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Overview
User Rating:
Director:
Writers:
Elisa Briganti (screenplay)
Elisa Briganti (story)
more
Release Date:
27 July 1984 (USA) more
Tagline:
Little Susie is very young, very pretty, and very very evil! more
Plot:
An archaelogist opens an Egyptian tomb and accidently releases an evil spirit. His young daughter becomes possessed by the freed enity and, upon arrival back in New York, the gory murders begin. full summary | full synopsis
NewsDesk:
(2 articles)
The House by the Cemetery (Uncut, 1981) Movie Review
(From Beyond Hollywood. 24 May 2009, 8:18 AM, PDT)
'Cat in the Brain' - DVD Review
(From FEARnet. 14 May 2009, 7:36 AM, PDT)
User Comments:
Fulci Baby! more (34 total)
Cast
(Credited cast)| Christopher Connelly | ... | Professor George Hacker | |
| Martha Taylor | ... | Emily Hacker | |
| Brigitta Boccoli | ... | Susie Hacker | |
| Giovanni Frezza | ... | Tommy Hacker | |
| Cinzia de Ponti | ... | Jamie Lee | |
| Cosimo Cinieri | ... | Adrian Mercato (as Laurence Welles) | |
| Andrea Bosic | ... | Optician | |
| Carlo De Mejo | ... | Luke | |
| Enzo Marino Bellanich | ... | Wiler (as Vincenzo Bellanich) | |
| Mario Moretti | ... | Tennant | |
| Lucio Fulci | ... | Dr. Forrester | |
| Tonino Pulci | ... | Orderly (as Antonie Pulci) |
Additional Details
Also Known As:
Evil Eye
Eye of the Evil Dead (USA) (dubbed version)
Il malocchio
The Possessed
more
Parents Guide:
Runtime:
89 min
Country:
Language:
Color:
Color (Telecolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
New Zealand:R18 | Argentina:18 | Australia:R | Italy:VM14 | USA:Unrated | West Germany:16 | UK:18
Filming Locations:
Company:
Fun Stuff
Trivia:
The name of the character Adrian Marcato is borrowed from Rosemary's Baby (1968). more
Goofs:
Revealing mistakes: On the end of the movie, when Adrian Mercato is attacked by the birds, a thread is visible, holding one of the birds. more
Movie Connections:
Featured in Beyond the Living Dead (2001) (V) more
FAQ
This FAQ is empty. Add the first question.more (34 total)
Message Boards
Discuss this movie with other users on IMDb message board for Manhattan Baby (1982)| Recent Posts (updated daily) | User |
|---|---|
| Completely Under-rated | jayt_26 |
| Bird on a wire *MAY CONTAIN SPOILERS* | Fuzzzball |
| Fulci Collection from Anchor Bay???? | marllow |
| So Weird!! | jayt_26 |
Recommendations
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| Il medaglione insanguinato | Horror | Satan's Mistress | Ghosts That Still Walk | Un urlo nelle tenebre |
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IMDb User Rating:
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IMDb User Rating:
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IMDb User Rating:
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IMDb User Rating:
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Related Links
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
| Add this title to MyMovies |

Hey - it's 1980 and Mr. Fulci wishes to do something 'not so horror'. So he created this tale about an Egyptian amulet which brings terrible tragedy to a New York family. I've seen about 15 of these Italian post-giallo horrors now from Fulci, Bava and of course, Argento. I found this one to be relatively well-dubbed and paced. In other words, the pace wasn't infintessimal and the actors didn't break from Italian into dubbed English and vice versa. For all I know, this was recorded in English given its title. Anyway, the two children in the film are strikingly eerie, remniscent of Village of the Damned's little miscreants, though the boy's voice seems very off (the only exception to my comment about the dubbing)- check out his first few lines in the park in "Manhattan"! Hilarious! The plot, while somewhat draggy as all of these films are (other societies don't demand a new scene every 2.5 minutes and either dialogue or action at all times it seems), it's not that slow. Of course these films are often watched for the unflinching depictions of gore that Italians are not afraid to deliver, and while the violence is a bit more subtle in this one than most, there are three scenes which will satisfy this type of viewer. Ultimately, this film's worst trait is its attempt at more 'psychological' horror in my opinion. However, it is not bad - as long as you are used to these Italians and their significantly different motivations and backgrounds from American directors. Oh, and as you might expect from Fulci, the cinematography is spellbinding at times.