| Photos (See all 10 | slideshow) |
| Frederic Forrest | ... | Hank | |
| Teri Garr | ... | Frannie | |
| Raul Julia | ... | Ray | |
| Nastassja Kinski | ... | Leila (as Nastassia Kinski) | |
| Lainie Kazan | ... | Maggie | |
| Harry Dean Stanton | ... | Moe | |
| Allen Garfield | ... | Restaurant Owner (as Allen Goorwitz) | |
| Jeff Hamlin | ... | Airline Ticket Agent | |
| Italia Coppola | ... | Couple in Elevator | |
| Carmine Coppola | ... | Couple in Elevator | |
| Edward Blackoff | ... | Understudy | |
| James Dean | ... | Understudy | |
| Rebecca De Mornay | ... | Understudy (as Rebecca de Mornay) | |
| Javier Grajeda | ... | Understudy | |
| Cynthia Kania | ... | Understudy | |
| Monica Scattini | ... | Understudy | |
| rest of cast listed alphabetically: | |||
| Luana Anders | ... | (uncredited) | |
| Judith Burnett | ... | Eleanore (uncredited) | |
| Miranda Garrison | ... | Featured Dancer (uncredited) | |
| Ken Grant | ... | Dancer (uncredited) | |
| Michelle Johnston | ... | Dancer (uncredited) | |
| Douglas Brian Martin | ... | Triplet (uncredited) | |
| Lezlie Mogell | ... | Dancer (uncredited) | |
| Tom Waits | ... | Trumpet player (uncredited) | |
| Cynthia Windham | ... | Dancer (uncredited) | |
Directed by | |||
| Francis Ford Coppola | (as Francis Coppola) | ||
Writing credits | ||
| Armyan Bernstein | (screenplay) & | |
| Francis Ford Coppola | (screenplay) (as Francis Coppola) | |
| Armyan Bernstein | (story) | |
| Luana Anders | additional dialogue (uncredited) | |
Produced by | |||
| Armyan Bernstein | .... | co-producer | |
| Gray Frederickson | .... | producer | |
| Bernard Gersten | .... | executive producer | |
| Fred Roos | .... | producer | |
| Mona Skager | .... | associate producer | |
Original Music by | |||
| Tom Waits | |||
Cinematography by | |||
| Ronald Víctor García | (director of photography) (as Ronald V. Garcia) | ||
| Vittorio Storaro | |||
Film Editing by | |||
| Rudi Fehr | |||
| Anne Goursaud | |||
| Randy Roberts | |||
Casting by | |||
| Jennifer Shull | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Angelo P. Graham | (as Angelo Graham) | ||
Set Decoration by | |||
| Gary Fettis | |||
| Leslie McCarthy-Frankenheimer | |||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Jeff Angell | .... | makeup artist | |
| Jene Fielder | .... | makeup artist | |
| Barbara Lorenz | .... | hair stylist | |
| Lillian Barb | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Donald Heitzer | .... | production manager (as Don Heitzer) | |
| Ralph S. Singleton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel Attias | .... | second assistant director | |
| Kenneth D. Collins | .... | second assistant director (as Kenneth Collins) | |
| Arne Schmidt | .... | first assistant director | |
Art Department | |||
| Roger Dietz | .... | set artist | |
| George Flaherty | .... | leadman | |
| Dennis Gassner | .... | graphic designer | |
| Claudia Gilligan Ivanjack | .... | painter (as Claudia Gilligan) | |
| Joe Griffith | .... | production illustrator (as Joseph Griffith Jr.) | |
| David Jonas | .... | production illustrator | |
| Donald Krafft | .... | leadman | |
| James J. Murakami | .... | assistant art director (as James Murakami) | |
| Dan Pemberton | .... | propmaker | |
| John J. Rutchland Jr. | .... | construction coordinator (as John Rutchland) | |
| Tom Shaw Jr. | .... | property master | |
| Alex Tavoularis | .... | illustrator | |
| Mike Villarino | .... | propmaker | |
| Rick Young | .... | assistant property master (as Richard Young) | |
| William Cruse | .... | set designer (uncredited) | |
| Bruce Wayne Mecchi | .... | set dresser (uncredited) | |
| Nancy Mickelberry | .... | set designer (uncredited) | |
Sound Department | |||
| James Austin | .... | sound re-recording mixer | |
| Richard Beggs | .... | sound designer | |
| Richard Beggs | .... | sound re-recording mixer | |
| Richard Burrow | .... | sound editor | |
| Teresa Eckton | .... | sound editor | |
| Vivien Hillgrove Gilliam | .... | sound editor | |
| Randal A. Goya | .... | foley mixer | |
| George E. Marshall Jr. | .... | boom operator: second unit | |
| Chris McLaughlin | .... | production recordist | |
| Thomas Scott | .... | sound re-recording mixer | |
| Leslie Shatz | .... | supervising sound editor | |
| Jim Stuebe | .... | production recordist | |
| James E. Webb | .... | production recordist (as James Webb) | |
| Bernadette F. Dugas | .... | foley artist (uncredited) | |
| Nancy Jencks | .... | assistant sound editor (uncredited) | |
| Barbara McBane | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Joe Lombardi | .... | special effects coordinator (as Joseph Lombardi) | |
| Robert G. Willard | .... | special effects foreman | |
Visual Effects by | |||
| Kathryn Campbell | .... | visual effects editor | |
| Robert Eberlein | .... | miniature and visual effects photography | |
| Raymond Fielding | .... | additional visual effects (as Ray Fielding) | |
| Wally Gentleman | .... | additional visual effects | |
| Rocco Gioffre | .... | matte artist | |
| Gary Gutierrez | .... | title sequence designer | |
| Bill Hansard | .... | process coordinator | |
| Thomas Hollister | .... | motion control photography (as Tom Hollister) | |
| Fred Iguchi | .... | motion control photography | |
| Gregory Jein | .... | miniature supervisor (as Greg Jein) | |
| Sharon Lee | .... | miniature electronics maintenance | |
| Jeffrey Roth | .... | digital effects (2003 restoration) (as Jeffery Roth) | |
| Scott Squires | .... | motion control photography | |
| Robert Swarthe | .... | special visual effects | |
| Robert Waddell | .... | motion control photography | |
| Don Weed | .... | additional visual effects | |
| Hoyt Yeatman | .... | motion control photography (as Hoyt Yeatman Jr.) | |
| Bill Bannerman | .... | visual effects trainee (uncredited) | |
| Bill George | .... | model maker (uncredited) | |
| Karl Herrmann | .... | visual effects camera operator (uncredited) | |
| Tom Koester | .... | visual effects (uncredited) | |
| Richard Lund | .... | translite photographer (uncredited) | |
| Rick Thompson | .... | model maker (uncredited) | |
Stunts | |||
| Conrad E. Palmisano | .... | stunt coordinator (as Conrad Palmisano) | |
| Bruce Paul Barbour | .... | stunts (uncredited) | |
Casting Department | |||
| Susan Landau Finch | .... | extras casting (as Susie Landau) | |
| Elisabeth Leustig | .... | extras casting | |
| Gregg Smith | .... | dance casting | |
Costume and Wardrobe Department | |||
| April Ferry | .... | costumer | |
| Dean Skipworth | .... | costumer | |
Editorial Department | |||
| Rob Bonz | .... | additional editor (2003 restoration) | |
| Carrie Ellison | .... | assistant editor | |
| Kaja Fehr | .... | assistant editor | |
| Mo Henry | .... | negative conforming (2003 restoration) | |
| Chris Lebenzon | .... | assistant editor (as Christopher Lebenzon) | |
| Lou Levinson | .... | color correction (2003 restoration) | |
| Ernesto Novelli | .... | supervising color technician | |
| Otto Paoloni | .... | supervising color technician (as Otto Paolini) | |
| Deborah Roberts | .... | assistant editor | |
| Loolee DeLeon | .... | post-production assistant (uncredited) | |
Music Department | |||
| Bob Alcivar | .... | orchestrator | |
| Gene L. Gillette | .... | music editor | |
| Bones Howe | .... | music producer | |
| Tom Waits | .... | additional orchestrator | |
| Bob Alcivar | .... | music arranger (uncredited) | |
| Peter Erskine | .... | musician (uncredited) | |
Transportation Department | |||
| Tim Roslan | .... | transportation coordinator | |
Other crew | |||
| Luana Anders | .... | special assistant to director | |
| Jean A. Autrey | .... | production auditor (as Jean Autrey) | |
| Max Bercutt | .... | publicist | |
| Joanie Blum | .... | script supervisor | |
| Thomas Brown | .... | electronic cinema | |
| Estelle Changas | .... | production coordinator | |
| Gian-Carlo Coppola | .... | special assistant to director | |
| Marlena De Fabrizio | .... | production assistant | |
| Edward S. Feldman | .... | production representative | |
| Teri Fettis-D'Ovidio | .... | production assistant (as Teri Fettis) | |
| Jeff Hamlin | .... | dialogue director | |
| Murdo Laird | .... | electronic cinema | |
| Lise Lang | .... | assistant choreographer | |
| Michael Lehmann | .... | electronic cinema | |
| Julie Offer | .... | location projectionist | |
| Kenny Ortega | .... | choreographer | |
| Susan Royal | .... | production auditor | |
| Anne Schwebel | .... | publicist | |
| Tony St. John | .... | electronic cinema (as Anthony St. John) | |
| Daniel R. Suhart | .... | production assistant (as Dan Suhart) | |
| Mitchell Amundsen | .... | production assistant (uncredited) | |
| Gene Kelly | .... | choreography consultant (uncredited) | |
| David Parker | .... | staff member (uncredited) | |
| Randy Thom | .... | staff member (uncredited) | |
| Karen G. Wilson | .... | staff member (uncredited) | |
| Bob Yerkes | .... | tightrope instructor (uncredited) | |
Thanks | |||
| Larry Albright | .... | with the participation of | |
| Mitchell Amundsen | .... | with the participation of | |
| Mary Andrews | .... | with the participation of | |
| James Austin | .... | with the participation of | |
| Elizabeth Bailey | .... | with the participation of | |
| Steve Calou | .... | with the participation of | |
| Jim Jack Campbell | .... | with the participation of | |
| Daniel Candib | .... | with the participation of | |
| Ruth Carlson | .... | with the participation of (as Ruth Carlsson-Wollbruck) | |
| Carl Carlsson-Wollbruck | .... | with the participation of | |
| Stephen Cohn | .... | with the participation of | |
| Ronald Colby | .... | with the participation of | |
| Tom Dahlgren | .... | with the participation of | |
| Loolee DeLeon | .... | with the participation of (as Loolee de Leon) | |
| Foster K. Denker | .... | with the participation of (as Foster Denker) | |
| Tony Dingman | .... | with the participation of | |
| Jim Dunn | .... | with the participation of | |
| Donald Elmblad | .... | with the participation of (as Don Elmblad) | |
| Laura Fine | .... | with the participation of | |
| Michael L. Fink | .... | with the participation of (as Michael Fink) | |
| Merri Lisa Formento | .... | with the participation of (as Merrilisa Formento) | |
| Sue Fox | .... | with the participation of (as Suzanne Fox) | |
| Bill George | .... | with the participation of (as William George) | |
| Lyn Gerry | .... | with the participation of | |
| Ron Gress | .... | with the participation of (as Ronald Gress) | |
| Michael Hacker | .... | with the participation of | |
| Tess Haley | .... | with the participation of | |
| Mickey Hart | .... | special thanks | |
| Karl Herrmann | .... | with the participation of (as Karl Herrman) | |
| Clark Higgins | .... | with the participation of | |
| Pete Jasper | .... | with the participation of | |
| Nancy Jencks | .... | with the participation of | |
| Roy Thomas Johns | .... | with the participation of | |
| Jill Kearney | .... | with the participation of | |
| Tom Koester | .... | with the participation of | |
| Kenneth A. Larson | .... | with the participation of (as Kenneth Larson) | |
| Kathleen Lawrence | .... | with the participation of (as Kathleen Gale) | |
| Jack Lindauer | .... | with the participation of | |
| Dan Lutz | .... | with the participation of | |
| Michael Lynn | .... | with the participation of | |
| Bonnie Macker | .... | with the participation of | |
| Michael Magill | .... | with the participation of | |
| Cathy Masom | .... | with the participation of | |
| Barbara McBane | .... | with the participation of | |
| Marita McCarthy | .... | with the participation of | |
| Mark Monette | .... | with the participation of | |
| Katherine Morton | .... | with the participation of | |
| Anahid Nazarian | .... | with the participation of | |
| Jim Neidhart | .... | with the participation of | |
| David Parker | .... | with the participation of | |
| Holle Robertson | .... | with the participation of | |
| Marcia Roseff | .... | with the participation of | |
| Edward Rugoff | .... | with the participation of (as Ed Rugoff) | |
| Nick Seldon | .... | with the participation of (as Nicholas Seldon) | |
| David A. Smith | .... | with the participation of (as David Smith) | |
| Ann St. John | .... | with the participation of | |
| Barbara Stones | .... | with the participation of | |
| Holland Sutton | .... | with the participation of | |
| Randy Thom | .... | with the participation of | |
| Judy Thomason | .... | with the participation of | |
| Rick Thompson | .... | with the participation of (as Richard Thompson) | |
| George Turner | .... | with the participation of | |
| Bobby Vega | .... | special thanks | |
| Jeffrey A. Watts | .... | with the participation of | |
| Gary Weimberg | .... | with the participation of | |
| Christopher Weir | .... | with the participation of | |
| Jenny Weyman-Cockle | .... | with the participation of (as Jennifer Weyman-Cockle) | |
| Karen G. Wilson | .... | with the participation of | |
| Bob Yerkes | .... | with the participation of | |
| Richard Zarro | .... | with the participation of (as Rick Zarro) | |
| Ronald Zarro | .... | with the participation of (as Ron Zarro) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Musical section | IMDb USA section |
I have never been in the United States, least of all in New York. But through some directors' works I have built up an image of the city that never sleeps that's made of jazz, petty crooks and gangsters, Godard-lovers, intellectual wanna-be socialite... For all I know, New York is what can be seen through the eyes of Woody Allen, Martin Scorsese... and Francis Ford Coppola.
I would pretty much compare ONE FROM THE HEART to Allen's MANHATTAN, in the sense that both are new-yorkers visions of romance and beauty, filtered through a broadway theatrical and glamorous sensibility. This film, however, unlike MANHATTAN, isn't about New York. It's about spining through the spotlights of a city that parties all night long (cabarets, jazz, dance and magical flirts), only to realize that in the end, it's going to be your simple significant other waiting for you in the backstage.
The staging of the whole movie helps a lot, in the sense that's it's all filmed in studio. Magical skies and dawns that make it easy to pass from a store-window directly to a sunset in Bora-Bora; lust and life and music in what I would consider the last great musical. Every once in a while, Coppola gives us a glimpse of his more passionate side. This would then be the sunny side of the melancholic DRACULA.
Add to the magical staging the nightly cabaret-like musical score by Tom Waits and Crystal Gayle and one can't help but be amazed with it all. And I thought I was surprised by Woody Allen's EVERYONE SAYS I LOVE YOU.
If this is the way new-yorkers see life, that's the city I want to live in.