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Inside the Third Reich (1982) (TV)
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Overview
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Director:
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Release Date:
9 May 1982 (USA)
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Plot:
A dramatization of the life of Albert Speer, Hitler's young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy...
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Awards:
Won 2 Primetime Emmys.
Another 1 win
&
5 nominations
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User Comments:
An excellent insider's view of the Third Reich
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Cast
(Cast overview, first billed only)| Rutger Hauer | ... | Albert Speer | |
| John Gielgud | ... | Albert Speer Sr. | |
| Maria Schell | ... | Mrs. Speer | |
| Blythe Danner | ... | Margarete Speer | |
| Trevor Howard | ... | Prof. Heinrich Tessenow | |
| Derek Jacobi | ... | Adolf Hitler | |
| Viveca Lindfors | ... | Gypsy woman | |
| Randy Quaid | ... | Putzi Hanfstaengel | |
| Stephen Collins | ... | Karl Hanke | |
| Ian Holm | ... | Dr. Joseph Goebbels | |
| Elke Sommer | ... | Magda Goebbels | |
| Renée Soutendijk | ... | Eva Braun | |
| Robert Vaughn | ... | Field Marshal Milch | |
| Zoë Wanamaker | ... | Annemarie Kempf | |
| Michael Gough | ... | Dr. Rust |
Additional Details
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Runtime:
USA:300 min (including commercials)
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Color:
Black and White (archival footage) |
Color
Aspect Ratio:
1.33 : 1 more
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Fun Stuff
Trivia:
The opening prologue states: "The following is a dramatization of the life of Albert Speer, who was Adolf Hitler's personal architect, confidant, and protégé in Nazi Germany. It is based on Speer's autobiography, interviews and other source material."
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Quotes:
Prof. Heinrich Tessenow:
[to Speer, after Speer has quietly pulled strings to save the Jewish Tessenow from Nazi harrassment] ... And Speer...
[pause]
Prof. Heinrich Tessenow: I don't owe you a damned thing.
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[pause]
Prof. Heinrich Tessenow: I don't owe you a damned thing.
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Movie Connections:
References Triumph des Willens (1935)
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Message Boards
Discuss this movie with other users on IMDb message board for Inside the Third Reich (1982) (TV)| Recent Posts (updated daily) | User |
|---|---|
| Terrible Acting | santol321 |
| DVD edition? | Nikko86 |
| Derek Jacobi | pjprigel |
| Frau Speer not portrayed right? | Byteknight |
| Available ???? | paroledeflic |
| Speer's Car | Walthall |
Recommendations
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This movie is a fine adaptation of Albert Speer's autobiography of the same name. It is at its best when showing us the vicious backstabbing and tawdry competition among Hitler's top men. Speer walks among these power-hungry vipers like an aristocrat among peasants; indeed, the movie can be faulted for taking Speer too much at his own evaluation, and not showing how he was corrupted and influenced by the company he kept. Some of the other characterizations are not quite accurate either - Speer's wife, Marguerite, in reality was not the voice of conscience continuously warning him that what he was doing was wrong and they were all doomed. Other biographies have revealed her to be generally uncritical and in some ways pleased with her elite position as the wife of one of Germany's top men. And while Speer's father was a liberal and against the Nazis, their relationship was not as warm and open as shown here, and Speer was not greatly influenced by him. In fact, it is hard to believe that Speer could have easily followed the path he did in life if all the most important, beloved and admired people in his life had been as clear-sighted and vocal about his mistakes as they are shown to be here. The movie thus falsifies some of the historical atmosphere, and overlooks to what extent perfectly respectable middle-class people in Germany thought Hitler was wonderful. But these flaws are outweighed by the movie's strengths - Derek Jacobi gives a stunning performance as Hitler. One can almost imagine how charismatic and appealing he must have been, as he switches from charm to humour to passion as required. A wonderful scene is just before the Nuremberg Rally, where Hitler stands in front of a series of mirrors, practicing his trademark gestures - arms folded, fists clenching - while talking quietly to Speer about the great future ahead of them. The nature of Hitler as a performer and actor has never been shown as clearly. Ian Holm also gives a great performance as Goebbels - repulsive, unshakeably fanatical and cold-blooded, yet also dangerously intelligent and even witty. This is a view of WWII from a particular angle, and it thus has a lot of gaps (for instance, Speer claimed never to have really known what was happening to the Jews) but it is still engrossing and well worth watching.