| Armand Assante | ... | Mike Hammer | |
| Barbara Carrera | ... | Dr. Charlotte Bennett | |
| Laurene Landon | ... | Velda | |
| Alan King | ... | Charles Kalecki | |
| Geoffrey Lewis | ... | Joe Butler | |
| Paul Sorvino | ... | Detective Pat Chambers | |
| Judson Earney Scott | ... | Charles Kendricks (as Judson Scott) | |
| Barry Snider | ... | Romero | |
| Julia Barr | ... | Norma Childs | |
| Jessica James | ... | Hilda Kendricks | |
| Frederic Downs | ... | Jack Williams | |
| Mary Margaret Amato | ... | Myrna Williams | |
| F.J. O'Neil | ... | Goodwin | |
| William G. Schilling | ... | Lundee (as William Schilling) | |
| Robert Sevra | ... | Breslin | |
| Don Pike | ... | Evans | |
| Timothy Meyers | ... | Blake (as Timothy Myers) | |
| Leigh Harris | ... | 1st Twin (as Lee Anne Harris) | |
| Lynette Harris | ... | 2nd Twin | |
| Gwyn Gilliss | ... | Receptionist (as Gwynn Gillis) | |
| Mike Miller | ... | Victor Kyle | |
| Alex Stevens | ... | 1st Cab Driver | |
| Bobbie Burns | ... | Sheila Kyle (as Bobbi Burns) | |
| M. Sharon Madigan | ... | Bonnie | |
| Richard Russell Ramos | ... | 2nd Cab Driver | |
| Norman Blankenship | ... | Kelsey (as Norm Blankenship) | |
| Daniel Faraldo | ... | Danny | |
| H. Richard Greene | ... | Gentleman at Bar | |
| Felicity Adler | ... | Jogger | |
| Jodi Douglas | ... | Party Girl | |
| Lee H. Doyle | ... | Maitre D' | |
| Cheryl Henry | ... | Brunette | |
| Michael Fiorello | ... | Man in Revolving Door | |
| Herb Peterson | ... | Policeman | |
| Richard Dahlia | ... | Doctor at Clinic | |
| Aaron Barsky | ... | Guard at Gate | |
| Ernest Harada | ... | Chef | |
| Larry Pine | ... | Movie Director | |
| Joe Farago | ... | Assistant Director | |
| Alan Dellay | ... | Cameraman | |
| Jack Davidson | ... | Eric Clavel | |
| Loring Pickering | ... | Soap Opera Actor | |
| Corinne Bohrer | ... | Soap Opera Actress (as Corrinne Bohrer) | |
| rest of cast listed alphabetically: | |||
| Bobby Astyr | ... | Man at Orgy (uncredited) | |
| Roger Caine | ... | Man at Orgy (uncredited) | |
| Samantha Fox | ... | Woman at Orgy (uncredited) | |
| Linda Hamil | ... | Director's Assistant (uncredited) | |
| David Lauren | ... | EMT (uncredited) | |
| Candida Royalle | ... | Woman at Orgy (uncredited) | |
| Marlene Willoughby | ... | Woman at Orgy (uncredited) | |
Directed by | |||
| Richard T. Heffron | |||
Writing credits | ||
| Mickey Spillane | (novel) | |
| Larry Cohen | (screenplay) | |
Produced by | |||
| Marty Hornstein | .... | associate producer (as Martin Hornstein) | |
| Michael Leone | .... | executive producer | |
| Andrew Pfeffer | .... | executive producer (as Andrew D.T. Pfeffer) | |
| Robert H. Solo | .... | producer (as Robert Solo) | |
Original Music by | |||
| Bill Conti | |||
Cinematography by | |||
| Andrew Laszlo | (director of photography) | ||
Film Editing by | |||
| Garth Craven | |||
Casting by | |||
| Deborah Brown | |||
Production Design by | |||
| Robert Gundlach | |||
Set Decoration by | |||
| Jack Wright | |||
Costume Design by | |||
| Celia Bryant | |||
Makeup Department | |||
| Jay Cannistraci | .... | makeup artist | |
| William A. Farley | .... | hair stylist (as William Farley) | |
| Carl Fullerton | .... | special effects makeup | |
Production Management | |||
| Jerrold T. Brandt Jr. | .... | executive in charge of production | |
| Jerrold T. Brandt Jr. | .... | production supervisor: American Cinema (as Jerrold Brandt) | |
| Paul Glanzman | .... | unit production manager | |
| Marty Hornstein | .... | unit production manager (as Martin Hornstein) | |
| Lee Rafner | .... | production supervisor | |
Art Department | |||
| Michael Bird | .... | property master | |
| Louise Krozek | .... | scenic artist: second unit | |
| Elouise Meyer | .... | chargeman scenic artist | |
| Jack Mortellaro | .... | head set dresser | |
| Bruce J. Paquette | .... | head carpenter (as Bruce Paquette) | |
| William F. Reynolds | .... | props (as William Reynolds) | |
| Janet Rosenbloom | .... | assistant set decorator | |
| James T. Singelis | .... | assistant art director (as Jim Singelis) | |
| Joe Williams Sr. | .... | construction grip (as Joseph Williams) | |
Sound Department | |||
| David Dockendorf | .... | sound re-recordist | |
| Joseph Holsen | .... | sound editor | |
| Bonnie Koehler | .... | sound editor | |
| Don MacDougall | .... | sound re-recordist | |
| Joseph A. Mayer | .... | sound editor (as Joe Mayer) | |
| Kevin Meehan | .... | sound recordist | |
| Kim H. Ornitz | .... | sound mixer (as Kim Ornitz) | |
| John Post | .... | sound editor | |
| Steve Scanlon | .... | boom operator (as Steven Scanlon) | |
| Robert Thirlwell | .... | sound re-recordist | |
| James Bailey | .... | foley artist (uncredited) | |
Special Effects by | |||
| Bill Balles | .... | special effects (as Bill Bailes) | |
| Connie Brink | .... | special effects (as Conrad Brink) | |
| Terry W. King | .... | special effects (as Terry King) | |
| Frank R. Liszcak | .... | special effects | |
| Bill Nipper | .... | special effects | |
| Bill Traynor | .... | special effects foreman (uncredited) | |
Stunts | |||
| Aaron Norris | .... | assistant stunt coordinator | |
| Don Pike | .... | stunt coordinator | |
| Greg Anderson | .... | stunts (uncredited) | |
| Phil Chong | .... | stunts (uncredited) | |
| Lisa Dalton | .... | stunts (uncredited) | |
| Alan Marcus | .... | stunts (uncredited) | |
| Gregg Smrz | .... | stunts (uncredited) | |
| Victoria Vanderkloot | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| John Burke | .... | electric: second unit | |
| William Coleman | .... | first camera assistant | |
| Ken Connors | .... | best boy | |
| Craig DiBona | .... | second camera operator (as Craig Di Bona) | |
| John Donohue | .... | dolly grip | |
| Russell Engels | .... | gaffer (as Rusty Engels) | |
| Jon Fauer | .... | camera operator (as Jonathan Fauer) | |
| Arnold Kapnick | .... | still photographer | |
| John Khorigan | .... | grip: second unit | |
| Jeffrey Laszlo | .... | second camera assistant | |
| Billy Miller | .... | key grip | |
| Arthur Moshlak | .... | studio electrician (as Arthur Moshak) | |
| Sol Negrin | .... | camera operator: second unit | |
| Peter Passas | .... | director of photography: second unit | |
| James Pollard | .... | rigging grip (as Jim Pollard) | |
| Donald Sweeney | .... | camera operator: second unit | |
| Tom Kerwick | .... | grip (uncredited) | |
Casting Department | |||
| Michael Lane | .... | casting associate | |
| Bernie Styles | .... | extra casting | |
| Linda Weston | .... | extra casting (as Lynda Weston) | |
Costume and Wardrobe Department | |||
| Ruth E. Doering | .... | wardrobe assistant (as Ruth Doering) | |
| William Loger | .... | wardrobe supervisor (as Bill Loger) | |
| Guy Tanno | .... | costumer supervisor (uncredited) | |
Editorial Department | |||
| Ed Fantl | .... | assistant editor (as Edward Fantl) | |
| Jean Morrisey | .... | apprentice editor | |
| Ken Morrisey | .... | assistant editor | |
Music Department | |||
| Dan Carlin Sr. | .... | supervising music editor: La Da Productions | |
| James Thatcher | .... | musician: french horn | |
| Dan Wallin | .... | music scoring mixer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Oh the 70s was a great time for crime features although "I, the Jury" was made in the early eighties it had me thinking it was from the 70s like some sort leftovers that found itself in the wrong decade. And hey that's not a bad thing at all. Originally it looked like it was cult-filmmaker Larry Cohen's project, as he penned the screenplay and was to direct to only be replaced by Richard T. Heffron (Futureworld). This is another adaptation of novelist's Mickey Spillane's Mike Hammer character. Private detective Mike Hammer looks into the case to seek revenge when he learns of the killing of his one-armed ex-army buddy. What he digs up about his mate's death, is something quite big.
"I, the Jury" is a tough as nails, lean and steamy pulp crime / film noir feature that's sexually charged (an opened orgy sequence) and brutally violent (a ghastly slit throat) amongst a rather seedy backdrop. Filling in the role as the iconic Mike Hammer is a fittingly hardboiled, but wry Armand Assante. Surrounding him is a bunch of attractive, but formidable ladies in the shape of Barbara Carrera and Laurene Landon. Also you got the likes of Paul Sorvino, Alan King, Geoffrey Lewis and Barry Snider pitching in with good performances. Cohen's story remains exhaustively captivating; by always being on the move in what is a complicated web of conspiracies and leads. The dialogues are bold. Sometimes contrived in its actions, but it does open up a can of worms. Heffron's steadfast direction is economically staged with moments of thrilling engagements and brooding passages that he's not afraid to bare flesh, but at times it felt like I was watching a long-winded TV episode. Bill Conti composes a titillatingly smoking blues score, which installs a whirlwind of emotion.