Directed by | |||
| Hal Ashby | |||
Writing credits | ||
| Al Schwartz | (written by) and | |
| Jon Voight | (written by) | |
Produced by | |||
| Andrew Braunsberg | .... | producer | |
| Robert Schaffel | .... | producer | |
| Edward Teets | .... | producer | |
Original Music by | |||
| Miles Goodman | |||
| Johnny Mandel | |||
Cinematography by | |||
| Haskell Wexler | (director of photography) | ||
Film Editing by | |||
| Walton Dornisch | |||
| Éva Gárdos | (as Eva Gardos) | ||
| Janice Hampton | |||
| Robert C. Jones | |||
| Wayne Wahrman | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
Art Direction by | |||
| James L. Schoppe | (as James Schoppee) | ||
Set Decoration by | |||
| George Gaines | |||
Makeup Department | |||
| Robert Dawn | .... | makeup artist (as Bob Dawn) | |
| Diane Pepper | .... | hair stylist | |
| Stephen Robinette | .... | hair stylist (uncredited) | |
Production Management | |||
| Edward Teets | .... | unit production manager | |
| Stephen Traxler | .... | production supervisor: second unit | |
Second Unit Director or Assistant Director | |||
| Paul Moen | .... | second assistant director | |
| Charles Myers | .... | first assistant director | |
Art Department | |||
| Gary Clark | .... | paint foreman (as Gary Clard) | |
| Tim Donelan | .... | swing gang | |
| Gene Fukuzawa | .... | labor foreman (as Gene Fukazawa) | |
| Al Gaynor | .... | graphic designer (as Albert Gaynor) | |
| Al Gaynor | .... | scenic designer (as Albert Gaynor) | |
| Mike Higelmire | .... | leadman (as Michael Higlemire) | |
| Don High | .... | set designer (as Donald High) | |
| Bill Iiams | .... | propmaker foreman (as William Iiams) | |
| Roger Irvin | .... | construction coordinator | |
| Gary Kudroff | .... | leadman | |
| Pat Maresca | .... | greensman | |
| Ray Mercer Jr. | .... | assistant property master (as Ray Mercer) | |
| John A. Scott III | .... | assistant property master (as John Scott) | |
| Arthur Shippee | .... | property master (as Arthur Shippee Jr.) | |
| Robby Vandermark | .... | standby painter | |
| Sandy Veneziano | .... | set designer | |
Sound Department | |||
| Crew Chamberlain | .... | cable man | |
| Lucy Coldsnow-Smith | .... | sound editor (as Lucy Coldsnow) | |
| Don Coufal | .... | boom operator | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudsen) | |
| Charles E. Moran | .... | sound editor (as Charles Moran) | |
| Richard Oswald | .... | dialogue editor | |
| Andrew Patterson | .... | sound editor | |
| Bruce Richardson | .... | supervising sound editor (as Paul Bruce Richardson) | |
| Jeff Wexler | .... | sound mixer | |
Stunts | |||
| Bobby Bass | .... | stunt person | |
| Jophery C. Brown | .... | stunt person (as Jophery Brown) | |
| Fletcher Bryant | .... | stunt person | |
| Buzz Bundy | .... | stunt driver: taxi up on its side | |
| William H. Burton | .... | stunt person (as Bill Burton) | |
| Steven Chambers | .... | stunt person (as Steve Chambers) | |
| David R. Ellis | .... | stunt person (as David Ellis) | |
| Billy Hank Hooker | .... | stunt person (as William Hank Hooker) | |
| Buddy Joe Hooker | .... | stunt choreographer | |
| Ron Stein | .... | stunt person | |
| Janell Twomey | .... | stunt person (as Jannell Twomey) | |
| Walter Wyatt | .... | stunt person | |
Camera and Electrical Department | |||
| Paul E. Borchardt | .... | key grip (as Paul Eric Barchardt) | |
| James F. Boyle | .... | gaffer (as James Boyle) | |
| Peter Davidian | .... | electrical best boy | |
| Ray De La Motte | .... | camera operator | |
| Dave Friedman | .... | still photographer (as David Friedman) | |
| Antonio V. Garrido | .... | second company grip (as Tony Garrido) | |
| Robert E. Gaynor | .... | dolly grip (as Robert Gaynor) | |
| John A. Hawn | .... | rigging gaffer (as John Hawn) | |
| Louis Mahler | .... | video technician (as Lewis Mahler) | |
| Edgar E. Mosquera | .... | video operator (as Edgar E. Mosguera) | |
| Michael G. Riba | .... | third camera assistant (as Michael Riba) | |
| Dianne Schroeder | .... | special photographer | |
| Guy Skinner | .... | second camera assistant | |
| Steven H. Smith | .... | first camera assistant (as Steve Smith) | |
| Garrett Brown | .... | Steadicam operator (uncredited) | |
| Andy Romanoff | .... | louma crane technician (uncredited) | |
| Steve Stafford | .... | camera operator (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | extra casting | |
| Charlene Goldman | .... | extra casting | |
| Barbara Lambertson | .... | extra casting (as Barbara Lamerston) | |
Costume and Wardrobe Department | |||
| Thomas Costich | .... | costumer (as Tom Costich) | |
| Thomas S. Dawson | .... | costumer (as Tom Dawson) | |
| Kathleen McGregor | .... | costumer | |
| Vincent Sembera | .... | tailor (as Vince Sembera) | |
Editorial Department | |||
| Mireille Machu | .... | assistant editor | |
| Catherine Peacock | .... | editing assistant: video tape | |
| Brian Ralph | .... | negative cutter | |
| Christopher Rouse | .... | assistant editor | |
| Gary Wright | .... | post-production assistant | |
| Melissa Wye | .... | assistant editor | |
| Tracy Granger | .... | assistant film editor (uncredited) | |
Music Department | |||
| Miles Goodman | .... | composer: additional music | |
| Joel Moss | .... | music recordist | |
| George Doering | .... | musician (uncredited) | |
Transportation Department | |||
| Bill Gray | .... | transportation coordinator | |
| Dan Riportella | .... | transportation captain (as Danny Riportella) | |
| Roger Wooge | .... | transportation (uncredited) | |
Other crew | |||
| Enid Arias | .... | personal consultant: Jon Voight (as Enid Watts Arias) | |
| Charles Clapsaddle | .... | assistant: Mr. Ashby | |
| Concepta Fennell | .... | assistant: Mr. Braunsberg | |
| Terry Fisher | .... | first aid (as Terrance Fisher) | |
| Marjorie Gaines | .... | assistant: Mr. Ashby | |
| Marilynn Gross | .... | assistant: Mr. Schaffel | |
| James Herbert | .... | location manager: Los Angeles | |
| Deborah D. Johnson | .... | assistant production accountant (as Debbie Johnson) | |
| Lucile Jones | .... | assistant: Mr. Ashby | |
| Linda Sony Kinney | .... | production coordinator (as Linda Sony) | |
| George Masters | .... | consultant: Ann-Margret | |
| Ramon Pahoyo | .... | craft service (as Ramone Pahoyo) | |
| Sharon Poole | .... | assistant: Mr. Schaffel | |
| Colleen Rose | .... | assistant: Mr. Voight | |
| Marge Rowland | .... | production accountant | |
| Peter J. Silbermann | .... | unit publicist (as Peter Silbermann) | |
| Chip Taylor | .... | story consultant | |
| Stephen Traxler | .... | production assistant (as Steve Traxler) | |
| Cynnie Troup | .... | script supervisor | |
| Peggy Upton | .... | assistant: Mr. Schaffel | |
| Earl Wingard | .... | unit publicist | |
| Tommy Burns | .... | production assistant (uncredited) | |
| Sheryl Levine | .... | pre-production coordinator (uncredited) | |
| Sheryl Levine | .... | production assistant: Mr. Voight (uncredited) | |
| Craig Vincent | .... | bodyguard: Angelina Jolie Voight (uncredited) | |
Thanks | |||
| Michael D. Haller | .... | special thanks: for being here (as Michael Haller) | |
| Robert C. Jones | .... | special thanks: for being there | |
| Steven E. Pelzer | .... | special thanks and appreciation to for his invaluable assistance: representative, The MGM Grand Hotel (as Steve Pelzer) | |
| Recent Posts (updated daily) | User |
|---|---|
| angelina Jolie? | March101987 |
| Podcast: Hal Ashby's Lookin' to Get Out | moviecritic2517-1 |
|
|
|
|
|
| Swing Time | Let It Ride | It's Always Fair Weather | Guys and Dolls | The Winner |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Because this film has been so stubbornly withheld from the home-video market, it has been years since the last time I saw it. Still, as a serious aficionado of fine acting, I still retain vivid memories of this lively flick and I can not understand all the negative reaction it received. The characters who populate this story are fascinating and memorably enacted by a superb cast. It would be little more than another typical caper flick were it not for the well-drawn weaknesses of the main characters which lead them inexorably into a high pressure situation from which they must try with all their might to escape. If you ever get to see this show, watch for the marvelous work of the numerous supporting players such as Richard Bradford. It is a deliciously glossy, stylish film but with a character-driven story that thoroughly engrossed me each time I saw it. It dances precariously between comedy and drama in a manner which I found intriguing and delightful. In view of all the bad reviews I have read about "Looking to Get Out" I deeply regret that it persists in being unavailable year after year. I would love to look at it again to try to figure out what causes so many folks to dislike it. Is it simply a matter of taste? I do not know.