Jim Craig has lived his first 18 years in the mountains of Australia on his father's farm. The death of his father forces him to go to the low lands to earn enough money to get the farm ... See full summary »
Jim Craig has lived his first 18 years in the mountains of Australia on his father's farm. The death of his father forces him to go to the low lands to earn enough money to get the farm back on its feet. Kirk Douglas plays two roles as twin brothers who haven't spoken for years, one of whom was Jim's father's best friend and the other of whom is the father of the girl he wants to marry. A 20 year old feud re-erupts, catching Jim and Jessica in the middle of it as Jim is accused of letting a prize stallion loose. Written by
John Vogel <email@example.com>
The movie contains numerous references to A.B. "Banjo" Patterson, besides being based on his poem. Patterson himself is a character in the movie, as is Clancy from the poem "Clancy of the Overflow" (Clancy also makes an appearance in the poem "The Man from Snowy River") Harrison's wife was named Matilda. Patterson wrote the song "Waltzing Matilda" and the melody can be heard at the very end of the movie. See more »
When Jim leaves the note hanging on the tree that Jessica is alright and heading back home, he leaves the bag with the note on one branch and his bandanna hanging on another branch. When Frew picks up the note later the bag and bandanna are hanging on the one branch. See more »
[rising in bed with his lever action rifle as Curly advances on Jim with a broken bottle]
Curly - lose the bottle!
[cocks the lever action rifle as Curly stops and stares]
I did it before... and so help me, I'll do it again.
[Curly drops the bottle]
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A herd of wild horses stampede over the hills after the end credits. See more »
We often think of the Western as being a characteristically American film genre, although there have been occasional attempts to adapt its conventions to stories set in other parts of the world. "North-West Frontier", for example, is a British film set in British-ruled India, but the plot is essentially that of "Stagecoach". "Untamed" transfers the standard waggon-train plot from the American prairies to the South African veldt, and "The Sundowners", about Australian pioneer life, has similarities to many films set in the Old West. These two latter films, despite their ostensible setting, had an American leading man, Tyrone Power in "Untamed" and Robert Mitchum in "The Sundowners".
"The Man from Snowy River" is another Australian film with a plot which could be that of a Western. (One could call it a "Southern"). It also features a major American star, in this case Kirk Douglas, in a leading role. Or perhaps I should say that it features Kirk Douglas in two leading roles, the brothers Harrison, a wealthy cattle farmer, and Spur, a prospector. The action takes place in Victoria during the 1880s. Apart from the two brothers, the main character is Jim Craig, the "Man from Snowy River" himself. Jim is a young man orphaned by the death of his father in an accident, who goes to work on Harrison's station. The three main strands of the plot concern the relationship between the two brothers, who have been estranged for many years, the growing romance between Jim and Harrison's daughter Jessica, and the efforts to recapture a valuable stallion belonging to Harrison, which has escaped and is running with a herd of wild horses.
There are a number of differences in terminology; the wild horses are referred to as "brumbies" rather than "mustangs", Harrison's landholding is described as a "station" rather than a "ranch" and the reward for the recapture of the stallion is expressed in pounds rather than dollars. With those and a few other exceptions, however, the above synopsis could easily be that of a typical Western. And yet in some ways this is a very Australian film. The title and the story of the hunt for the escaped stallion derive from a narrative poem by the "bush poet" Banjo Paterson, although the other two strands of the plot are the inventions of the scriptwriters. Paterson himself appears as a character, as does Clancy of the Overflow, the hero of another of his poems. Paterson is something of a national icon in Australia, largely because his poetry helped to create the legend of the "Australian bushman", the tough, individualistic inhabitant of the Outback who plays a role in the Australian national imagination similar to that played by the cowboy in the American one. Clancy himself- a real individual, not a fictitious character- has come to be seen as the archetypal bushman.
"The Man from Snowy River" was made in 1982 during a decade when very few traditional Westerns were being made in America itself. (Perhaps the attraction of the film for Douglas was that it gave him a chance to star in one last "Western"). This was, however, a period when the Australian "New Wave" was starting to give that country its own cinematic identity with films about Australian history like "Picnic at Hanging Rock" and "Breaker Morant". This film, therefore, can be seen, not as an attempt to imitate Hollywood, but rather as an attempt to celebrate Australia's own history and culture in the way that the Western celebrated American history and culture. That other great celebration of the bushman, "Crocodile Dundee", a comedy with a contemporary setting, was to come shortly afterwards.
There are no really great acting performances, although Douglas copes well with the challenge of playing two very different characters, the autocratic, patrician Harrison and the more free-spirited Spur, even if his accent does not always hold up. The film is shot against some attractive mountain scenery, and the action sequences, especially the hunt for the missing stallion, are well done. This is a film which will appeal to anyone with an interest in Australia's past, as well to all horse-lovers. 7/10
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