A camp melodrama/comedy about Sexilia (a nymphomaniac), Sadec (a gay Islamic terrorist), Riza Niro (the son of the emperor of Tiran), and Queti (the daughter of a dry-cleaner). When Riza ...
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In Madrid, the housewife Gloria lives in a tiny apartment with her husband, the taxi driver and forger Antonio; her lunatic mother-in-law, who is addicted in bottled water and cupcakes; and... See full summary »
An ex-bullfighter who gets turned on by killing, a lady lawyer with the same fetish and a young man driven insane by his religious upbringing - these are the main characters in this stylish... See full summary »
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Pepas's lover, Iván, leaves her and she tries to contact him to find out why he's left. In her search for Iván, she confronts his wife and son, who are as clueless as she is. Meanwhile; ... See full summary »
A camp melodrama/comedy about Sexilia (a nymphomaniac), Sadec (a gay Islamic terrorist), Riza Niro (the son of the emperor of Tiran), and Queti (the daughter of a dry-cleaner). When Riza Niro discovers that Sadec and his colleagues are after him, he disguises himself as a punk rocker, and falls in love with the stunning Sexilia, his first straight relationship. Meanwhile Queti, Sexilia's "biggest fan", helps Sexilia come to terms with her new life-style. Written by
Tristan White <THEWHITE@qmw.ac.uk>
The film ran for 10 years at the midnight show at Madrid's Alphaville cinema. See more »
announcer at gig:
Los Melancolicos can't be with you tonight due to problems with drugs, child trafficking, white slavery and a few other things. But instead, we'll have a group you all know and hate.
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While some of my friends watched (and were delighted by) the latest movie of Almodovar the cinematheque in my village screened his second movie, made almost 30 years ago 'Labyrinth of Passion'. A couple of months ago I had seen 'Do You Remember Dolly Bell?' (made one year earlier than the film of the Spaniard) the first film of Kusturica, now this one, and beyond the similarities of the game of identifying in early works the spark of genius of the later great movies there is also an abyssal difference between the two. While Kustirica's movie show the restrains of the censorship his work was subjected to in the still-Communist Yugoslavia, Almodovar's film shouts FREEDOM.
Indeed, 'Laberinto de pasiones' is a film that could have been only in 1982 and in Spain. The young director seems to be drunken by the light and colors of a world that just woke up after several decades of dictatorship. His characters live in a Madrid that has become the heaven of all kinds of experiments in music, in love, in the way people live. There is absolutely nothing that reminds the films of Carlos Saura or Bunuel, the film is made by a young director whose career started with the liberation of Spain, and who celebrates his freedom in making movies and experiments with characters and a social medium on the fringe.
Did I already say that watching this film is fun? Just saying that one of the characters is the son of the Shah of (T)Iran who happens to be gay but then is 'cured' by a nymphomaniac named Sexilia you already got a feeling of the material Almodovar plays with. He also crosses the line to play a gay punk singer in travesty in one of the several delicacies of the film. Sure, there is a lot of trash around, and not all of it is that original, but then you have Banderas playing a gay terrorist who falls for his target before knowing whom he gets in bed with. All the story is told with a kind of detachment that makes you feel the protective smile of the director when looking at his characters and actors.
No, this film is not a masterpiece, and if I had seen it by or close to the time it was made I am not sure whether I would have liked it, or identified the huge director Almodovar will become starting a few films later. If there is anything close in genre it is rather the low cost comedies that by that time I would have seen in Romania (later the boorekas movies in Israel). There is however in this film enough craziness and bluntness to break away from the crowd, and a hidden tear behind the laughs that I am pretty sure that could not have escaped me completely.
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