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My Friend Ivan Lapshin (1985)
"Moy drug Ivan Lapshin" (original title)

7.8
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Ratings: 7.8/10 from 1,034 users  
Reviews: 5 user | 9 critic

Russian provincial town in the middle of the 1930s Stalin's Great Purge. Ivan Lapshin, the head of the local police, does what he has to do. And he does it well.

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Title: My Friend Ivan Lapshin (1985)

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Cast

Credited cast:
Andrei Boltnev ...
Ivan Lapshin
Nina Ruslanova ...
Natasha Adasova
Andrey Mironov ...
Khanin
Aleksei Zharkov ...
Okoshkin
Zinaida Adamovich ...
Patrikeyevna
Aleksandr Filippenko ...
Zanadvorov
Yuriy Kuznetsov ...
Superintendent
Valeriy Filonov ...
Pobuzhinskiy
Anatoly Slivnikov ...
Bychkov
Andrey Dudarenko ...
Kashin
Semyon Farada
Nina Usatova
Valeri Kuzin ...
Narrator (voice)
Lidiya Volkova
Rest of cast listed alphabetically:
Yuri Aroyan
Edit

Storyline

Russian provincial town in the middle of the 1930s Stalin's Great Purge. Ivan Lapshin, the head of the local police, does what he has to do. And he does it well.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

January 1985 (Soviet Union)  »

Also Known As:

My Friend Ivan Lapshin  »

Filming Locations:


Box Office

Budget:

$8,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Nikolay Gubenko auditioned for the role of Ivan Lapshin. Yet the director chose to work with Andrei Boltnev because "there was some sort of "doomed" quality about him - it was clear he'd be shot and killed". See more »

Connections

Referenced in Wear (2015) See more »

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User Reviews

 
reflections of the Soviet past
13 December 2010 | by (United States) – See all my reviews

A recollection from a Russian childhood becomes, in director Alexei Gherman's memory, a rambling fantasia of events in a small provincial town during the 1930s. The film is virtually plot less but rich in incidental detail, and like any nostalgic memory is oblique and selective, and often shadowed with a profound sense of regret. Viewers unfamiliar with Russian habits and history may be hard pressed to follow the director's near-documentary recreation of local events (spiced with occasional arcane, Fellini-esquire symbolism). What passes for a plot is allowed to develop in an offhand, almost inconsequential manner: an awkward love triangle shared by the title character (a local secret policeman) with a traveling actress and a journalist friend; a manhunt for an elusive criminal, and so forth. It's as if the characters were too personal for Gherman to see them become bogged down in a simple romance or conventional police procedural drama.


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