A dramatization of the life of Albert Speer, Hitler's young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy. Based upon Speer's own monograph of the same ... See full summary »
THIRD REICH: THE RISE & FALL tells the story of Hitler's Germany through rarely seen films of the people who were there. Immersive and evocative, it takes viewers inside the Germany of the ... See full summary »
The story of Helmut and Karl Hoffmann. Both come of age at the start of Hitler's power in Germany. Helmut joins the SS and eventually becomes a successful flag rank officer. Karl joins the ... See full summary »
A reassessment of the role Albert Speer played in the Third Reich. Speer, who was ultimately convicted at the Nuremburg trials and served a 20-year prison sentence, was known for designing ... See full summary »
Through interviews with former World War II fighter aces, "How Hitler Lost the War" examines the theory that the German Armed Forces substantially won and then lost the war in Europe before... See full summary »
Hans Adolf Jakobson
During WWII, the death camp at Treblinka had an escape, causing the Commandant at a similar camp in Sobibor to vow that his camp would never experience the same thing. But those who were ... See full summary »
Corinna witnesses how three guys chase and shoot a man in front of her lonesome house. As only witness, they force her to come with them and care for the guy's wound. But she manages to ... See full summary »
The Nuremberg trials, 1946 Goering and the Nazi high command stand trial. Within the prison a dangerous mind game is being conducted by Goering and the prison guards who stand watch over the perpetrators of the Holocaust.
This movie features a character who is supposed to be the descendant of the character played by Steve McQueen in the television series of the same name. And like McQueen's Josh Randall, ... See full summary »
An American journalist works for a French newspaper. He is writing an article about the reaction against people with AIDS, without knowing he is infected too. Once he finds out, he decides ... See full summary »
A dramatization of the life of Albert Speer, Hitler's young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy. Based upon Speer's own monograph of the same title. Written by
Dawn M. Barclift
The sequence with Derek Jacobi as Adolf Hitler admiring the interiors of the new Chancellery building were achieved by combining Jacobi's movements with original still photographs of the actual building. See more »
Near the end of the film after Speer speaks to Adolf Hitler for the first time in the bunker, we see him seeing a stretcher being carried out with a woman's hand sticking out. The woman is obviously Mrs. Goebbels and is of course dead. This is wrong because Mrs. Goebbels died the day after Adolf Hitler. Speer even sees Adolf Hitler again in the film after just seeing Mrs. Goebbels body which he couldn't have. See more »
Prof. Heinrich Tessenow:
[to Speer, after Speer has quietly pulled strings to save the Jewish Tessenow from Nazi harrassment]
And Speer... I don't owe you a damned thing.
See more »
This movie is a fine adaptation of Albert Speer's autobiography of the same name. It is at its best when showing us the vicious backstabbing and tawdry competition among Hitler's top men. Speer walks among these power-hungry vipers like an aristocrat among peasants; indeed, the movie can be faulted for taking Speer too much at his own evaluation, and not showing how he was corrupted and influenced by the company he kept. Some of the other characterizations are not quite accurate either - Speer's wife, Marguerite, in reality was not the voice of conscience continuously warning him that what he was doing was wrong and they were all doomed. Other biographies have revealed her to be generally uncritical and in some ways pleased with her elite position as the wife of one of Germany's top men. And while Speer's father was a liberal and against the Nazis, their relationship was not as warm and open as shown here, and Speer was not greatly influenced by him. In fact, it is hard to believe that Speer could have easily followed the path he did in life if all the most important, beloved and admired people in his life had been as clear-sighted and vocal about his mistakes as they are shown to be here. The movie thus falsifies some of the historical atmosphere, and overlooks to what extent perfectly respectable middle-class people in Germany thought Hitler was wonderful. But these flaws are outweighed by the movie's strengths - Derek Jacobi gives a stunning performance as Hitler. One can almost imagine how charismatic and appealing he must have been, as he switches from charm to humour to passion as required. A wonderful scene is just before the Nuremberg Rally, where Hitler stands in front of a series of mirrors, practicing his trademark gestures - arms folded, fists clenching - while talking quietly to Speer about the great future ahead of them. The nature of Hitler as a performer and actor has never been shown as clearly. Ian Holm also gives a great performance as Goebbels - repulsive, unshakeably fanatical and cold-blooded, yet also dangerously intelligent and even witty. This is a view of WWII from a particular angle, and it thus has a lot of gaps (for instance, Speer claimed never to have really known what was happening to the Jews) but it is still engrossing and well worth watching.
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