| Marina Pierro | ... | Hélène | |
| Françoise Blanchard | ... | Catherine Valmont | |
| Mike Marshall | ... | Greg | |
| Carina Barone | ... | Barbara Simon | |
| Fanny Magier | ... | 6th Victim | |
| Patricia Besnard-Rousseau | |||
| rest of cast listed alphabetically: | |||
| Jean Berel | |||
| Jean-Pierre Bouyxou | ... | Burglar | |
| Véronique Carpentier | |||
| Jean Cherlian | ... | Second burglar | |
| Delphine Lapointe | |||
| Jacques Marbeuf | |||
| Sandrine Morel | ... | Teenage Catherine Valmont | |
| Lise Overman | |||
| Véronique Pinson | |||
| Laurence Royer | |||
| Sam Selsky | ... | Old American Man In The House Of Catherine | |
| Dominique Treillou | ... | A Victim | |
| Alain Petit | ... | Third burglar (uncredited) | |
| Jean Rollin | ... | Salesman (uncredited) | |
Directed by | |||
| Jean Rollin | |||
Writing credits(in alphabetical order) | ||
| Jacques Ralf | ||
| Jean Rollin | ||
Produced by | |||
| Joe de Palmer | .... | co-producer (uncredited) | |
| Sam Selsky | .... | producer (uncredited) | |
Original Music by | |||
| Philippe d' Aram | |||
Cinematography by | |||
| Max Monteillet | |||
Film Editing by | |||
| Janette Kronegger | |||
Makeup Department | |||
| Eric Pierre | .... | makeup artist | |
Production Management | |||
| Lionel Wallmann | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dominique Treillou | .... | assistant director | |
Sound Department | |||
| Jacky Dufour | .... | sound effects | |
| Henri Graff | .... | sound mixer | |
Special Effects by | |||
| Benoît Lestang | .... | special effects | |
Stunts | |||
| François Bourdillon | .... | stunts | |
Camera and Electrical Department | |||
| Gilles Falavigna | .... | electrician | |
| Pierre Leblond | .... | still photographer | |
| Daniel Mahé | .... | electrician | |
Costume and Wardrobe Department | |||
| Christine Belbec | .... | dresser | |
Other crew | |||
| Dominique Anglesi | .... | production secretary | |
| Helene Poulet | .... | continuity | |
|
|
|
|
|
| The Vampire Lovers | Mary, Mary, Bloody Mary | A Virgin Among the Living Dead | Fascination | Daughters of Darkness |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb France section |
OK, a trawl through my past user comments will reveal that I am really interested in this genre of movies for purely purient interest. Having said that, I do know a good film when I see one. While Holywood rarely produces these, neither does Jean Rollin.
I simply cannot understand how some people can give films such as these high marks. Different strokes obviously. To be fair, this is the best produced Rollin film (out of three) that I have seen, but the others were pretty bad, so that is no commendation. Can bad acting, sloppy plotting and woeful gore effects really be that easily ignored?
The story revolves around a girl brought back from the dead who needs blood to sustain herself, her childhood friend's efforts to meet her need, and a French-American's efforts to expose what is going on. The story is threadbare and doesn't go anywhere. Everyone but the vampire girl bleed profusely by the film's end, but to no effect. Little horror, only litres of fake blood and latex gore.
Worst of all, there is little nudity or sex action to compensate. The opportunity of a lesbian relationship (de rigueur I would have thought!) between the vampire and her girlfriend is not realised, and there is only one sex scene. Isn't this the reason thats these films are made?!? I can think of no other. The other Rollin films I have seen (earlier than this one) are worse overall, but manage to compensate by some spirited flesh action.
And have I mentioned the screaming that occurs throughout the film? It's a wonder my neighbours haven't called the police.
So to those who rate this film highly, purporting it to be some kind of arty French tour de force: I have seen films which are the real thing, and it is an insult to competant French directors to make any comparison with Rollin.