made me laugh as well when thinking of crossover questions is the fact that you've gone from working with a handful of the greatest action movie stars in Fast 7, and then decided that the easiest thing to do would then be to work with a whole load of children in Conjuring 2 and that was your wind down!

[Laughs] It’s definitely challenging obviously working with children, but at the same time it’s really cool as well. I think I've been very fortunate that I've had really great casting director Annie McCarthy, who’s worked on a bunch of my movies from Insidious to The Conjuring films and she's so great in helping me find really likeable and really talented kid actors and I think I was very fortunate to work with great child actors in the first Conjuring and again in Conjuring 2.

But definitely more so with Madison Wolfe in this one, who has such a difficult role to play - someone that has to ride that wave of – to play a character that is so nuanced from innocence and naïve, to now very troubled, to possessed, you know to all of that range. I think we definitely got very lucky with finding Madison, I think she has such an amazing, bright future ahead of her.

I thought she was outstanding, actually, so much so I wrote her name down on my notes. So last question, traditionally we always ask what your favourite Jason Statham film is…

[Laughs] Wow, what is my favourite Statham movie? I mean I definitely I love the Transporter films, they're so much fun I mean, obviously Lock, Stock and Snatch, I actually like a lot of movies that he's been in and of course I think you know!

Fast 7!

Fast 7! Yeah he’s super cool in Fast 7 there’s no doubt about that! Yeah he's a cool guy to begin with and I got to make him even cooler, so I'm very proud of that.

Yeah you made him like a Terminator - that was an awesome move, that opening in the hospital was just fantastic!

Yes, yeah that was fun to just design from a filmmaking standpoint!

Yeah I bet! Well thank you so much!

Thank you sir, it was pleasure to meet you!

The Conjuring 2 is in UK now.

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Movies Interview Duncan Bowles James Wan 13 Jun 2016 - 05:40 The Conjuring 2 Jason Statham Fast And Furious 7 The Conjuring Annabelle Insidious Saw Kurt Russell Patrick Wilson Vin Diesel Vera Farmiga »

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Interview: Talking 'The Conjuring 2' with Director James Wan

10 June 2016 7:09 AM, PDT | LatinoReview | See recent LatinoReview news »

"The Conjuring 2" has James Wan once again at the helm following the record breaking success of "The Conjuring," he brings to the screen another real case from the files of renowned demonologists Ed and Lorraine Warren with much added scares.

Latino Review had the opportunity to speak with director James Wan at a recent press day in Los Angeles. We asked him about bringing this story to London, having his set blessed by a priest, working again with Patrick Wilson and Vera Farmiga, working in the Hodgson house and what really scares him.

Why not just do an Amityville film since the film starts from there? Why not make a Amityville film based on the Warren files?

James Wan: I think that the fact that the Amityville case is so documented and done so many times and its just something that I feel that everyone knows about it already. »

- Fernando Esquivel

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Interview: James Wan on His Creative Process, Returning to Horror with The Conjuring 2 and His Approach to Aquaman

9 June 2016 1:31 PM, PDT | DailyDead | See recent DailyDead news »

Ever since his first feature film, Saw, was unleashed on unsuspecting audiences at Sundance in 2004, James Wan has continued to leave an indelible mark on the world of modern horror, creating two successful franchises—the aforementioned Saw and Insidious—and crafting several other truly remarkable genre efforts along the way, including Dead Silence and Death Sentence.

This weekend, Wan is hoping for a franchise three-peat with The Conjuring 2, his stunning sequel to 2013’s highly successful supernatural tale about the work of Ed (Patrick Wilson) and Lorraine (Vera Farmiga) Warren, two paranormal investigators who tackled evil time and time again throughout their careers. The follow-up film takes the couple to Enfield, England, where they must help the Hodgson family deal with an entity that is relentlessly tormenting them, especially young Janet (Madison Wolfe), who has become a pawn for the angry spirit.

During the recent press day, Daily Dead had »

- Heather Wixson

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It Came From The Tube: Don’T Go To Sleep (1982)

22 May 2016 12:07 PM, PDT | DailyDead | See recent DailyDead news »

Let’s face it: Most horror made for TV isn’t really scary, is it? I mean, we talk about these shows or movies frightening us as kids, but we could say the same about watching a PG rated flick that contains a few good jolts or disturbing themes. The bottom line is a lot of things scare us as children, including real life. And every once in awhile, someone will come strutting along and boast of a TV movie from their youth that they insist is genuinely scary.  And when they say genuine, they mean that it still casts a spell today, unvarnished by time. Well, having finally seen it for the first time, I can say that Don’t Go To Sleep (1982) fits the bill, offering up a few for real scares, a sense of unease, a clever teleplay, and an ending that’s still sticking to me like unwanted psychic residue. »

- Scott Drebit

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The Darkness Review

20 May 2016 4:40 PM, PDT | We Got This Covered | See recent We Got This Covered news »

I’ve endured countless horror movies that go absolutely nowhere, but Native American Poltergeist – I mean, The Darkness – might be 2016’s most notorious offender. Even in an empty theater, engulfed by pitch-black silence, only the super-chilly air conditioning could manage to raise my hairs. Influentially, there’s never a question where filmmaker Greg Mclean draws inspiration from, but where other movies simply borrow, The Darkness repurposes. Not blatantly – like Kelvin Tong’s The Offering – but when I jokingly say Native American Poltergeist, the comparison couldn’t be more cut-and-dry. What happens when you blend together Insidious, Poltergeist, and every other paranormal haunter from the last ten years? I have no idea, but this is unfortunately worse.

Don’t you hate when your autistic child unleashes a generations-old Anasazi curse? Peter (Kevin Bacon) and Bronny (Radha Mitchell) think their Grand Canyon camping vacation is all fun and sunshine, but their son »

- Matt Donato

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Review: The Darkness Inhabits The Creepy Edge Of Suburbia

13 May 2016 12:00 PM, PDT | Screen Anarchy | See recent Screen Anarchy news »

For his latest adventure in suspense, director Greg McLean reins in the blood and guts to focus on a family under attack by forces both interior and exterior. McLean established his international reputation with the gruesome Wolf Creek more than 10 years ago, and the sequel Wolf Creek 2 dug into body horror with even more gusto. In between he made Rogue, probably remembered chiefly as a crocodile thriller. Yet each of those films showed McLean's distinctive ability to marshal his resources in order to unleash something more than might be expected. The same is true with The Darkness, which on first blush feels like a lightly rejiggered version of Tobe Hooper's Poltergeist, complete with a house in American suburbia that comes under attack by...

[Read the whole post on twitchfilm.com...]

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