Pink Floyd The Wall (1982)

Director:

Alan Parker

Writers:

Roger Waters (album "The Wall")
Roger Waters (screenplay)

Release Date:

13 August 1982 (USA)

Genre:

Drama | Music

Tagline:

Pink Floyd The Wall. Now The Film.

Plot:

A troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

Plot Keywords:

Wall | Rock Star | Drugs | Hotel | Disturbing

Awards:

Won 2 BAFTA Film Awards. Another 1 nomination

Cast

Bob Geldof	...	Pink
Christine Hargreaves	...	Pink's Mother
James Laurenson	...	J.A. Pinkerton (Pink's Father)
Eleanor David	...	Pink's Wife
Kevin McKeon	...	Young Pink
Bob Hoskins	...	Rock and Roll Manager
David Bingham	...	Little Pink
Jenny Wright	...	American Groupie
Alex McAvoy	...	Teacher
Ellis Dale	...	English Doctor
James Hazeldine	...	Lover
Ray Mort	...	Playground Father
Margery Mason	...	Teacher's Wife (as Marjorie Mason)
Robert Bridges	...	American Doctor
Michael Ensign	...	Hotel Manager

Also Known As:

The Wall

Runtime:

95 min

Country:

UK

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Singapore:M18 | France:-16 (original rating) | Argentina:16 (re-rating) | Peru:18 | Argentina:18 (original rating) | Netherlands:AL | Australia:M | Canada:13+ (Quebec) | Canada:14A (VHS rating) | Canada:18A (original rating) | Chile:18 | Finland:K-16 | France:U | Israel:PG | New Zealand:R16 (DVD rating) (2003) | Portugal:M/18 | South Korea:(Banned) (1982-1991) | South Korea:18 (re-rating) (1999) (uncut) | South Korea:18 (video rating) (1991) (cut) | Spain:13 | Sweden:15 | UK:15 | USA:R | West Germany:16

Filming Locations:

London, England, UK

Company:

Goldcrest Films International

Trivia:

Director Alan Parker walked out on this project many times, probably due to an ego clash with Roger Waters. Waters was annoyed at Parker, who didn't like the way that he wanted to make it a cult film. Pink Floyd's next album "The Final Cut" contains the following lyrics (written by Waters): "Not now John, we've gotta get on with the film show: Hollywood waits at the end of the rainbow. Who cares what it's about, as long as the kids go? So not now John I've gotta get on with the show." Parker refers to this film as "the most expensive student film ever made."

Goofs:

Continuity: In the "Is there Anybody Out There" sequence, when Pink is clawing at the wall, the blood on his hand (from the previous, hotel-trashing scene) switches hands repeatedly.

Quotes:

[first lines]
Pink: [singing] So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to crawl your way through this disguise!

Movie Connections:

Referenced in Parents (1989)

Soundtrack:

Goodbye Cruel World

fascinating!

Roger Waters has weaved a compelling visual of the journey of a disturbed and misled mind. Though the viewer is sometimes left to sort out obscure animations and confusing images, it is not without direction. Subsequent viewings of this film reveal substance that only a genius could imbue in his writing. Character development through such subtle action in places casts a light upon Roger Waters as a person who understands the frailty of the human mind. The main character, Pink, portrays angles of the human condition we all face at some point by embodying a victimized character: sick over the loss of his father to the war; negatively spotlighted at school for talents that are apparently unfavorable at the time; unable or just unwilling to relate to his wife; and ultimately shut off from effectively relating to others because of an inability to express himself in ways that others understand.

Not only is the story captivating, but the music is such that it will always be noted as not only ahead of its time, but timeless.

The Wall is a masterpiece of storytelling, but not in the traditional sense. One must not watch this film expecting everything on a silver platter. Symbolism and metaphors abound, leaving a great deal of interpretation and adaptation to the viewer. Sit with an open mind and let Waters' character help you read into yourself.