Live versions of the songs, filmed in an old Pompeii amphitheater. Songs included are Echoes (split into 2 parts), Careful with that axe, Eugene, A saucerful of secrets, One of those days, ... See full summary »
Teens in a Turkish prison struggle to survive under hideous conditions. Made by dying Yilmaz Guney in France, after he escaped from a Turkish prison, enabling him to accept his award at ... See full summary »
Ayse Emel Mesci Kuray,
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The movie tells the story of rock singer "Pink" who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album "The Wall" by Pink Floyd, the film begins in Pink's youth where he is crushed by the love of his mother. Several years later, he is punished by the teachers in school because he is starting to write poems. He slowly begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Written by
Harald Mayr <email@example.com>
Song changes from album: - When the Tigers Broke Free - added - In the Flesh? - extended/rerecorded - The Thin Ice - extended/remixed - Another Brick in the Wall 1 - unchanged - The Happiest Days of Our Lives - remixed - Another Brick in the Wall 2 - remixed - Mother - rerecorded/lyrics changed - Goodbye Blue Sky - remixed - Empty Spaces - deleted, in favor of: - What Shall We Do Now? - added - Young Lust - unchanged - One of My Turns - unchanged - Don't Leave Me Now - changed - Another Brick in the Wall 3 - rerecorded - Goodbye Cruel World - unchanged - Hey You - not included - Nobody Home - unchanged - Is There Anybody Out There? - classical guitar rerecorded - Vera - unchanged - Bring the Boys Back Home - extended - Comfortably Numb - bass line different from album - The Show Must Go On - not included - In the Flesh - rerecorded - Run Like Hell - shortened - Waiting for the Worms - shortened - Stop! - rerecorded - The Trial - unchanged - Outside the Wall - rerecorded. See more »
In the "Is there Anybody Out There" sequence, when Pink is clawing at the wall, the blood on his hand (from the previous, hotel-trashing scene) switches hands repeatedly. See more »
So ya, thought ya might like to, go to the show. To feel the warm thrill of confusing that space cadet glow. Tell me is something eluding you sunshine? Is this not what you expected to see? If you wanna find out what's behind these cold eyes, you'll just have to claw your way through this disguise!
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A fascinating story about fascism - WARNING! Psychoanalytic content
The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.
We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.
It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)
Just watch the movie and be impressed with the way it works on so many levels.
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