A morgue attendant is talked into running a brothel at his workplace after a deceased pimp is sent there. However, the pimp's killers don't look too kindly on this new 'business', nor does the morgue's owner.
Henry Hackett is the editor of a New York City tabloid. He is a workaholic who loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces ... See full summary »
An ice hockey star is accosted by a youth gang who attempt to rob him; after he chases them off he catches the youngest member and gives him a ride home, where he meets the boy's mother. A ... See full summary »
Maria Conchita Alonso,
A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night as their brothel. Against his better judgement, he gets talked into the idea, only to find that it's more than his boss that has objections to this bit of entrepreneurship. Written by
Kenneth Chisholm <email@example.com>
When Chuck and Bill go upstairs in the club at the end of the movie, Bill is barefoot. When Bill jumps off the balcony and lands on the floor a few seconds later, he is wearing red sneakers. See more »
Adam Sandler and Pauly Shore can only DREAM of being as funny as Michael Keaton in "Night Shift." Keaton's hilarious performance only serves to underscore the fact that he's never been near as funny since.
Sure, the movie will never be in the AFI's top 100 list. But when I was 18, a loony pre-college me dreamed of being as funny as Billy Blaizejowski, Keaton's character in the film. I credit the script for great lines, but I doubt anyone could have made an annoying character like Billy loveable - except Keaton.
Henry Winkler does a bang-up job with a straight role that affords audiences little to get excited about. He is completely convincing as an in-over-his-head nebbish with a nervous stomach, and deserves credit for pulling it off without seeming whiny. We identify with Winkler's character even though we can see how cowardly he is.
The plot, of course, is contrived, as is any plot involving hookers with hearts of gold. It's hard to see Shelly Long as a prostitute, but she plays it gamely and has fun with the role.
I recommend this film if you have any craziness to your sense of humor, or just if you're a male between the ages of 17 and 25. That's the target audience, but even in my mid-30's, I still find Keaton's performance refreshing and laugh-out-loud funny.
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