| Photos (See all 34 | slideshow) | Videos (see all 3) |
| Richard Gere | ... | Zack Mayo | |
| Debra Winger | ... | Paula Pokrifki | |
| David Keith | ... | Sid Worley | |
| Robert Loggia | ... | Byron Mayo | |
| Lisa Blount | ... | Lynette Pomeroy | |
| Lisa Eilbacher | ... | Casey Seeger | |
| Louis Gossett Jr. | ... | Sgt. Emil Foley | |
| Tony Plana | ... | Emiliano Della Serra | |
| Harold Sylvester | ... | Perryman | |
| David Caruso | ... | Topper Daniels | |
| Victor French | ... | Joe Pokrifiki | |
| Grace Zabriskie | ... | Esther Pokrifiki | |
| Tommy Petersen | ... | Young Zack | |
| Mara Scott-Wood | ... | Bunny (as Mara Scott Wood) | |
| David Greenfield | ... | Schneider | |
| Dennis Rucker | ... | Donny | |
| Jane Wilbur | ... | Nellie Rufferwell | |
| Buck Welcher | ... | Thraxton | |
| Vern Taylor | ... | Tom Worley | |
| Elizabeth Rogers | ... | Betty Worley | |
| David R. Marshall | ... | Drill Instructor #1 | |
| Gary C. Stillwell | ... | Drill Instructor #2 | |
| Tee Dennard | ... | Dilbert Dunker Instructor | |
| Norbert M. Murray | ... | Altitude Chamber Instructor | |
| Daniel Tyler | ... | New Recruit | |
| William S. Graves | ... | Captain Graves (as William Graves) | |
| Brian D. Ford | ... | Aerodynamics Instructor | |
| Michael C. Pavey | ... | Officer of the Day | |
| Keith J. Haar | ... | Air Officer Candidate | |
| Pia Boyer | ... | Paula's Sister | |
| Danna Kiesel | ... | Paula's Sister | |
| Marvin Goatcher | ... | Himself | |
| John Laughlin | ... | Troy | |
| Jeffrey P. Rondeau | ... | Troy's Friend | |
| Michael Lee Bolger | ... | Man in Crowd | |
| Mark L. Graves | ... | Bartender | |
| Meleesa Wyatt | ... | Prostitute #1 | |
| Jo Anna Keane | ... | Prostitute #2 | |
| Ed Begley Jr. | ... | Altitude Chamber Instructor (voice) | |
| rest of cast listed alphabetically: | |||
| Bernard Madrid | ... | Platoon Member (uncredited) | |
Directed by | |||
| Taylor Hackford | |||
Writing credits | ||
| Douglas Day Stewart | (written by) | |
Produced by | |||
| Martin Elfand | .... | producer | |
| Douglas Day Stewart | .... | associate producer | |
Original Music by | |||
| Jack Nitzsche | (music by) | ||
Cinematography by | |||
| Donald E. Thorin | (director of photography) (as Donald Thorin) | ||
Film Editing by | |||
| Peter Zinner | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Philip M. Jefferies | |||
Art Direction by | |||
| John V. Cartwright | (as John Cartwright) | ||
Set Decoration by | |||
| James L. Berkey | (as James I. Berkey) | ||
Makeup Department | |||
| Jerry O'Dell | .... | makeup artist (as Gerald O'Dell) | |
| Marina Pedraza | .... | hairstylist | |
| Jim Gillespie | .... | makeup artist (uncredited) | |
Production Management | |||
| Bob Schneider | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Pamela M. Eilerson | .... | second assistant director | |
| Daniel J. Heffner | .... | second assistant director | |
| David McGiffert | .... | first assistant director | |
Art Department | |||
| Eugene S. Kelley | .... | construction coordinator | |
| Erik L. Nelson | .... | property master | |
Sound Department | |||
| Don Coufal | .... | boom operator | |
| Don Digirolamo | .... | re-recording mixer | |
| Robert Glass | .... | re-recording mixer | |
| Robert Knudson | .... | re-recording mixer (as Buzz Knudson) | |
| Clive Smith | .... | supervising sound editor | |
| Jeff Wexler | .... | sound mixer | |
| Crew Chamberlain | .... | cable person (uncredited) | |
Special Effects by | |||
| Joseph P. Mercurio | .... | special effects | |
Stunts | |||
| Samuel M. Pace | .... | stuntman | |
| Jason Randal | .... | stunt coordinator | |
| Bill Stewart | .... | stuntman | |
Camera and Electrical Department | |||
| James F. Boyle | .... | gaffer (as James T. Boyle) | |
| Earl L. Clark | .... | camera assistant | |
| Dick Colean | .... | camera operator | |
| Jack Cooperman | .... | underwater photographer | |
| Daniel R. Jordan | .... | key grip | |
| Carol McCullough | .... | still photographer | |
| John Burnett | .... | second assistant camera: additional photography (uncredited) | |
Casting Department | |||
| Martina Ritt | .... | extras casting | |
Costume and Wardrobe Department | |||
| Rita Riggs | .... | costume supervisor | |
| Laurie Riley | .... | costume supervisor (as Laurie M. Riley) | |
Editorial Department | |||
| Priscilla Nedd-Friendly | .... | associate editor (as Priscilla Nedd) | |
Music Department | |||
| Curt Sobel | .... | music editor: La Da Productions | |
| George Doering | .... | musician (uncredited) | |
| David Spear | .... | conductor (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| James E. Foote | .... | transportation coordinator | |
| Richard Belyeu | .... | transportation captain (uncredited) | |
Other crew | |||
| William R. Borden | .... | location manager | |
| George Goode | .... | conceptual research | |
| William S. Graves | .... | technical advisor (as Capt. William Graves U.S.N. {Ret.}) | |
| Paul G. Hensler | .... | location manager: Philippines (as Paul Hensler) | |
| Janice Lisalda | .... | assistant: Mr. Hackford | |
| Sandra Morley | .... | assistant: Mr. Elfand | |
| Mary Ann Newfield | .... | script supervisor | |
| Nilo Otero | .... | assistant: Mr. Schneider (as Nilo A. Otero) | |
| Dan Perri | .... | title designer | |
| Steven Pollack | .... | assistant: Mr. Schneider | |
| Jette Sorensen | .... | production auditor | |
| Bridget Terry | .... | unit publicist | |
| Buck Welcher | .... | technical advisor | |
| Bob Williams | .... | technical advisor | |
Thanks | |||
| Gus Gustafson | .... | special thanks: Fort Worden State Park | |
| Art Kulman | .... | special thanks: Washington State Dept. of Commerce & Economic Development | |
| Brent Shirley | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A movie that you can watch over and over again and find something new. There really is something for everyone and for those who follow classical screenplay protocols this is an absolute must. The timing of events and the pace of those events is absolutely perfect. Richard Gere is really extremely good and in fact as time goes on his role may actually turn out to be one of his best. He has such a fragile bravado in this tale of selfish loner turns good. Debra Winger and Louis Gossett are also outstanding. It is a movie that you either love or you hate and, over the years, the critics have very much wanted to play it down but there is no doubt in my mind that it is a classic tale well told with every aspect of "the cinema" used to its fullest extent