This 1982 concert film was actually filmed during 1981. The movie was compiled from footage from The Rolling Stones' North American Tour in 1981. The film was first released in 1982.
The Rolling Stones' 1981 record album "Still Life" (American Concert 1981) was produced from the tour that this concert is filmed from. The artwork on the album cover was a painting by Japanese artist Kazuhide Yamazaki, whose work inspired the stage design for the tour, and this can be seen in the movie.
This movie features footage from three The Rolling Stones' concerts staged in November and December 1981. These included one concert at the Sun Devil Stadium in Arizona State University, Tempe, Arizona (13th December 1981) and two concerts at the Meadowlands Sports Complex in East Rutherford, Bergen County, New Jersey (5th & 6th November 1981).
According to the DVD sleeve notes, Mick Jagger once said that the film gives "a feel of what it's like to be there, which is what a film can do more than actually be there - because you can be in more than one place at once".
The 1981 concert dates of the concerts that provided the footage for this concert movie included 5th November (New Jersey); 6th November (New Jersey); and 13th December (Arizona).
Songs performed on The Rolling Stones' North American Tour in 1981 that were filmed for the movie but were not used for the main English version of the film included "Hot for Her" and "When the Whip Comes Down", though the latter, from the 13th December 1981 concert in Tempe, Arizona, apparently did feature in the German version.
Lead singer Mick Jagger went to Los Angeles for around a week, 7th to the 13th of October 1982, to work with director Hal Ashby to put the finishing touches on the film, which premiered later that month on 29th October 1982.
This concert film is commonly known by two titles in English-speaking territories, "Time is on our Side" and "Let's Spend the Night Together". In some countries, it has been released in varying formats under both titles.
The concert film utilized footage from both indoors and outdoors concerts. The 13th December 1981 concert in Tempe, Arizona was an outdoor stadium show whilst the 5th and 6th November 1981 concerts in East Rutherford, New Jersey were both indoor arena shows. The earlier concert film of The Rolling Stones, The Stones in the Park, was shot at an outdoor rock concert whilst the later concert film of The Rolling Stones, Shine a Light, was filmed at an indoor concert venue.
The particular song tracks performed and the particular concert it was taken from for this movie were as follows: "Under My Thumb" - (Tempe, 13th December 1981; "Let's Spend the Night Together" - (Tempe, 13th December 1981); "Shattered" - (Tempe, 13th December 1981); "Neighbours" - (Tempe, 13th December 1981); "Black Limousine" - (Tempe, 13th December 1981); "Just My Imagination (Running Away with Me)" - (Tempe, 13th December 1981); "Twenty Flight Rock" - (Tempe, 13th December 1981); "Let Me Go" - (Tempe, 13th December 1981); "Time Is on My Side" - (Tempe, 13th December 1981); "Beast of Burden" - (Tempe, 13th December 1981); "Waiting on a Friend" - (Tempe, 13th December 1981); "Going to a Go-Go" - (East Rutherford, 6th November 1981; "You Can't Always Get What You Want" - (East Rutherford, 6th November 1981); "Little T&A" - (East Rutherford, 5th November 1981; "Tumbling Dice" - (East Rutherford, 5th November 1981); "She's So Cold" - (East Rutherford, 5th November 1981); "All Down the Line" - (East Rutherford, 5th November 1981); "Hang Fire" - (East Rutherford, 5th November 1981); "Miss You" - (East Rutherford, 6th November 1981); "Let It Bleed" - (East Rutherford, 5th November 1981); "Start Me Up" - (East Rutherford, 5th November 1981); "Honky Tonk Women" - (Tempe, 13th December 1981); "Brown Sugar" - (East Rutherford, 5th November 1981); "Jumpin' Jack Flash" - (Tempe, 13th December 1981); and "Satisfaction" - (Tempe, 13th December 1981).
The film utilized the SMPTE (Society of Motion Picture and Television Engineers) Tune Code System which at the time the movie was made, according to publicity, allowed the most sophisticated use of film with a 24 track audio sound recording.
Mick Jagger said of this film in statement publicizing the movie: "We wanted to have a show for the stadiums. We tried to make it pretty simple, but we had a special set for this one. It was quite elaborate for an outdoor show. We hadn't toured for three years, it was sort of [an] occasion. This became the biggest tour we'd ever done. While I think The Rolling Stones are really a rock band, and not a big theatre band, you should see 'something'. Something dramatic should happen, something different should happen so that you're taken out of that world into another one. That's what I think when I look at bands. It's good for the audience, good for the bands as well. To feel that we're out there in front of a decent set, not looking like a bicycle shed. It should look pleasing to the eye. After we saw the sun set in Los Angeles when we were on stage at the Coliseum, we thought it 'had' to be a movie. We decided not to go for a story line, but just try to do some classy shooting. We really wanted to capture the spirit of the tour. We definitely wanted to avoid the cinema vérité, backstage sort of film. That had been done and what people wanted to see was out front. There's a tiny bit of backstage, but the real minimum. I think the film gives a feel of what it's like to be there. It's a great sounding movie" - Mick Jagger.
Jerry Hall:
Uncredited, the then girlfriend and future wife of Mick Jagger as a dancer in the chorus-line of ladies during the "Honky Tonk Women" song and dance sequence.