A bag full of symbolic folklore about werewolves, or, rather, their sexual connotation. Granny tells her granddaughter Rosaleen strange, disturbing tales about innocent maidens falling in ... See full summary »
An old Gothic cathedral, built over a mass grave, develops strange powers which trap a number of people inside with ghosts from a 12th Century massacre seeking to resurrect an ancient demon from the bowels of the Earth.
Feodor Chaliapin Jr.
Inspired by fairy-tales such as Alice in Wonderland and Little Red-Riding Hood, "Valerie and her Week of Wonders" is a surreal tale in which love, fear, sex and religion merge into one fantastic world.
A young family are visited by ghosts in their home. At first the ghosts appear friendly, moving objects around the house to the amusement of everyone, then they turn nasty and start to terrorise the family before they "kidnap" the youngest daughter. Written by
When questioned about who had the greater control over Poltergeist (1982), Steven Spielberg or Tobe Hooper, Spielberg replied "Tobe isn't... a take-charge sort of guy. If a question was asked and an answer wasn't immediately forthcoming, I'd jump in and say what we could do. Tobe would nod agreement, and that became the process of our collaboration." Co-producer Frank Marshall spoke out to the press and claimed "the creative force of the movie was Steven. Tobe was the director and was on set every day. But Steven did the design for every storyboard and was only absent for three days during the shoot, because he was in Hawaii with (George) Lucas." Hooper later claimed that he did half of the storyboards. Spielberg then sent a letter to Hooper to clarify matters: "Regrettably, some of the press has misunderstood the rather unique, creative relationship you and I shared throughout the making of Poltergeist. I enjoyed your openness in allowing me...a wide berth for creative involvement, just as I know you were happy with the freedom you had to direct Poltergeist so wonderfully. Through the screenplay you accepted a vision of this very intense movie from the start, and as the director, you delivered the goods. You performed responsibly and professionally throughout, and I wish you great success on your next project." Zelda Rubinstein disagreed. While Hooper set up the shots, it was Spielberg who made the adjustments, and most of the time, Hooper was "only partially there" on set. The issue then of who had creative control over Poltergeist (1982) is still a muddy issue even today. See more »
When Steven, Diane and Dana are moving furniture out of the way to get into Carol Anne and Robbie's closet, the two beds have had the bed skirts sucked off while the mattresses are undisturbed. See more »
Hello? What do you look like? Talk louder, I can't hear you! Hey, hello! Hello, I can't hear you! Five. Yes. Yes. I don't know. I don't know.
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After the credits and the logo of the MGM lion is shown, we hear children laughing. Fans of the film have assumed that the laughing children are those who have been released from the beast and have crossed over the threshold into the next life. See more »
"Poltergeist" is Steven Spielberg's vision of a ghost story, and a great one at that. This is an outstanding movie in every way possible. It has terrific acting, a good story to tell, a nice sense of humor, and astonishing special effects. Plus when I first saw this film, it was pretty scary.
"Poltergeist" tells the story of a suburban family living in a small town in California who's home is abruptly invaded by supernatural forces who are anything but friendly, and proceed to terrorize the entire clan. This is a movie that plays like a roller-coaster ride, and once it gets going it never stops.
Tobe Hooper, who directed the original 1974 cult classic "The Texas Chainsaw Massacre", was picked by Spielberg to direct "Poltergeist". He does a fine job of creating scares and tension, even though rumors were floating around that writer/producer Spielberg actually stepped in and directed some of the film (Spielberg went on to say that Hooper was the director of "Poltergeist" even though Spielberg was very much involved with this film from start to finish). To me, it doesn't matter who directed it. This is still an excellent horror movie. Spielberg did a great job as writer/producer, and even if he had directed the whole movie it would still be as good. JoBeth Williams and Craig T. Nelson are wonderful as the head of the Freeling family, with Dominique Dunne, Oliver Robins, and Heather O'Rourke equally good as their kids. The late Oscar-winning actress Beatrice Straight ("Network") scores points as a parapsycologist investigating the hauntings, and Zelda Rubinstein steals scenes as the mysterious clairvoyant brought in to "clean house". The acting is great, but it's the Oscar-nominated special effects that dominate. Wow! This horror film is a must-see!
***** (out of five)
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