Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a... See full summary »
A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to ... See full summary »
Zack Mayo is a young man who has signed up for Navy Aviation Officer Candidate School. He is a Navy brat who has a bad attitude problem. GySgt Foley is there to train and evaluate him and will clearly find Zack wanting. Zack meets Paula, a girl who has little beyond family and must decide what it is he wants to do with his life. Written by
John Vogel <firstname.lastname@example.org>
During the scene at TJ's where Zack says goodbye to Paula, Seegar says "I can still taste that bug!" This refers to a deleted survival training scene (included in the novelization) where Zack goads Seegar into eating a bug that is crawling on the roof of their shelter, then is forced to eat one himself to avoid disgrace. See more »
Zack's grip on Foley's arm during the fight scene. See more »
[whispered to sleeping father]
[flashback to Manila]
Hey, kid! Are you Zack?
I'm Byron; nice to meet you. Come on, let's get your bags, OK?
See more »
With special thanks to Art Kulman of the Washington State Dept. of Commerce & Economic Development, Fort Worden State Park, Gus Gustafson, Brent Shirley, and the people of Port Townsend, Washington. See more »
Great story of self-discovery made even better by strong performances
'An Officer And A Gentleman' is a brilliant film with great performances from Richard Gere, Louis Gossett Jr. and Debra Winger. Richard Gere embodies the character of Zack Mayo, a troubled young man who, due to neglect and ill parenting by a military father, signs up with the Navy to get some direction in his misguided life.
Mayo's life is made even harder by the ball-busting Sergeant Foley (Louis Gossett Jr.) upon his arrival at the barracks, and he struggles to find his place. However, he does find it in himself to stand-up to the overbearing Foley and his own inner-demons and, during the course of the film, goes from being selfish, weak and undisciplined to considerate, strong and determined. His will, as well as the love of the beautiful Paula (Debra Winger) and the guidance of Foley, makes him stay the course and lifts him 'up where he belongs'.
Richard Gere is great in adding layers to what could have been a poorly drawn characterisation. Mayo is not always the 'good guy' and is more often than not a complete prick. Nevertheless, he undertakes a journey of self-discovery where he refuses to become a carbon copy of his father and takes hold of his own destiny, turning himself into the man he wants to be. Gere has never been better on film than when he screams, `I got nowhere else to go!' at Foley in such a heartbreaking howl that the audience can literally feel his pain.
Debra Winger is also good as Paula, a downtrodden factory girl trapped in a small-minded small town with a lack of opportunities for women. She not only finds a way out in her love for Mayo, but the hope of a better future somewhere else. Louis Gossett Jr. also stands out as the foul-mouthed, domineering Sergeant Foley who proves to be pivotal in Mayo's journey.
With a great soundtrack, strong performances and the most rousing and emotional final scene in a film since 'Rocky', 'An Officer And A Gentleman' deserves its place among the classics of film history.
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