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Poltergeist (1982)

 -  Horror  -  4 June 1982 (USA)
7.4
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Ratings: 7.4/10 from 77,717 users  
Reviews: 288 user | 169 critic

A family's home is haunted by a host of ghosts.

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(screenplay), (screenplay), 2 more credits »
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Nominated for 3 Oscars. Another 4 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Diane Freeling (as Jobeth Williams)
...
...
...
...
Michael McManus ...
Virginia Kiser ...
Martin Casella ...
Marty (as Marty Casello)
...
...
...
Lou Perryman ...
Pugsley (as Lou Perry)
Clair E. Leucart ...
Bulldozer Driver (as Clair Leucart)
...
Jeff Shaw
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Storyline

A young family are visited by ghosts in their home. At first the ghosts appear friendly, moving objects around the house to the amusement of everyone, then they turn nasty and start to terrorise the family before they "kidnap" the youngest daughter. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

The first real ghost story. See more »

Genres:

Horror

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 June 1982 (USA)  »

Also Known As:

Juegos diabólicos  »

Box Office

Budget:

$10,700,000 (estimated)

Opening Weekend:

$6,896,612 (USA) (4 June 1982)

Gross:

$6,896,612 (USA) (4 June 1982)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm prints) (as Dolby Stereo)| (70 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Though on-screen credit goes to Tobe Hooper, a wealth of evidence suggests that most of the directorial decisions were made by Steven Spielberg. In fact, Spielberg had wanted to direct the film himself, but a clause in his contract stated that while still working on E.T. the Extra-Terrestrial (1982), Spielberg could not direct another film. Members of the cast and crew, including Executive Producer Frank Marshall and actress Zelda Rubinstein, have stated that Spielberg cast the film, directed the actors, and designed every single storyboard for the movie himself. Based on this evidence, the DGA opened a probe into the matter, but found no reason that co-director credit should go to Spielberg. See more »

Goofs

When the paranormal investigator takes his face apart in the bathroom, the reflection in the bathroom mirror changes three times: 1. The walls in the reflection are pegboard, and a bottle of "Fantastik" cleaner hangs near the mirror. 2. After a cut to an overhead light and back, the walls are no longer pegboard, the bottle has disappeared, and a cleaning brush has appeared on the wall. 3. After a cut to the sink and back, the bottle is back, but is of a different type, and a black cloth is hanging over the brush. See more »

Quotes

[first lines]
Carol Anne: Hello? What do you look like? Talk louder, I can't hear you! Hey, hello! Hello, I can't hear you! Five. Yes. Yes. I don't know. I don't know.
See more »

Crazy Credits

The initial end credits has the closing shot of the Holiday Inn as a backdrop. See more »

Connections

Referenced in Saturday Night Live: Drew Barrymore/Kelis (2004) See more »

Soundtracks

The Star-Spangled Banner
(1814) (uncredited)
Music based on "The Anacreontic Song" by John Stafford Smith
Played as TV sign-off music several times
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of the best horror/thrillers of the decade
3 March 2004 | by (Oakville, Ontario) – See all my reviews

In 1982, Steven Spielberg pulled off an incredible feat. In June of that year, Spielberg released two films only weeks apart that were both highly successful yet diversely different in both subject matter and their target audiences. One went on to become the highest grossing film of all-time (E.T.), the other spawned a franchise (Poltergeist).

Poltergeist had a screen credit of being directed by Tobe Hooper (The Texas Chainsaw Massacre), but history has revealed that it was Spielberg's vision, editing and overall command of the shooting that was really behind the making of this extraordinary film. Poltergeist brought back the traditional haunted house genre that lay dormant and restless since The Amityville Horror in 1979. The story surrounds a family's house that has been punctured by the spirit world that seem keen on the youngest daughter of the clan – Carol Ann Freeling, played by newcomer Heather O'Rourke. At first, the family meets the strange happenings in the home with playful pleasure, but in an instant the poltergeists intentions turn against the Freelings, and their daughter is captured and taken back to the supernatural world where communication is possible only through the bedroom television.

The Freelings waste little time and soon contact a paranormal group, well over their heads, to help them rescue their daughter from the unseen captures. It becomes clearly evident however, that the group is over matched, and they call in a poltergeist expert, Tangina Barrons (played with relative enthusiasm and wit by Zelda Rubinstein) to assist with the phenomena. Tangina then leads the Freelings through the unknown, both calming their fears and eventually finding a portal that may be the key to retrieving their daughter.

Poltergeist works as both a horror and a thriller. The cast, lead by O'Rourke, Jo-Beth Williams, Craig T. Nelson and Oliver Robins have real chemistry and are believable as a family unit, and unlike most horror films, they make sound judgments and know their limitations. When Carol Ann's bedroom becomes overtaken by the ghostly spirits, they lock the room and keep away rather than trying to fight something they cannot contain. And when things begin to look bleak, they call for help and look for experts in the field. This is an intelligent horror that doesn't have people running up the stairs when they should be running out the door.

Put together with a modest budget of less than $12 million, Poltergeist stretched it's dollars to provide us with an incredible array of special effects that still hold up well after 20 years of viewing. Sure, the scene where a scientist literally pulls his face off or when the bedroom is opened and we see items flying at random as if in a ghostly tornado, might be better served with CGI if made today, the effects still keep the story progressing with a sense of credibility.

Probably what keeps things so rooted in acceptability is how simplistic some of the special effects were in the larger scenes. A closet full of strobe lights are all that is required to convince us that it is a portal to another world and a fan gently blowing the hair of mother Williams' is believable as the spirit of her child flying past her. Simple plausible.

Whatever the reasons, Poltergeist works. One of the few screenplays written by Spielberg from one of his own stories, Poltergeist has all the elements that we now associate with the master director. There is a strong family unit, a child as the central character, above average production values and most notably, not one fatality in the entire film despite all the jilts and jolts. The closing scenes of chaos including a pool of skeletons (later revealed to be authentic), is pure movie magic with frantic pacing and edge of your seat suspense.

Since it's release, a lot has been made of the back stories and the curse surrounding the production of the franchise. Heather O'Rourke tragically died at a young age due to an internal infection and Dominique Dunne (who played a smaller role as her sister) was murdered the same year as the films release. The subsequent sequels have also included characters that died shortly after their films completion. Truth or fiction, lore or legend, these stories add to the mystique and mystery surrounding the film. Having knowledge of the ‘curse' makes it even scarier and gives it kind of a feeling like Naomi Watts' character must have experienced in The Ring, as if just by watching, you are contributing to the ongoing haunting.

Like most movies successful in the late 70's early 80's, there were sequels that were made with considerably higher budgets but less than stellar results (Superman III anyone?). Neither of the Poltergeist sequels or subsequent television programming could come close to capturing the essence of the original. Besides, how can you top what is now one of the most famous movie tag-lines of all time `They'rrreeee Here'?

Strong recommendation.


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