Not until three years after the death of her husband Jolly, Kay dares to move back into their former house, persuaded by her new fiancé Rupert. But soon her worst expectations come true, ...
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Michael T. Weiss,
Not until three years after the death of her husband Jolly, Kay dares to move back into their former house, persuaded by her new fiancé Rupert. But soon her worst expectations come true, when not only her old memories haunt her, but also Jolly's ghost, who doesn't approve of her new mate. Invisible to anyone but Kay, he tries to prevent the wedding. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Director Robert Mulligan had to withdraw from Rich and Famous (1981), which he had been hired to direct, because of a three-month delay in the beginning of principal photography on this film. See more »
In the dinner scene with Kay, Charlotte, Rupert and Rev. Hollis, Charlotte begins the dinner conversation by saying that Jolly turned her into a vegetarian. She quoted Jolly as saying that he would "never eat anything that had a face." Later, when Kay, Rupert and Jolly go to a diner for lunch, Jolly orders a cheeseburger. See more »
I think it's great that she's decided to face this place, start doing things again.
So do I. But why couldn't she start with something simple. Like needlepoint, or analysis.
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Very attractive cast propels this comedy/fantasy about the ghost of a deceased husband (Caan) who pays a visit to his widow (Field) as she's about to remarry (Bridges). Robert Mulligan's touch of genius is at work one more time. The story may be a bit strained at times, but the results are satisfactory altogether in the end.
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