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Making Love (1982)

R  |   |  Drama  |  5 March 1982 (USA)
6.8
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Reviews: 59 user | 13 critic

A successful young L.A. doctor and his equally successful television-producer wife find their happily-ever-after life torn assunder when he suddenly confronts his long-repressed attraction ... See full summary »

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Title: Making Love (1982)

Making Love (1982) on IMDb 6.8/10

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Nominated for 1 Golden Globe. See more awards »

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Cast

Cast overview, first billed only:
...
Zach
...
Claire
...
Bart
...
Winnie
Arthur Hill ...
Henry
...
Christine
John Dukakis ...
Tim
...
Harrington
Dennis Howard ...
Larry
Asher Brauner ...
Ted
John Calvin ...
David
Gwen Arner ...
Alrene
...
Ken
...
Lila (as Ann Harvey)
...
Charlie
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Storyline

A successful young L.A. doctor and his equally successful television-producer wife find their happily-ever-after life torn assunder when he suddenly confronts his long-repressed attraction for other men. Zach and Claire live a comfortable life secure in their love for one another when Bart, a swinging L.A. novelist, walks into Zach's office and awakens unfamiliar feelings in him. In a move which leaves him wracked with guilt, Zach cancels dinner with his wife in order to go out with Bart. He is inexplicably drawn to this man who seems intent on keeping him at arms distance. Why can't Bart allow their relationship to grow? he wonders. Exasperated, he asks Bart, "Do you snore? Does anybody ever get a chance to find out?" As Zach's absences become more and more frequent, Claire's concern manifests itself in the suspicion that he is having an affair with another woman. Jilted by Bart and feeling alone for the first time in his married life, Zach resolves to tell Claire the truth about ... Written by Mark Fleetwood <mfleetwo@mail.coin.missouri.edu>

Plot Summary | Plot Synopsis

Taglines:

A provocative tale of hidden desire.

Genres:

Drama

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

5 March 1982 (USA)  »

Also Known As:

Su otro amor  »

Filming Locations:

 »

Company Credits

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Technical Specs

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film's producer Daniel Melnick said of this movie in the documentary The Celluloid Closet (1995) that he had "had the unpleasant task of running the rough cut of the film" for a person who was not of "the film world, nor the intellectual world, nor the world of letters and arts". Visibly uncomfortable during the screening, at the scene in the film when the two men kiss, the man "jumped up and said 'you made a goddamn faggot movie'! and stormed out". See more »

Quotes

Bart: If it feels good, do it. You don't get any points for playing by the rules.
See more »

Connections

Referenced in Sex at 24 Frames Per Second (2003) See more »

Soundtracks

Take Me Higher
Words and Music by Bruce Hornsby and John Hornsby
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User Reviews

Somethings need to be said.
1 May 2004 | by (Atlanta, GA) – See all my reviews

I believe that given this film was made in 1982, in the early stages of the AIDS epidemic, it IS groundbreaking.

For me, it was the film that helped a struggling 10 grader come to terms with his sexuality. Therefore, I recommend this film to anyone who wants to know what it is like to admit to yourself that you are in denial and being self-deceiving. It follows a man's journey through self-discovery and the unfortunate damage that this type of discovery can bring to a family, friends, and other loved ones, when the reality is finally admitted. Anyone who cannot see this for what it is may need to do some self-discovery work of his or her own to ascertain what is living just below the surface that is presented to the public.

Although the plot and story are a bit simplistic by today's standards, in its day it was revolutionary: a former TV star (Kate Jackson), up-and-coming hunkies star (Harry Hamlin), and the gorgeous guy next door type (Michael Ontkean). Even the sex scene between the men was too much for many in that time.

Al in all, I would say that it is not as bad as many have commented and it is not a tour-de-force of acting either. Just good, old-fashioned melodrama, American-style.


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