Kamikaze 89
(1982)
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Kamikaze 89
(1982)
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| Cast overview, first billed only: | |||
| Rainer Werner Fassbinder | ... |
Jansen
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Günther Kaufmann | ... |
Anton
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Boy Gobert | ... |
Konzernchef
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Arnold Marquis | ... |
Polizeipräsident
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Richy Müller | ... |
Neffe
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Nicole Heesters | ... |
Barbara
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Brigitte Mira | ... |
Personaldirektorin
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Jörg Holm | ... |
Vizepräsident
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Hans Wyprächtiger | ... |
Zerling
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Petra Jokisch | ... |
Elena
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Andreas Mannkopff | ... |
Wechselschichtregisseur
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Ute Koska | ... |
Polizeiärztin
(as Ute Fitz-Koska)
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Frank Ripploh | ... |
Gangster
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| Hans-Eckart Eckhardt | ... |
Polizist
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Christoph Baumann | ... |
Kriminalpolizist
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In the near future where "the combine" controls television and news, a bomb threat brings super cop Jansen to the combine's headquarters. Nothing happens, but his boss gives him four days to solve the hoax. Odd things occur: on day one there's a murder at the combine; vague references to the combine's enemy, Krysmopompas, appear; the nephew of the combine's boss confesses to the bomb threat, although he didn't do it. Jansen stays focused, interviewing employees who received special awards (printed on the paper used for the bomb threat). Is he onto something big or was the bomb threat just a prank? And what is this 31st floor rumored hidden in the 30-story combine headquarters? Written by <jhailey@hotmail.com>
Kamikaze 1989 is an ambivalent film that manages to be both anti-corporate and anti-statist at the same time. It was perfect for 1982 when I was an anarcho-rightist skateboard punk. Today, it couldn't be appreciated by 1 in 100,000. This is the last of the great pre-Microsoft/ pre-End-of-USSR films that sought to reflect the hunger of the dawning information age. A bad phosphorescent TV look to the film makes it look fresh in our day. Fassbinder is Lt. Jansen and his investigations are predominately self-defeating - and that could be the point.
Disguised as a predator, Lt.Jansen is an amoral and voyeuristic, yet totally flaccid being. Tired and sluggish this detective only incriminates himself - but the Inquisitor he faces - is us.
I liked this odd movie - it is neither all low nor all high-brow art. It will probably put many to sleep - the violence is gratuitous and minimal, the main character is a walking dead man (interesting fact is that Fassbinder after dying in real life was BURIED in the costume of Lt.Jansen) - it has a charm that remains intact despite its pedigree as art-house junk.