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Dragon Strike (1982)
"Long xiao ye" (original title)

6.6
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Ratings: 6.6/10 from 2,001 users  
Reviews: 16 user | 20 critic

The adventures of a restless martial arts student called Dragon, who, while constantly pursuing a girl, gets involved in the affairs of a gang of thieves.

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Title: Dragon Strike (1982)

Dragon Strike (1982) on IMDb 6.6/10

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Cast

Credited cast:
...
Dragon
Wai-Man Chan ...
Tiger (as Hui-Min Chen)
Paul Chang ...
Cowboy's Father
Kang-Yeh Cheng ...
Ah Dee
Wah Cheung ...
Smuggler
Fung Feng ...
The Referee
Hark-On Fung ...
The Killer King (as Ke-An Fung)
Kam-Kwong Ho ...
The Commentator
Kang Ho ...
Referee
Pak-Kwong Ho ...
Spectator
Yeong-Mun Kwon ...
The Hatchetman
Keung-Kuen Lai
Kang Li
Ge Liu
Ying Lung
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Storyline

The adventures of a restless martial arts student called Dragon, who, while constantly pursuing a girl, gets involved in the affairs of a gang of thieves.

Plot Summary | Add Synopsis

Genres:

Action | Comedy | Sport

Motion Picture Rating (MPAA)

Rated PG-13 for martial arts violence | See all certifications »
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Details

Country:

Language:

|

Release Date:

21 January 1982 (Hong Kong)  »

Also Known As:

Dragon Lord  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

At the time this film held the world record for a scene that needed the most takes, over a thousand for the "shuttlecock soccer" scene. See more »

Crazy Credits

Scenes of out-takes from the action scenes play under the credits. See more »

Connections

Featured in The Art of Action: Martial Arts in Motion Picture (2002) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A necessity for Chan fans
24 June 2006 | by (United States) – See all my reviews

This film has to be viewed in the right frame of mind. First, the central father-son relationship makes it pretty clear that the film was intended as a prequel to his Wong Fei Hung film "Drunken Master" (ideas from this film recur in "Drunken Master II), and not "Young Master"; that Chan backed away from this plan and renamed the characters indicates that he himself was not convinced the material was coming together properly; and, indeed, the film conveys a sense of being incomplete; for instance, the romantic relationship around which half the plot turns is left utterly hanging at the end of the film. "Young Master", from the same period, also feels underdone, but at least all its central threads are tied together at the end. This film feels as though Chan wrestled with the plot and characters trying to find his central theme, only to abandon the effort, possibly due to time and budget.

Or perhaps the film is simply over-ambitious. This is an important turning point film in Chan's career, because he commits himself to development of the central character above all other concerns - which is why there's such a lack of kung fu throughout the film. Chan wants to make an historical romantic comedy that just happens to have kung fu in it. But both the historical element and the romantic element come across as little more than plot-twists.

That leaves us with the comedy. Since Chan's concern is character-development, the comedy is largely character driven - as in the conflict between Chan's character and his best friend, an argument over a girl. But there's plenty of slapstick as well. Frankly, I find the comedy amusing enough to forgive the incompleteness of the plot.

This film represents an effort on Chan's part to find a viable formula that he can use and develop over time. It doesn't quite work, and Chan would only find that formula after abandoning the historical elements of his earlier films, with the making of the contemporary action comedy "Police Story". But going back to view this film is still very informative as to how Chan worked his way through the historical genre, and perhaps why he abandoned it.


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