Legendary filmmaker Sam Raimi and director Gil Kenan reimagine and contemporize the classic tale about a family whose suburban home is invaded by angry spirits. When the terrifying ... See full summary »
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
A young family are visited by ghosts in their home. At first the ghosts appear friendly, moving objects around the house to the amusement of everyone, then they turn nasty and start to terrorise the family before they "kidnap" the youngest daughter. Written by
When questioned about who had the greater control over Poltergeist (1982), Steven Spielberg or Tobe Hooper, Spielberg replied "Tobe isn't... a take-charge sort of guy. If a question was asked and an answer wasn't immediately forthcoming, I'd jump in and say what we could do. Tobe would nod agreement, and that became the process of our collaboration." Co-producer Frank Marshall spoke out to the press and claimed "the creative force of the movie was Steven. Tobe was the director and was on set every day. But Steven did the design for every storyboard and was only absent for three days during the shoot, because he was in Hawaii with (George) Lucas." Hooper later claimed that he did half of the storyboards. Spielberg then sent a letter to Hooper to clarify matters: "Regrettably, some of the press has misunderstood the rather unique, creative relationship you and I shared throughout the making of Poltergeist. I enjoyed your openness in allowing me...a wide berth for creative involvement, just as I know you were happy with the freedom you had to direct Poltergeist so wonderfully. Through the screenplay you accepted a vision of this very intense movie from the start, and as the director, you delivered the goods. You performed responsibly and professionally throughout, and I wish you great success on your next project." Zelda Rubinstein disagreed. While Hooper set up the shots, it was Spielberg who made the adjustments, and most of the time, Hooper was "only partially there" on set. The issue then of who had creative control over Poltergeist (1982) is still a muddy issue even today. See more »
Dr. Lesh asks "Where was Carol Ann playing when she disappeared?" to which Diane responds (incorrectly) "her bedroom closet." The last time Diane - or anyone - was in the room with Carol Anne before she disappeared, she was sitting in her bed, pulling her covers up. See more »
Hello? What do you look like? Talk louder, I can't hear you! Hey, hello! Hello, I can't hear you! Five. Yes. Yes. I don't know. I don't know.
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The Star Spangled Banner, playing on the Freeling's TV set is heard over the initial opening credits. See more »
This movie has been one of my all time favorites for more than ten years. Like many other people in the '80s, the first time I saw this movie it scared the hell out of me.
I compliment on the fact that there is no bloodspilling or graphic violence or even a single killing in the movie to make this movie sensationally scary. It relies on those trendy '80s special effects to make the movie truly frightening.
I still think this movie is scary, because I have always found supernatural forces and things that are out of the ordinary in this world to be more frightening than some idiotic blond woman being chased by an ax-wielding maniac. The script is so well written, the acting heartfelt and wonderful, and the direction and production techniques are top-notch. I have never seen horror movies embody all those elements since "The Exorcist."
For those of you who have not seen this movie, SEE IT! It may not scare you like today's modern horror flicks, but it will sure entertain and enlighten you. Has a horror movie ever done that????????????
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