6.8/10
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Identification of a Woman (1982)

Identificazione di una donna (original title)
Not Rated | | Drama, Romance | 15 November 1996 (USA)
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »

Writers:

(story), (screenplay) | 2 more credits »
Reviews
1 win & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Niccolò
Daniela Silverio ...
Mavi
...
Ida
Lara Wendel ...
Girl in swimming pool
Veronica Lazar ...
Carla
Enrica Antonioni ...
Nadia (as Enrica Fico)
Sandra Monteleoni ...
Mavi's sister
...
Mario
Gianpaolo Saccarola ...
The gorilla
Arianna De Rosa ...
Mavi's friend
Dado Ruspoli ...
Mavi's father (as Alessandro Ruspoli)
Carlos Alberto Valles ...
Close-up man (as Carlos Valles)
Sergio Tardioli ...
Butcher
...
Lucio
Paola Dominguín ...
Girl in window
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Storyline

The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading part in the movie - but also in his own life... Written by Mattias Thuresson

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

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Language:

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Release Date:

15 November 1996 (USA)  »

Also Known As:

Identification of a Woman  »

Filming Locations:

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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The last feature film Michelangelo Antonioni made before his debilitating stroke. See more »

Quotes

Niccolo: He's got a face that made Heine say, "As sad as a German two days dead."
See more »

Connections

Featured in Tonino Guerra: A Poet in the Movies (2008) See more »

Soundtracks

Vieni Ragazzo
Written by Gianna Nannini
Performed by Gianna Nannini
Published by Jubal - SIAE
See more »

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User Reviews

 
A divorced film director has an affair that ends badly and its mostly her fault, then another affair that ends badly and its mostly his fault.
23 November 2011 | by See all my reviews

Antonioni's "The Passenger" is probably my favorite film. It's a singular work which manages to have the highest philosophical ambitions without seeming the least pretentious. That's not to say that Antonioni never seems pretentious. He sometimes is very much so, and this is a case in point. I wouldn't describe this as a good movie exactly- it's a bit too self-absorbed, with some lousy dialog and a howlingly funny leading man, who seems like an SNL parody of an Italian leading man. But having said that, it's still vintage Antonioni, and he was a master. For every moment that makes a fan wince, there are others of exceptional compositional beauty: street scenes in which "extras" take on inarticulable metaphysical weight, moments, such as a scene where the protagonist is lost in fog, that seem to depict the invisible. The theme of the film could seem misogynistic, and in a way it is. But really, this film is about the unknowability of the Other, and the way that black hole nonetheless illuminates Being.


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