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Pink Floyd The Wall (1982)

R  |   |  Animation, Drama, Musical  |  10 September 1982 (USA)
8.0
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Ratings: 8.0/10 from 55,836 users  
Reviews: 249 user | 57 critic

A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

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Writers:

(album "The Wall"), (screenplay)
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Won 2 BAFTA Film Awards. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Christine Hargreaves ...
Pink's Mother
James Laurenson ...
J.A. Pinkerton (Pink's Father)
Eleanor David ...
Kevin McKeon ...
...
David Bingham ...
...
Alex McAvoy ...
Teacher
Ellis Dale ...
English Doctor
James Hazeldine ...
Lover
Ray Mort ...
Playground Father
Margery Mason ...
Teacher's Wife (as Marjorie Mason)
Robert Bridges ...
American Doctor
...
Edit

Storyline

The movie tells the story of rock singer "Pink" who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album "The Wall" by Pink Floyd, the film begins in Pink's youth where he is crushed by the love of his mother. Several years later, he is punished by the teachers in school because he is starting to write poems. He slowly begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Written by Harald Mayr <marvin@bike.augusta.de>

Plot Summary | Plot Synopsis

Taglines:

The Memories. The Madness. The Music... The Movie. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 September 1982 (USA)  »

Also Known As:

Pink Floyd: The Wall  »

Filming Locations:

 »

Box Office

Gross:

SEK 2,384,861 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)| (some 35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The crowd at the fascist concert were Neo-Nazis. They could have been Pink Floyd fans, but they were selected because of their white supremacy and not because they were fans. See more »

Goofs

The direction of the merry-go-round changes just before young Pink is put on it. See more »

Quotes

[first lines]
Pink: [singing] So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to claw your way through this disguise!
See more »

Connections

References We'll Meet Again (1943) See more »

Soundtracks

Bring the Boys Back Home
Written by Roger Waters
Performed by chorus
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A fascinating story about fascism - WARNING! Psychoanalytic content
10 October 1999 | by (california) – See all my reviews

The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.

We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.

It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)

Just watch the movie and be impressed with the way it works on so many levels.


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