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Pink Floyd The Wall (1982)

R  |   |  Animation, Drama, Musical  |  10 September 1982 (USA)
8.0
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Ratings: 8.0/10 from 53,952 users  
Reviews: 249 user | 53 critic

A confined but troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

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(album "The Wall"), (screenplay)
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Title: Pink Floyd The Wall (1982)

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Won 2 BAFTA Film Awards. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Christine Hargreaves ...
Pink's Mother
James Laurenson ...
J.A. Pinkerton (Pink's Father)
Eleanor David ...
Kevin McKeon ...
...
David Bingham ...
...
Alex McAvoy ...
Teacher
Ellis Dale ...
English Doctor
James Hazeldine ...
Lover
Ray Mort ...
Playground Father
Margery Mason ...
Teacher's Wife (as Marjorie Mason)
Robert Bridges ...
American Doctor
...
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Storyline

The movie tells the story of rock singer "Pink" who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album "The Wall" by Pink Floyd, the film begins in Pink's youth where he is crushed by the love of his mother. Several years later, he is punished by the teachers in school because he is starting to write poems. He slowly begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Written by Harald Mayr <marvin@bike.augusta.de>

Plot Summary | Plot Synopsis

Taglines:

Pink Floyd The Wall. Now The Film. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 September 1982 (USA)  »

Also Known As:

Pink Floyd: The Wall  »

Filming Locations:

 »

Box Office

Gross:

SEK 2,384,861 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)| (some 35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Alan Parker was originally only going to produce the film, with Michael Seresin directing the live-action segments, and Gerald Scarfe directing the animated segments. The two were not able to come up with a cohesive vision for the project, and Parker took Seresin's place as director. See more »

Goofs

Money stuffed into theatre manager's jacket pocket during the overdose scene disappears/reappears a couple of times. See more »

Quotes

[first lines]
Pink: [singing] So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to claw your way through this disguise!
See more »

Connections

Referenced in Nostalgia Critic: Felix the Cat: The Movie (2011) See more »

Soundtracks

What Shall We Do Now?
Written by Roger Waters
Performed by Pink Floyd
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A fascinating story about fascism - WARNING! Psychoanalytic content
10 October 1999 | by (california) – See all my reviews

The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.

We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.

It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)

Just watch the movie and be impressed with the way it works on so many levels.


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