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Pink Floyd The Wall (1982)

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Ratings: 8.0/10 from 52,598 users  
Reviews: 248 user | 60 critic

A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

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(album "The Wall"), (screenplay)
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Title: Pink Floyd The Wall (1982)

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Won 2 BAFTA Film Awards. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Christine Hargreaves ...
James Laurenson ...
Eleanor David ...
Kevin McKeon ...
...
David Bingham ...
...
Alex McAvoy ...
Ellis Dale ...
James Hazeldine ...
Ray Mort ...
Margery Mason ...
Teacher's Wife (as Marjorie Mason)
Robert Bridges ...
...
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Storyline

The movie tells the story of rock singer "Pink" who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album "The Wall" by Pink Floyd, the film begins in Pink's youth where he is crushed by the love of his mother. Several years later, he is punished by the teachers in school because he is starting to write poems. He slowly begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Written by Harald Mayr <marvin@bike.augusta.de>

Plot Summary | Plot Synopsis

Taglines:

Pink Floyd The Wall. Now The Film. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 September 1982 (USA)  »

Also Known As:

Pink Floyd: The Wall  »

Filming Locations:

 »

Box Office

Gross:

SEK 2,384,861 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)| (some 35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

According to Bob Geldof's autobiography, (which also mentions the Supergirl body mould), when filming the scene where the groupie starts sucking Pink's fingers (before he smashes up the room in "One of My Turns"), Jenny Wright couldn't get the scene right. She asked director Alan Parker what her motivation was for the scene, and he replied, "money". She got it right on the next take. See more »

Goofs

When Pink throws the T.V. out the window before he cuts his hand, he mouths "Take that, fuckers!", but we hear "Next time, fuckers!" (This is corrected in the DVD release of "The Wall") See more »

Quotes

[first lines]
Pink: [singing] So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to claw your way through this disguise!
See more »

Connections

Referenced in Comix from the Underground: Down and Dirty Duck (2013) See more »

Soundtracks

Waiting for the Worms
Written by Roger Waters
Performed by Pink Floyd
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
fascinating!
8 January 2005 | by (United States) – See all my reviews

Roger Waters has weaved a compelling visual of the journey of a disturbed and misled mind. Though the viewer is sometimes left to sort out obscure animations and confusing images, it is not without direction. Subsequent viewings of this film reveal substance that only a genius could imbue in his writing. Character development through such subtle action in places casts a light upon Roger Waters as a person who understands the frailty of the human mind. The main character, Pink, portrays angles of the human condition we all face at some point by embodying a victimized character: sick over the loss of his father to the war; negatively spotlighted at school for talents that are apparently unfavorable at the time; unable or just unwilling to relate to his wife; and ultimately shut off from effectively relating to others because of an inability to express himself in ways that others understand.

Not only is the story captivating, but the music is such that it will always be noted as not only ahead of its time, but timeless.

The Wall is a masterpiece of storytelling, but not in the traditional sense. One must not watch this film expecting everything on a silver platter. Symbolism and metaphors abound, leaving a great deal of interpretation and adaptation to the viewer. Sit with an open mind and let Waters' character help you read into yourself.


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