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Paul Dean has created a deadly parasite that is now attached to his stomach. He and his female companion, Patricia Welles, must find away to destroy it while also trying to avoid Ricus and his rednecks and an evil government agent named Merchant. Written by
Josh Pasnak <email@example.com>
The gas filling station that Paul stops for fuel is owned by the fictitious XYREX Corporation that he is running from. According to the sign post, the prices for the various fuels (in this 1992 post-nuclear world) cost $29.98 per-gallon for GasOil (diesel), $35.65 per-gallon for liquid methane, and $40.57 per-gallon for unleaded gasoline. He pays $105 for his fuel in silver coins. The Merchant who stops later at the station pays an unknown amount by a platinum credit card for methane which his car runs on. See more »
When the first gang member gets infected by the parasite, they refer to it several times as 'that thing on his arm' despite the fact that it is on his chest. See more »
Good times, you'll think. One of my friends lent the DVD to me and expressed they didn't understand the hate towards the film. I've had my chances to grab it, but the not-so-flattering comments left me to pass it up, but after hearing it wasn't that bad (and I seem to share the same thoughts about particular horror films with this friend). I dived right in to it. As it stands it wasn't great, but nonetheless it was entertainingly simple b-grade fun in a post-apocalyptic backdrop.
Charles Brand in only his third feature paves the way for outrageously ham-fisted splatter effects and make-up artist Stan Winston formulates a nasty, icky looking slug-like parasite with a mean looking grin. The criticism against his design is unfair sure it isn't first-rate but with budget associated (as this is truly low-rent feature produced by Embassy Pictures) it's an acceptable effort. Trying to be different around that time was adding a new gimmick that it would be in 3D for movie-going audiences. Sadly the DVD doesn't come with the 3D version. Anyhow it didn't destroy the mood in any way. What can really hurt it though, was that the script is slipshod and it never truly gets in any sort of groove and comes up being a little too sparse and repetitive in its actions. The atmosphere remains non-existent and tension doesn't come by easily, but Brand (unintentional or not) engraves a grimy edge to it all (with Mac Ahlberg's well-executed panning of the camera) and throws about some graphic diversions. It's hard to forget Broadway siren Vivian Blaine's encounter with a parasite and some slow-motion passages are rather funny. Richard Band's shivering score feels like it's on a loop, but seems to suit it.
There are earnest performances from the likes of Robert Glaudini, Luca Bercovici, Al Fann, James Davidson, Cherrie Currie and a quick show-in by Cheryl Smith. Demi Moore in her first on-screen role doesn't make much of a dent, but it's far from awful.
In the end it's immensely forgettable, but lately watching these modern (and sometimes leaden) Sci-fi original TV features is making me appreciate this schlock far more.
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