| Photos (See all 25 | slideshow) |
| Woody Allen | ... | Andrew | |
| Mia Farrow | ... | Ariel | |
| José Ferrer | ... | Leopold (as Jose Ferrer) | |
| Julie Hagerty | ... | Dulcy | |
| Tony Roberts | ... | Maxwell | |
| Mary Steenburgen | ... | Adrian | |
| Adam Redfield | ... | Student Foxx | |
| Moishe Rosenfeld | ... | Mr. Hayes | |
| Timothy Jenkins | ... | Mr. Thomson | |
| Michael Higgins | ... | Reynolds | |
| Sol Frieder | ... | Carstairs | |
| Boris Zoubok | ... | Purvis | |
| Thomas Barbour | ... | Blint | |
| Kate McGregor-Stewart | ... | Mrs. Baker | |
| rest of cast listed alphabetically: | |||
| David Copeland | ... | (uncredited) | |
| Tony Farentino | ... | (uncredited) | |
| Caitlin O'Heaney | ... | Dolores Farrar (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) | |
Produced by | |||
| Robert Greenhut | .... | producer | |
| Charles H. Joffe | .... | executive producer | |
| Michael Peyser | .... | associate producer | |
| Jack Rollins | .... | executive producer | |
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| Susan E. Morse | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Mel Bourne | |||
Art Direction by | |||
| Speed Hopkins | |||
Set Decoration by | |||
| Carol Joffe | |||
Costume Design by | |||
| Santo Loquasto | |||
Makeup Department | |||
| Fern Buchner | .... | makeup designer | |
| Romaine Greene | .... | hair designer | |
| Jay Cannistraci | .... | additional makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Frederic B. Blankfein | .... | first assistant director (as Fredric B. Blankfein) | |
| Tony Gittelson | .... | second assistant director (as Anthony Gittelson) | |
| Thomas A. Reilly | .... | second assistant director (as Thomas Reilly) | |
| Duncan Scott | .... | dga trainee | |
Art Department | |||
| Joseph Badalucco Jr. | .... | chief set dresser | |
| Robert Bauer | .... | construction grip (as Bob Bauer) | |
| Gregory Bolton | .... | assistant art director | |
| Herb Darrell | .... | shop craftsman | |
| Glen Engels | .... | construction grip | |
| James Halligan | .... | construction grip | |
| Susan Kaufman | .... | art department coordinator | |
| James Mazzola | .... | property master | |
| Toni Ross | .... | art department coordinator | |
| Janet Shaw | .... | set dresser | |
| Cosmo Sorice | .... | stand-by scenic artist | |
| James Sorice | .... | master scenic artist | |
| Kenneth Vogt | .... | property man | |
| Anthony Zappia | .... | shop craftsman (as Tony Zappia) | |
| Polly Wood-Holland | .... | scenic artist (uncredited) | |
Sound Department | |||
| Marjorie Deutsch | .... | sound editor | |
| Frank Graziadei | .... | sound recordist | |
| Jack Higgins | .... | re-recording mixer | |
| Melissa A. Higgins | .... | assistant sound editor | |
| Beriau Picard | .... | assistant sound editor | |
| James Sabat | .... | production sound mixer | |
| Louis Sabat | .... | boom man | |
| Dan Sable | .... | supervising sound editor | |
| Lynn Sable | .... | apprentice sound editor | |
Stunts | |||
| David Copeland | .... | stunt double: Mr. Allen (as J. David Copeland) | |
| Tony Farentino | .... | stunt double: Mr. Roberts | |
Camera and Electrical Department | |||
| Brian Hamill | .... | still photographer | |
| Douglas C. Hart | .... | assistant cameraman | |
| Ronald M. Lautore | .... | camera operator | |
| Dave McClean | .... | best boy | |
| Robert Paone | .... | second assistant cameraman (as Bob Paone) | |
| Jeri Sopanen | .... | cameraman: second unit | |
| Louis S. Toth Jr. | .... | dolly grip | |
| Dusty Wallace | .... | gaffer | |
| Robert Ward | .... | key grip (as Bob Ward) | |
| David J. Schweitzer | .... | special photography effects (uncredited) | |
Animation Department | |||
| Russ Mooney | .... | animator (uncredited) | |
Casting Department | |||
| Paula Herold | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Bill Christians | .... | wardrobe supervisor: men | |
| Lancey Saunders Clough | .... | wardrobe supervisor: women | |
Editorial Department | |||
| Pamela Scott Arnold | .... | assistant film editor (as Pamela S. Arnold) | |
| Richard Nord | .... | first assistant film editor | |
| Christine P. Williams | .... | apprentice film editor | |
Transportation Department | |||
| Rocco Derasmo | .... | transportation captain | |
| Patrick Hogan | .... | driver (uncredited) | |
| Bobby Marsh | .... | driver (uncredited) | |
Thanks | |||
| Elizabeth Forsling Harris | .... | the producers gratefully acknowledge the cooperation of: executive director of The New York State Office for Motion Picture and Television Development | |
| Nancy Littlefield | .... | the producers gratefully acknowledge the cooperation of: executive director of the Mayor's Office for Motion Pictures and Television | |
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| Heaven Can Wait | Peter's Friends | The Notebook | Saving Face | Something's Gotta Give |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Not intended to be an Allen masterpiece and produced after the self-indulgent Stardust Memories, this piece of work is the gift Allen made to himself and to us. Taking stuff from Bergman's Smiles of a Summer Night, Shakespeare's A Midsummer Night's Dream, Mendelssohn's suite for the play and some other works Woody realized an enchanting movie about the frivolous nature of human beings. It may not have the quality of Bergman's masterpiece and it may not last for more than four hundred years like Shakeapseare's play but it is definitely entertaining and makes a great summer evening's experience! It is also the first appearance of Mia Farrow in a Woody film and she is always excellent, though nominated for a Razzie for this role. The scenery by itself is worth seeing the movie. Plus, there is an interesting blend of screwball comedy from Allen's earlier days (with him going on a flying bicycle), some romance that we came to be accustomed in his later movies and even some drama if you look closer. Overall, the movie has more positive aspects than negative and taken as a whole it does leave a smile on your face.