6.5/10
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80 user 55 critic

One from the Heart (1981)

Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship.... See full summary »

Director:

(as Francis Coppola)

Writers:

(screenplay), (screenplay) (as Francis Coppola) | 1 more credit »

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Nominated for 1 Oscar. See more awards »
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Cast

Cast overview, first billed only:
...
Hank
...
Frannie
...
Ray
...
Leila (as Nastassia Kinski)
...
Maggie
...
Moe
...
Restaurant Owner (as Allen Goorwitz)
Jeff Hamlin ...
Airline Ticket Agent
Italia Coppola ...
Couple in Elevator
...
Couple in Elevator
Edward Blackoff ...
Understudy
James Dean ...
Understudy
...
Understudy (as Rebecca de Mornay)
...
Understudy
...
Understudy

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Storyline

Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship. Each one of them meets their dream mate, but as bright as they may seem, they are but a stage of lights and colours. Will true love prevail over a seemingly glamorous passion? Welcome to Coppola's Broadway-like romantic musical. Written by umyde

Plot Summary | Add Synopsis

Taglines:

When Francis Ford Coppola Makes A Love Story... Don't Expect Hearts And Flowers. See more »

Genres:

Drama | Musical | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

6 August 1982 (Sweden)  »

Also Known As:

Golpe al corazón  »

Box Office

Budget:

$26,000,000 (estimated)

Gross:

$900,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm prints)| (70 mm prints)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Set entirely in Las Vegas, but completely filmed on a sound stage except for one sequence shot on the Zoetrope Studios back lot for the "Las Vegas Junkyard" (aka the "Garden of the Taj Mahal") scenes. See more »

Goofs

Though shot inside a sound stage, the opening shot of the front of the Fremont shows a completely wet street. Though done for lighting effect, nonetheless Las Vegas gets less than five or so inches of rain a year and the rainfall that does manage to hit the ground, evaporates almost immediately. See more »

Quotes

Leila: If you wanna get rid of a circus girl, all you've gotta do is close your eyes.
Hank: Yeah? Then what, circus girl?
Leila: She disappears. Like spit on a griddle.
See more »

Connections

Featured in The Making of 'One from the Heart' (1982) See more »

Soundtracks

Picking Up After You
Written by Tom Waits
Performed by Tom Waits (vocals), Crystal Gayle (vocals), Jack Sheldon (trumpet),
Pete Jolly (piano) & Greg Cohen (bass)
See more »

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User Reviews

 
The musical beauty of romance, as only Coppola or Woody Allen could picture it
5 November 2002 | by (Monte Estoril, Portugal) – See all my reviews

I have never been in the United States, least of all in New York. But through some directors' works I have built up an image of the city that never sleeps that's made of jazz, petty crooks and gangsters, Godard-lovers, intellectual wanna-be socialite... For all I know, New York is what can be seen through the eyes of Woody Allen, Martin Scorsese... and Francis Ford Coppola.

I would pretty much compare ONE FROM THE HEART to Allen's MANHATTAN, in the sense that both are new-yorkers visions of romance and beauty, filtered through a broadway theatrical and glamorous sensibility. This film, however, unlike MANHATTAN, isn't about New York. It's about spining through the spotlights of a city that parties all night long (cabarets, jazz, dance and magical flirts), only to realize that in the end, it's going to be your simple significant other waiting for you in the backstage.

The staging of the whole movie helps a lot, in the sense that's it's all filmed in studio. Magical skies and dawns that make it easy to pass from a store-window directly to a sunset in Bora-Bora; lust and life and music in what I would consider the last great musical. Every once in a while, Coppola gives us a glimpse of his more passionate side. This would then be the sunny side of the melancholic DRACULA.

Add to the magical staging the nightly cabaret-like musical score by Tom Waits and Crystal Gayle and one can't help but be amazed with it all. And I thought I was surprised by Woody Allen's EVERYONE SAYS I LOVE YOU.

If this is the way new-yorkers see life, that's the city I want to live in.


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