A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces ... See full summary »
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night as their brothel. Against his better judgement, he gets talked into the idea, only to find that it's more than his boss that has objections to this bit of entrepreneurship. Written by
Kenneth Chisholm <email@example.com>
When Bill is writing on the chalkboard, the letters and lines on the board change between shots. See more »
[points to morgue cold chambers]
What's in here, just stiffs and stuff?
Uh, no, we call them "corpses."
Can I take a peek?
I think there's one in #7.
Hey, this Carboni guy! What's he, like, our boss or what?
No, no, he's the supervisor. He's not here at night.
Nuh-uh! Get outta town! Just you and me and the stiffs alone? Here? That's gonna be radical, Chuck!
[Chuck opens morgue drawer]
[...] See more »
This movie finds it's humor in seeing the absurdity of situations that are unusual but not completely unbelievable. The characters are memorable, especially as Henry Winkler plays a role that is a complete departure from previous roles and he does so convincingly. Winkler is a great straight man to Michael Keaton's high energy "idea man" and Shelley Long is well cast as the quintessential hooker-with-a-heart of gold. It's a very 80's film, but one that has stood the test of time. Even if the story line is "formula" it produces exactly the result you would expect: it's a loud, colorful, rollicking good time. It may be dated, but it is still funny after all these years.
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