| Index | 3 reviews in total |
3 out of 4 people found the following review useful:
hong kong new wave in the early 1980's, 13 July 2003
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Author:
lionel2 from china
this is the earliest and most representative hong kong new wave movie. directed by patrick tan, nomad is unfinished and with many questions left behind. screenplay is hesitating and irresolute and structure is broken. but up to now, not a single hong kong movie can be more successful in exploring the hong kong young people's nihilism. for those young people in the movie, youthfulness is for a kind of wasteful consumption, being a growth up is falling down into the hole of nonsense. this kind of relaxed, unconcerned, or even annoying attitude made leslie cheung the new sexual representational speaker for the chinese speaking community.
3 out of 6 people found the following review useful:
Interesting film...but tried to do too much in the plot..., 10 April 2005
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Author:
Bobby Bob from Vancouver, B.C., Canada
This film was said to be one of the very few films able to hit the
bull's eye on the youth culture in Hong Kong, ranging from their hair
styles to their life philosophies, during the 80's. It generated a
great deal of controversy in a mainly Confuscious Hong Kong society,
where the people and the community know of the problems but instead
employ an one eye open, one eye close attitude and prefer to keep them
shredded in darkness and secrecy while making everything look nice and
peachy on the surface, when it was first released with the film's
shocking and brutal honesty on the lifestyle of the youth. Its
portrayal of the youths as being a very promiscuous and sexually open
group who goes through life with a "live for today, die tomorrow"
attitude while having no goals and directions challenged the thinking
of Hong Kong society by bringing out the problems with the youths;
meanwhile, the many "streamy" love scenes(no nudity; many were just
scenes and shots of the actors and actresses scantily clad and in
provocative positions; the one scene where it was close to a standard
love making scene was too dark to see and could only see the arms and
face; nothing compared to western cinema) and the amount of skin the
actors and actresses revealed challenged Hong Kong films society which
was rather conservative.
I really liked the way they were able to reflect both the youth and the
parent's reaction and attitude towards their lifestyle. However, the
writers were trying to do too much. They tried to generate some
excitement and climax by putting a international assassination plot
into the story, but it just made the film became more of a silly soap
opera and it lost focus from the main theme, a reflection on youth
society. The cast was rather impressive, which featured some
recognizable names even in 2005 and although only Leslie Cheung became
a breakout star, the other main actors and actresses became reliable
performers; the performances, on the other hand, were believable and
natural but nothing spectacular and rather green. Overall, it would be
recommended for only film buffs or Leslie Cheung fans. There was
nothing exciting about this movie, as even the love scenes were boring.
1 out of 4 people found the following review useful:
An incredible finish to a little known film, 10 April 2005
Author:
simonize-1 from Canada
*** This review may contain spoilers ***
I taped this 1982 film which was broadcast last night on the Vancouver
station "M Channel" as part of its regular Saturday night showings of
Hong Kong/Asian movies. When I rewound the tape, I settled on the final
10 minutes, and saw a group of friends, all relaxed and comfortable
with each other; after a commercial break, the mood changed
dramatically and a furious bloodbath ensued.
I have seen a multitude of HK films, but this one, with its wholly
unexpected scenes of a woman savagely cutting down all those around her
had an enormous impact.
I will have to preserve this video, because I sense that the film,
despite its toplining LESLIE CHEUNG, has not had a DVD release.
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