| Photos (See all 13 | slideshow) |
| Peter O'Toole | ... | Alan Swann | |
| Mark Linn-Baker | ... | Benjy Stone | |
| Jessica Harper | ... | K.C. Downing | |
| Joseph Bologna | ... | King Kaiser | |
| Bill Macy | ... | Sy Benson | |
| Lainie Kazan | ... | Belle Carroca | |
| Anne De Salvo | ... | Alice Miller | |
| Basil Hoffman | ... | Herb Lee | |
| Lou Jacobi | ... | Uncle Morty | |
| Adolph Green | ... | Leo Silver | |
| Tony DiBenedetto | ... | Alfie Bumbacelli | |
| George Wyner | ... | Myron Fein | |
| Selma Diamond | ... | Lil | |
| Cameron Mitchell | ... | Karl Rojeck | |
| Jenny Neumann | ... | Connie | |
| Corinne Bohrer | ... | Bonnie | |
| George Marshall Ruge | ... | Lord Drummond - Featured Player | |
| Amanda Horan Kennedy | ... | Lady Eleanor (as Barbara Horan) | |
| John Welsh | ... | Cubby Brown - Featured Player | |
| Richard Brestoff | ... | Stage Manager - Featured Player | |
| Jed Mills | ... | Member #1 - Featured Player | |
| Ted Grossman | ... | Harris - Featured Player | |
| Teresa Ganzel | ... | Dumpling - Featured Player | |
| Philip Bruns | ... | Fed. Marshal Holt - Featured Player (as Phil Bruns) | |
| Archie Hahn | ... | Delivery Boy - Featured Player | |
| Karen Haber | ... | Vivian - Featured Player | |
| Priscilla Kovary | ... | Priscilla | |
| Eleanor C. Heutschy | ... | Gossip Columnist (as Eleanor Heutschy) | |
| Peter Eastman | ... | Maitre D' | |
| Fox Harris | ... | Curt - Featured Player | |
| Rieneke | ... | Andrea | |
| Howard George | ... | Artie - Featured Player | |
| Bob Windsor | ... | Alvin Horn - Featured Player | |
| Gloria Stuart | ... | Mrs. Horn | |
| Clyde McLeod | ... | Club Dancer | |
| Harry Bill Roberts | ... | Orchestra Leader | |
| Ramon Sison | ... | Rookie Carroca - Featured Player | |
| Annette Robyns | ... | Sadie | |
| Pearl Shear | ... | Mrs. Kessler | |
| Stanley Brock | ... | Mr. Berkowitz | |
| Martin Garner | ... | Mr. Cantor | |
| John Medici | ... | Scalfoni | |
| Robert G. Denison | ... | Stockbroker #1 - Featured Player | |
| John Christy Ewing | ... | Stockbroker #2 - Featured Player | |
| Vincent Sardi Jr. | ... | Policeman (as Vincent Sardi) | |
| Cady McClain | ... | Tess (as Katie McClain) | |
| Norman Steinberg | ... | Sandy | |
| Richard Warwick | ... | Technical Director | |
| Rex Benson | ... | Makeup Man | |
| Denver Mattson | ... | Thug #1 | |
| George Fisher | ... | Thug #2 | |
| Bob Terhune | ... | Thug #3 | |
| Nick Dimitri | ... | Thug #4 | |
| Phil Adams | ... | Stagehand #1 | |
| Richard E. Butler | ... | Stagehand #2 (as Richard Butler) | |
| rest of cast listed alphabetically: | |||
| Vince Brocato | ... | Walla Walla (voice) | |
| Lana Clarkson | ... | Girl in Old Gold Cigarette Pack (uncredited) | |
| Ilana Rapp | ... | Neighborhood Girl (uncredited) | |
| Hank Robinson | ... | Diner at Club (uncredited) | |
Directed by | |||
| Richard Benjamin | |||
Writing credits | ||
| Norman Steinberg | (screenplay) and | |
| Dennis Palumbo | (screenplay) | |
| Dennis Palumbo | (story) | |
Produced by | |||
| Michael Gruskoff | .... | producer | |
| Art Levinson | .... | associate producer | |
| Mel Brooks | .... | executive producer (uncredited) | |
| Joel Chernoff | .... | producer (uncredited) | |
Original Music by | |||
| Ralph Burns | |||
Cinematography by | |||
| Gerald Hirschfeld | (director of photography) | ||
Film Editing by | |||
| Richard Chew | |||
Production Design by | |||
| Charles Rosen | |||
Set Decoration by | |||
| Donald J. Remacle | (as Don Remacle) | ||
Costume Design by | |||
| May Routh | |||
Makeup Department | |||
| Ruby Ford | .... | hair stylist | |
| Carol A. O'Connell | .... | hair stylist (as Carol O'Connell) | |
| Daniel C. Striepeke | .... | makeup (as Dan Striepeke) | |
Production Management | |||
| A. Kitman Ho | .... | unit production manager: New York | |
| Art Levinson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| William S. Beasley | .... | first assistant director | |
| Duncan Henderson | .... | second assistant director (as Duncan S. Henderson) | |
| Stephen Wertimer | .... | second assistant director: New York | |
Art Department | |||
| Merle Eckert | .... | chief carpenter: New York | |
| Arthur Gelb | .... | graphics designer | |
| Mentor Huebner | .... | production illustrator | |
| Herbert F. Mulligan | .... | set decorator: New York (as Herb Mulligan) | |
| Gregory Pickrell | .... | set designer | |
| Michael J. Smith | .... | construction coordinator | |
| Sal Sommatino | .... | property master | |
| Kandy Stern | .... | set designer (as Kandy Berley Stern) | |
| John Alvin | .... | poster artist (uncredited) | |
| Duff Miller | .... | assistant property master (uncredited) | |
Sound Department | |||
| John H. Arrufat | .... | sound effects editor (as J.H. Arrufat) | |
| David B. Cohn | .... | dialogue editor | |
| Mia Goldman | .... | assistant sound editor | |
| Robert Grieve | .... | supervising sound editor | |
| Jerry Jost | .... | production sound mixer | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| Christopher Newman | .... | sound mixer: New York (as Chris Newman) | |
| Bill Varney | .... | sound re-recording mixer | |
| Ken Dufva | .... | foley artist (uncredited) | |
| Duncan McEwan | .... | sound recordist (uncredited) | |
| Donald C. Rogers | .... | technical director of sound (uncredited) | |
| Bill Voigtlander | .... | adr editor (uncredited) | |
| Dan Yale | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Charles Schulthies | .... | special effects (as Charles R. Schulthies) | |
Visual Effects by | |||
| Matthew Yuricich | .... | matte painter (as Matthew J. Yuricich) | |
Stunts | |||
| Norman Howell | .... | stunt performer | |
| Steve Lerner | .... | stunt performer | |
| John Moio | .... | stunt performer | |
| Victor Paul | .... | stunt coordinator | |
| Charlie Picerni | .... | stunt performer (as Charles Picerni) | |
| John Romano | .... | stunt performer | |
| Philip Romano | .... | stunt performer | |
| Tony Santoro | .... | stunt performer | |
| Konrad Sheehan | .... | stunts | |
| James Winburn | .... | stunt performer (as James B. Winburn) | |
Camera and Electrical Department | |||
| Enrique Bravo | .... | camera operator: New York | |
| Richard J. Edesa | .... | camera operator (as Richard Edesa) | |
| Mike Ginsberg | .... | still photographer: New York | |
| Len Hekel | .... | still photographer (as Leonard Hekel) | |
| Marc Hirschfeld | .... | first assistant camera (as Marc D. Hirschfeld) | |
| Adam Kimmel | .... | second assistant camera: New York | |
| James McGrath | .... | key grip: New York | |
| Donald E. Thorin Jr. | .... | second assistant camera (as Donald Thorin Jr.) | |
| Louis Tobin | .... | gaffer (as Lou Tobin) | |
| Bob West | .... | key grip (as Robert G. West) | |
Casting Department | |||
| Ellen Chenoweth | .... | casting: Los Angeles | |
| Lois Planco | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Bob Mahagay | .... | wardrobe supervisor | |
| Eric H. Sandberg | .... | costumer: men | |
| Dolores Zuniga | .... | costumer: women | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Gregory B. Peña | .... | set costumer (uncredited) | |
Editorial Department | |||
| Don Dittmar | .... | color timer | |
| Howard Heard | .... | assistant film editor | |
| Brian Ralph | .... | negative cutter | |
| David Solomon | .... | assistant film editor | |
Music Department | |||
| Jeff Carson | .... | music editor: La Da Productions | |
| Harry V. Lojewski | .... | music supervisor | |
| George Doering | .... | musician (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Other crew | |||
| Carolyn Bauer | .... | assistant: Mr. Benjamin | |
| Karen Day | .... | production auditor | |
| W. Paul Henley | .... | location manager | |
| Vic Heutschy | .... | publicist | |
| Ingrid Johanson | .... | production coordinator: New York | |
| Marie Kenney | .... | script supervisor | |
| Debra Leventhal | .... | secretary to producer | |
| James McCabe | .... | location manager (as Jim McCabe) | |
| Larry Rapaport | .... | location manager: New York | |
| Jaimie Raskin | .... | production assistant | |
| Willie E. Simmons Jr. | .... | production assistant (as Willie Simmons) | |
| Juanita Smith | .... | assistant: Mr. Steinberg | |
| Armand Speca | .... | assistant to producer | |
| Jean Urban | .... | production secretary | |
| Randy Auerbach | .... | assistant: Mr. Brooks (uncredited) | |
| Sam Irvin | .... | production assistant (uncredited) | |
| Kevin King | .... | payroll accountant (uncredited) | |
| Dan Roth | .... | adr voice (uncredited) | |
| Lucy Chase Williams | .... | secretary: Michael Gruskoff (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
The best movies have moments -- scenes so powerful, or simply so note-perfect, that they live on in your memory after the plot is forgotten.
"My Favorite Year" has more than its share of these.
Other reviewers on this page have singled out the dinner at Belle Mae Steinberg Carioca's (Lainie Kazan's) Brooklyn apartment. They might also have mentioned the scene in which a titanically intoxicated Alan Swann (O'Toole)essays to "shimmy down" the side of a building, using a fire hose as rapelling gear, or the farcically climactic fight scene on live 50's TV.
But two other moments resonate even more strongly; they explain completely why Peter O'Toole was cast in this otherwise comedic role.
In the first, O'Toole's character interrupts his own plans for an evening of debauchery to fulfill a fantasy by dancing with an aging, but still glorious Gloria Stuart. Both onscreen and off, the audience is spellbound in the midst of the slapstick as these two senior-citizen actors seize the screen for the duration of their waltz.
Even more compelling is an important scene later in the movie in which Swann makes a quick trip to visit a young daughter whom he hasn't seen in years. He watches her from the car, but can't bring himself to get out and speak to her. The scene is played completely without dialogue. With the camera focused tightly on the warring emotions which play across O'Toole's face, no dialogue is necessary. It's a powerful, lump-in-the-throat moment every divorced dad will recognize.
I join others on this page in urging you to rent this movie for the laughs. As you laugh, however, stay alert for two of the truest moments ever placed on film. Enjoy.