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Pink Floyd The Wall
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Pink Floyd The Wall (1982) More at IMDbPro »

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Pink Floyd The Wall (1982) -- A troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

Overview

User Rating:
7.7/10   22,762 votes
MOVIEmeter: ?
Up 10% in popularity this week. See rank & trends on IMDbPro.
Director:
Alan Parker
Writers:
Roger Waters (album The Wall)
Roger Waters (screenplay)
Contact:
View company contact information for Pink Floyd The Wall on IMDbPro.
Release Date:
13 August 1982 (USA) more
Genre:
Drama | Music more
Tagline:
Pink Floyd The Wall. Now The Film. more
Plot:
A troubled rock star descends into madness in the midst of his physical and social isolation from everyone. full summary | add synopsis
Plot Keywords:
more
Awards:
Won 2 BAFTA Film Awards. Another 1 nomination more
User Comments:
A fascinating story about fascism - WARNING! Psychoanalytic content more

Cast

  (in credits order) (verified as complete)
Bob Geldof ... Pink
Christine Hargreaves ... Pink's Mother
James Laurenson ... J.A. Pinkerton (Pink's Father)
Eleanor David ... Pink's Wife
Kevin McKeon ... Young Pink

Bob Hoskins ... Rock and Roll Manager
David Bingham ... Little Pink
Jenny Wright ... American Groupie
Alex McAvoy ... Teacher
Ellis Dale ... English Doctor
James Hazeldine ... Lover
Ray Mort ... Playground Father
Margery Mason ... Teacher's Wife (as Marjorie Mason)
Robert Bridges ... American Doctor

Michael Ensign ... Hotel Manager
Marie Passarelli ... Spanish Maid
Winston Rose ... Security Guard

Joanne Whalley ... Groupie
Nell Campbell ... Groupie
Emma Longfellow ... Groupie
Lorna Barton ... Groupie
Rod Bedall ... Roadie
Peter Jonfield ... Roadie
Philip Davis ... Roadie
Gary Olsen ... Roadie
Eddie Tagoe ... Minder
Dennis Fletcher ... Minder
Jonathan Scott ... Registrat
Joanna Dickens ... Dancing Teacher
John Scott Martin ... Dancing Teacher
Marilyn Thomas ... Teacher
Brenda Cowling ... Teacher
Michael Burrell ... Teacher
Malcolm Rogers ... Teacher
John Broughton ... Teacher
Jon Paul Morgan ... Housekeeper (as John Paul Morgan)

Albert Moses ... Janitor
Vincent Wong ... Paramedic
Mark Newman ... Paramedic
Lucita Lijertwood ... Smash & Grab Lady
Betty Whelan ... Smash & Grab Lady
David Fleeshman ... Man on Station (as David Fleesham)
Joanna Andrews ... Wedding Witness
Diana King ... Wedding Witness
Roger Kemp ... Wedding Witness
David Smythe ... Pink's Friend
Keith Wray ... Pink's Friend
rest of cast listed alphabetically:
Alan Bowyer ... (uncredited)
Harry Fielder ... Policeman (uncredited)
Debbie King ... Little Girl (uncredited)
Roger Waters ... Pink's Best Man, (Wedding Scene) (uncredited)
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Directed by
Alan Parker 
 
Writing credits
Roger Waters (album The Wall)

Roger Waters (screenplay)

Produced by
Alan Marshall .... producer
Stephen O'Rourke .... executive producer
Garth Thomas .... associate producer
 
Original Music by
Robert Ezrin  (as Bob Ezrin)
David Gilmour 
Roger Waters 
 
Cinematography by
Peter Biziou (director of photography)
 
Film Editing by
Gerry Hambling 
 
Casting by
Celestia Fox 
 
Production Design by
Brian Morris 
 
Art Direction by
Chris Burke 
Clinton Cavers 
 
Costume Design by
Penny Rose 
 
Makeup Department
Paul Engelen .... makeup artist
Peter Frampton .... makeup artist
Barry Richardson .... hair stylist
Martin Samuel .... hair stylist
 
Production Management
Peter Kohn .... unit manager
Lance Paul .... production supervisor: animation
David Wimbury .... production manager
 
Second Unit Director or Assistant Director
Ray Corbett .... first assistant director
Steve Harding .... third assistant director
Kieron Phipps .... second assistant director
Gerald Scarfe .... director: animation sequences
 
Art Department
Andrew Ackland-Snow .... draughtsman
David Appleby .... stagehand
Terry Apsey .... construction manager
Jill Brooks .... animation art director
Bernie Hearn .... props (as Bernard Hearn)
Dave Jordan .... property master
Katie Kilroy .... property buyer (as Kate Kilroy)
John King .... draughtsman
Martin Kingsley .... props
Jim Morahan .... draughtsman
Arnold Oke .... carpenter
Terry Perks .... props (as Terence Perks)
Tony Rimmington .... draughtsman (as Anthony Rimmington)
Bob Sherwood .... stand-by prop man
Michael Spivey .... painter
Andy Warne .... plasterer
John Wells .... prop storeman
John Wilson .... draper
Duncan Guest .... carpenter (uncredited)
 
Sound Department
Rowland Fowles .... boom operator
James Guthrie .... sound coordinator
James Guthrie .... sound engineer
Graham V. Hartstone .... dubbing mixer (as Graham Hartstone)
Eddy Joseph .... sound editor
Nicolas Le Messurier .... dubbing mixer (as Nicholas Le Messurier)
Gordon K. McCallum .... sound mixer
Alan Paley .... sound effects editor
Alan Pattillo .... sound effects editor
Kim Richards .... sound recordist
Ken Weston .... boom operator
Clive Winter .... production sound mixer
Jonathan Andrews .... sound maintentance (uncredited)
 
Special Effects by
Martin Gutteridge .... special effects
Graham Longhurst .... special effects
Neil Corbould .... special effects technician (uncredited)
Ricky Farns .... special effects (uncredited)
Garth Inns .... special effects (uncredited)
 
Visual Effects by
Philip Sharpe .... model maker
Tony Willis .... effects cameraman (uncredited)
 
Stunts
Peter Brayham .... stunt arranger (as Peter Braham)
Terry Cade .... stunts
Greg Powell .... stunts (uncredited)
Stuart St. Paul .... stunts (uncredited)
 
Camera and Electrical Department
Ronald Anscombe .... focus puller (as Ronnie Anscombe)
David Appleby .... still photographer
George Beavis .... camera grip
Tony Brown .... clapper loader
Joe Finn .... rigger
Dennis Fraser .... grip
David Garfath .... camera operator
Jeremy Gee .... clapper loader
Chris King .... animation camera operator
Colin Manning .... camera grip
John Stanier .... camera operator
Chris Tanner .... focus puller
John Tythe .... gaffer
Robert Edward Crawford .... camera operator: rostrum camera (uncredited)
Martin Evans .... gaffer (uncredited)
Ray Meehan .... best boy (uncredited)
Ronnie Rampton .... gaffer (uncredited)
Jim Smart .... best boy (uncredited)
 
Animation Department
Roland Carter .... animation coordinator
Chris Caunter .... animator
Steve Colwell .... animation checker
Michael Gabriel .... background artist (as Michael Gabrial)
Bill Hajee .... animator
Judy Howieson .... assistant animator
Les Matjas .... animator
Alastair McIlwain .... animator
Greg Miller .... animator
Gerald Scarfe .... animation director
Carol Slade .... assistant animator
Mike Stuart .... key animator
Alan Best .... background artist (uncredited)
Alan Best .... layout artist (uncredited)
Nick Burgess-Jones .... final checker (uncredited)
Sandy Houston .... painter (uncredited)
Angela Kovacs .... animator (uncredited)
George Murphy .... animator (uncredited)
 
Casting Department
Margery Simkin .... casting: USA
 
Costume and Wardrobe Department
Ken Crouch .... wardrobe assistant
Pat Griffiths .... wardrobe assistant
John Hilling .... wardrobe master
Pip Newbery .... wardrobe mistress
Penny Rose .... wardrobe supervisor
 
Editorial Department
Clive Barrett .... assistant editor
Jeremy Gibbs .... assistant editor
Leonard Green .... assistant editor
Robert Hambling .... assistant editor
 
Music Department
Andy Brown .... additional musician
Michael A. Carter .... music engineer
Joe Chemay .... additional musician
Noel Davis .... choir leader
Robert Ezrin .... additional musician (as Bob Ezrin)
Robert Ezrin .... music producer: original album "The Wall" (as Bob Ezrin)
Stan Farber .... additional musician
Pink Floyd .... musician
David Gilmour .... film music producer
David Gilmour .... music producer: original album "The Wall"
David Gilmour .... musician
James Guthrie .... film music producer
Andrew Jackson .... music engineer
Jon Joyce .... additional musician
Michael Kamen .... conductor
Michael Kamen .... orchestrator
Brian Lintern .... music editor
Freddie Mandell .... additional musician
Nick Mason .... musician
John McClure .... music engineer (as John McCluer)
Jeff Porcaro .... additional musician
Joe Porcaro .... additional musician
Lee Ritenour .... additional musician
Nigel Taylor .... music engineer
Toni Tennille .... additional musician
Roger Waters .... film music producer
Roger Waters .... music producer: original album "The Wall"
Roger Waters .... musician
Richard Wright .... musician
 
Other crew
Allen Burry .... publicist
Allen Burry .... publicity man
Paul Cadiou .... production accountant
Sue Edwards .... production secretary
Gillian Gregory .... choreographer
Christopher Knowles .... production assistant
Angela Micklesburgh .... assistant: Mr. Parker and Mr. Marshall
Nick Price .... production assistant
Jenny Reid .... continuity
Sally Shewring .... production coordinator
Jenny Steele .... researcher
Liz Watson .... assistant: Mr. O'Rourke
 

Production CompaniesDistributorsSpecial EffectsOther Companies
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Additional Details

Also Known As:
The Wall
more
Runtime:
95 min
Country:
UK
Language:
English
Color:
Color (Metrocolor)
Aspect Ratio:
2.20 : 1 more
Sound Mix:
70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)
Certification:
Singapore:M18 | France:-16 (original rating) | Argentina:16 (re-rating) | Peru:18 | Argentina:18 (original rating) | Netherlands:AL | Australia:M | Canada:13+ (Quebec) | Canada:14A (VHS rating) | Canada:18A (original rating) | Chile:18 | Finland:K-16 | France:U | Israel:PG | New Zealand:R16 (DVD rating) (2003) | Portugal:M/18 | South Korea:(Banned) (1982-1991) | South Korea:18 (re-rating) (1999) (uncut) | South Korea:18 (video rating) (1991) (cut) | Spain:13 | Sweden:15 | UK:15 | USA:R | West Germany:16
Filming Locations:
London, England, UK more

Fun Stuff

Trivia:
The war movie on the television in Pink's hotel room is the classic WWII film _Dam Busters, The (1954)_. more
Goofs:
Continuity: Money stuffed into theatre manager's jacket pocket during the overdose scene disappears/reappears a couple of times. more
Quotes:
[first lines]
Pink: [singing] So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to crawl your way through this disguise!
more
Movie Connections:
Referenced in "The Simpsons: D'oh-in' in the Wind (#10.6)" (1998) more
Soundtrack:
Young Lust more

FAQ

Is the crossed-hammer insignia a real neo-Nazi symbol?
How does the band and crew feel about the film?
How does Pink magically transform into a Neo-Nazi leader and garner hundreds of supporters?
more
77 out of 101 people found the following comment useful:-
A fascinating story about fascism - WARNING! Psychoanalytic content, 10 October 1999
8/10
Author: stills-6 from california

The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.

We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.

It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)

Just watch the movie and be impressed with the way it works on so many levels.

Was the above comment useful to you?
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