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Inside the Third Reich (1982)

TV Movie  |   |  Biography, Drama, History  |  9 May 1982 (USA)
7.4
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Ratings: 7.4/10 from 400 users  
Reviews: 8 user | 1 critic

A dramatization of the life of Albert Speer, Hitler's young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy. Based upon Speer's own monograph of the same ... See full summary »

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Won 2 Primetime Emmys. Another 1 win & 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Albert Speer Sr.
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Mrs. Speer
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Prof. Heinrich Tessenow
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Gypsy woman
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Karl Hanke
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Dr. Rust
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Storyline

A dramatization of the life of Albert Speer, Hitler's young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy. Based upon Speer's own monograph of the same title. Written by Dawn M. Barclift

Plot Summary | Add Synopsis


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Details

Country:

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Release Date:

9 May 1982 (USA)  »

Also Known As:

I diari del terzo reich  »

Filming Locations:


Company Credits

Production Co:

 »
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Technical Specs

Runtime:

|

Sound Mix:

Color:

(archival footage)|

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The sequence with Derek Jacobi as Adolf Hitler admiring the interiors of the new Chancellery building were achieved by combining Jacobi's movements with original still photographs of the actual building. See more »

Goofs

Near the end of the film after Speer speaks to Adolf Hitler for the first time in the bunker, we see him seeing a stretcher being carried out with a woman's hand sticking out. The woman is obviously Mrs. Goebbels and is of course dead. This is wrong because Mrs. Goebbels died the day after Adolf Hitler. Speer even sees Adolf Hitler again in the film after just seeing Mrs. Goebbels body which he couldn't have. See more »

Quotes

Prof. Heinrich Tessenow: [to Speer, after Speer has quietly pulled strings to save the Jewish Tessenow from Nazi harrassment] And Speer... I don't owe you a damned thing.
See more »

Connections

References Triumph of the Will (1935) See more »

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User Reviews

 
An excellent insider's view of the Third Reich
6 November 1999 | by (Ottawa, Canada) – See all my reviews

This movie is a fine adaptation of Albert Speer's autobiography of the same name. It is at its best when showing us the vicious backstabbing and tawdry competition among Hitler's top men. Speer walks among these power-hungry vipers like an aristocrat among peasants; indeed, the movie can be faulted for taking Speer too much at his own evaluation, and not showing how he was corrupted and influenced by the company he kept. Some of the other characterizations are not quite accurate either - Speer's wife, Marguerite, in reality was not the voice of conscience continuously warning him that what he was doing was wrong and they were all doomed. Other biographies have revealed her to be generally uncritical and in some ways pleased with her elite position as the wife of one of Germany's top men. And while Speer's father was a liberal and against the Nazis, their relationship was not as warm and open as shown here, and Speer was not greatly influenced by him. In fact, it is hard to believe that Speer could have easily followed the path he did in life if all the most important, beloved and admired people in his life had been as clear-sighted and vocal about his mistakes as they are shown to be here. The movie thus falsifies some of the historical atmosphere, and overlooks to what extent perfectly respectable middle-class people in Germany thought Hitler was wonderful. But these flaws are outweighed by the movie's strengths - Derek Jacobi gives a stunning performance as Hitler. One can almost imagine how charismatic and appealing he must have been, as he switches from charm to humour to passion as required. A wonderful scene is just before the Nuremberg Rally, where Hitler stands in front of a series of mirrors, practicing his trademark gestures - arms folded, fists clenching - while talking quietly to Speer about the great future ahead of them. The nature of Hitler as a performer and actor has never been shown as clearly. Ian Holm also gives a great performance as Goebbels - repulsive, unshakeably fanatical and cold-blooded, yet also dangerously intelligent and even witty. This is a view of WWII from a particular angle, and it thus has a lot of gaps (for instance, Speer claimed never to have really known what was happening to the Jews) but it is still engrossing and well worth watching.


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