After failing his fellow students in a Lion Dance competition, Dragon (Jackie Chan) is sent away from his school in disgrace, on the condition that he must find his errant brother. Much ... See full summary »
Jackie Chan is a youngster, living in a remote village with his grandfather who teaches him Kung-Fu. He keeps getting into fights, even though his grandfather warns him not to show their ... See full summary »
A pair of evil gung-fu artists, Heaven and Earth, are slaughtering the entire Yin-Yang brotherhood. he movie opens with two members of the brotherhood and their two male children being ... See full summary »
Story of a cop who forsakes his dreams of sailing around the world so that he can care for his mentally disabled brother. Innocently caught up in a gangland fight, the brother is kidnapped ... See full summary »
Jackie Chan stars as the young warrior Hsu Yiu Fong. Hsu has been entrusted with the book of the "Art of the Snake and Crane," after the mysterious disappearance of the eight Shaolin ... See full summary »
Two Hong-Kong cops are sent to Tokyo to catch an ex-cop who stole a large amount of money in diamonds. After one is captured by the Ninja-gang protecting the rogue cop, the other one gets ... See full summary »
Sammo Kam-Bo Hung
Sammo Kam-Bo Hung,
Stanley Sui-Fan Fung
A young man poses as "the Whip King" and collects the reward for a bandit he has seen killed by a famous bounty hunter. He must now learn Kung Fu if he is to live up to this new persona and conquer the enemies he has inherited.
A police informant sent a letter containing sensitive information on an illegal drug operation to his friend, Yi-Ching. While on vacation in Thailand, the informant is assassinated by the ... See full summary »
Around 1h19m (the barn fight scene), Cowboy (Mars) gets kicked off the loft by the Big Boss (Ing-Sik Whang). Dragon (Jackie Chan) is situated near the middle of the ladder. Just as the Big Boss kicks him in the back, the next cut shows him at the top of the ladder. See more »
Scenes of out-takes from the action scenes play under the credits. See more »
"Dragonlord" sees Chan returning to his role of "Dragon" from "The Young Master". Not much has carried over from the first film though. "Tiger", his older brother, is nowhere to be seen; neither is the Marshall, his daughter or his son played superbly by Yuen Biao in the original film. Dragon does have the same master though - presumably all the other students have moved on to other things. (Dragon's laziness at training is portrayed heavily in this film, so maybe he's still studying!)
Originally titled "Young Master In Love", this film sees Dragon (for the first sixty minutes at least) pursuing a villager girl in various idiotic and slapstick ways. His rival for her affection is his friend (inappropriately named "Cowboy") played comically by the longtime Chan Stunt-team member Mars. We see various scenes where their silly schemes backfire. It is one of these scenes that we (thankfully) find "Dragon" in over his head.
This film is notorious in that it failed expectations at the box office. That said, I'm sure the expectations were pretty high, and I feel that this film has never had a fair judgment based on it's own merits. But even when I try to do this, I still feel that there is a problem with the film. It seems quite unfocused, sometimes rushed, and I think the action is too sporadic and not as brilliant as Chan's other work from this period.
The thing that really saves the film is the ending sequence. As in "The Young Master", there is a fantastic final reel that it full of incredibly exhausting action - you really feel every blow. And again, Chan goes up against the same rival from "The Young Master" (is it the same character?), and the timing and energy here is brilliant. Chan's style of using every last bit of his environment to help defeat his opponent - not just relying on pure physical ability - is as apparent here as anywhere else. The barn they fight in is full of clever little prop gags and improvisations. This is an absolute highlight of the film and one of Chan's incredible career.
It's not necessary to see the prequel before seeing "Dragonlord", in fact, it might even raise more questions than what it hopes to answer. But it must be said that the original film is the superior film, and "Dragonlord", with it's focus on girl-chasing and team-sports does seem baffling. Luckily, the few fight scenes it offers (plus a fantastic shuttle-cock scene) push it over the line as a must-see film in this genre.
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