A mourning workaholic's deceased wife comes back to haunt him, but in a benevolent way, trying to get him to change his dreary attorney life into a life where he has a relationship with his children and is happier with himself.
WWII. In German occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her ... See full summary »
A man hires a P.I. to find a hot woman he fell in love with. The woman lives with her underage teen sister who dreams about having sex for the first time, but wants a real man. That's when the P.I. shows up and stirs up the household.
Una domenica estiva in uno stabilimento balneare al Lido di Ostia (Roma). Una fauna umana variegata e tante storie che si intrecciano. Una squadra femmminile di pallacanestro ; due militari... See full summary »
Mark Harmon is a washed-up baseball player who is called back home to handle the ashes of his childhood sweetheart/ first love who had committed suicide. As he searches for what to do with ... See full summary »
Claire (an American) wakes up in a terrible state at the end of a runway in Spain. As she tries to account for her state (blood-soaked and bruised), she has flashbacks from the past few ... See full summary »
A psychotic young man returns to his old neighborhood after release from prison. He seeks out the woman he previously tried to rape and the man who protected her, with twisted ideas of love for her and hate for him.
Workaholic attorney Bob O'Hara (Asner) is devastated when his wife (Hartley) dies suddenly. She returns to "haunt" him, however, (a la "Topper") and her mission is to persuade him to slow down, watch his own health, and renew relationships with his two grown children (Foster and Lang.) Written by
Herman Seifer <firstname.lastname@example.org>
Beleaguered comedy-drama, completely built around a gimmick, is pretty old hat...
How did all these talented people get rooked into doing such a slight, nondescript piece of fluff? Loving couple Ed Asner and Mariette Hartley are tragically separated by her death--but not for long! She comes back as a ghost, whom only Asner can see, yet she has no particular purpose or plan. The opening moments with Asner and family (including Jodie Foster, during her college years) grieving Hartley's loss are painfully elongated. Does the film want to be fanciful or realistic? Don't worry, this is just a sitcom-wannabe in low-budget dress, and soon Asner is talking to the ghost and everybody thinks he's gone off the deep end. The cast collectively jumped into the deep end after boarding this sinking vessel. Incidentally, the myriad of movie-review books are indecisive as to whether this was a cable-TV movie, a straight-to-video loser, or a failed theatrical production. I saw it on video, but I assume with all the talent involved it was meant for theaters. Either way, you can't get a refund. *1/2 from ****
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