Although the set design and most of the costumes are remarkably like the later Royal Ballet Peter Wright productions, (2001 and 2009) many tiny details are different. While the production ... See full synopsis »
Alfie returns, up to his old womanizing ways, until he meets his match in a sophisticated magazine editor Abby. His pursuit is complicated by his encounter with Norma and the fact that a ... See full summary »
Fontaine Khaled is the wife of a wealthy but boring businessman. She spends his money on her nightclub, the hobo, and partying. She hires a manager, Tony, to run her club, but it is ... See full summary »
Disco was on its deathbed even as Joan Collins boogied in her mules during her 70s comeback (The Stud, The Bitch). So, what new moves could she try as the 80s dawned? Rejecting the idea of leading a troupe of bodypoppers, she simply remade her previous disco films in the ballet milieu. All the crucial elements are there: Joanie playing a tough cookie, lithe young things taking their clothes off, and once-respected character actors (hello, William Franklyn) standing around looking embarrassed.
Kitsch fans will particularly relish the performance of Cherry Gillespie (ex-Pans People, and "Disco Girl" in The Bitch. Or was it the Stud?)
Paul Nicholas is in it, some time after he got his kit off in "Hair", and before his glory days advertising Farah slacks and Rougemont Castle British wine.
Do not watch when sober, it's quite dull in such circumstances.
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