The police has to face some extremely brutal murders. How is the rich playboy Peter Crane (Jorge Rivero) involved in this? He suffers from horrible nightmares that make him believe that he is responsible for these murders...
Small time crook Napoleone falls into an unlikely gang made up of a gangster, called The Baron, and his two cohorts, Agonia and The Captain, where Napoleone takes them to Rome where they ... See full summary »
Edward G. Robinson
Intransigent magistrate Viola Orlando is targeted by her rivals who hire her twin sister Rosa, a high-class prostitute and porographic photo-novel star, to visit Rome and to set her up to ... See full summary »
A boorish, snobish toothpaste factory owner, Constantino Nicosia, gives his wife and everyone a hard time having let success and wealth go to his head. But after the superticous Nicosia has... See full summary »
Hey - it's 1980 and Mr. Fulci wishes to do something 'not so horror'. So he created this tale about an Egyptian amulet which brings terrible tragedy to a New York family. I've seen about 15 of these Italian post-giallo horrors now from Fulci, Bava and of course, Argento. I found this one to be relatively well-dubbed and paced. In other words, the pace wasn't infintessimal and the actors didn't break from Italian into dubbed English and vice versa. For all I know, this was recorded in English given its title. Anyway, the two children in the film are strikingly eerie, remniscent of Village of the Damned's little miscreants, though the boy's voice seems very off (the only exception to my comment about the dubbing)- check out his first few lines in the park in "Manhattan"! Hilarious! The plot, while somewhat draggy as all of these films are (other societies don't demand a new scene every 2.5 minutes and either dialogue or action at all times it seems), it's not that slow. Of course these films are often watched for the unflinching depictions of gore that Italians are not afraid to deliver, and while the violence is a bit more subtle in this one than most, there are three scenes which will satisfy this type of viewer. Ultimately, this film's worst trait is its attempt at more 'psychological' horror in my opinion. However, it is not bad - as long as you are used to these Italians and their significantly different motivations and backgrounds from American directors. Oh, and as you might expect from Fulci, the cinematography is spellbinding at times.
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