Yussuf and Aliosha are two shipwrecked sailors on an island in the Caspian Sea. They start working as sailor and mechanic for the fishing boats of the "Lights of the Communism" kolkhoz. ... See full summary »
A soldier of the Red Army named Sukhov has been fighting in the Russian Civil War in Russian Asia for many years. Just as he is about to return home to his wife, Sukhov is chosen to guard ... See full summary »
Another planet in the period of medieval times. An employee of the institute of experimental history from Earth, who is send under the name of noble don Rumata of Estor as a spy with a ... See full summary »
Nikolay Gubenko auditioned for the role of Ivan Lapshin. Yet the director chose to work with Andrei Boltnev because "there was some sort of "doomed" quality about him - it was clear he'd be shot and killed". See more »
A recollection from a Russian childhood becomes, in director Alexei Gherman's memory, a rambling fantasia of events in a small provincial town during the 1930s. The film is virtually plot less but rich in incidental detail, and like any nostalgic memory is oblique and selective, and often shadowed with a profound sense of regret. Viewers unfamiliar with Russian habits and history may be hard pressed to follow the director's near-documentary recreation of local events (spiced with occasional arcane, Fellini-esquire symbolism). What passes for a plot is allowed to develop in an offhand, almost inconsequential manner: an awkward love triangle shared by the title character (a local secret policeman) with a traveling actress and a journalist friend; a manhunt for an elusive criminal, and so forth. It's as if the characters were too personal for Gherman to see them become bogged down in a simple romance or conventional police procedural drama.
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