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Storyline
The plot of one of the early Channel Four films is sweet and simple. Boy likes girl at school, but is too embarrassed to confront her. Alan relates everything to a running cricket commentary (provided superbly by John Arlott) right up to the will he, won't he finale, when he has to kiss Ann in a school play. Written by
Paul Batey
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Did You Know?
Trivia
The mother of Alan Duckworth who is heard briefly but never seen, and who is uncredited, is played by actress
Maureen Lipman, wife of the film's screenplay writer
Jack Rosenthal.
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Goofs
When Alan, Ann and Geoffrey walk home from school after rehearsing for the school play, the top deck of a modern (probably 1970s vintage) double-decker bus is visible at the far end of the alley. In the same scene, opposite the side-road that leads to the alley, is a modern Warboys-design (post-1964) "no cycling" sign.
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Quotes
[
Ann and Geoffrey are saying their farewells as they are about to go home in different directions]
Geoffrey:
[
romantically]
Mañana.
Ann:
[
romantically]
Mañana.
Geoffrey,
Ann:
[
together]
Mañana's not soon enough for me.
[
Alan looks nauseated at this display of affection]
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Connections
Followed by
Arthur's Hallowed Ground (1984)
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An enjoyable movie, without a doubt, and very evocative of both its era and that very particular stage in any boy's 'rites of passage'. But I have to say that having read the very positive comments here, I was a bit disappointed. The period was captured, but the plot was desperately thin. The whole thing revolves around the most egregious bit of miscasting in the history of school plays. The idea that quack quack would ever be chosen to play not only one of only three star turns, but a philanderer, is risible. And without that, nada. The sub-plots bore no relation that I could see to the main plot - all of them could be removed in their entirety without in any way affecting the main story - which surely suggests a fundamental flaw. When all your sub-plots look like padding, you know a central idea is being stretched beyond its limits. Nevertheless, it's a benign movie with its heart in the right place, there are some fine performances, and you just get the feeling that everyone involved felt deflated at the final 'cut!' That good feeling permeates the film. And that has to count for something. A flawed really quite good movie. 7 out of 10.