6.5/10
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I'm Dancing as Fast as I Can (1982)

A true story about Emmy-winning documentary filmmaker Barbara Gordon's Valium addiction and her desperate attempts to kick the habit.

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Cast

Cast overview, first billed only:
...
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Derek Bauer
...
Julie Addison
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Roger
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Jean Scott Martin
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Ben Martin
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Sam Mulligan
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Karen Mulligan
Cordis Heard ...
Fran
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Alan Newman
Kasey Connors ...
Sound Woman
Charlie Stavola ...
Bartender (as Charles Stavola)
Roger Etienne ...
Waiter
Gregory Osborne ...
Passerby
Eleanor Zee ...
Emmy Presenter
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Storyline

A true story about Emmy-winning documentary filmmaker Barbara Gordon's Valium addiction and her desperate attempts to kick the habit.

Plot Summary | Add Synopsis

Taglines:

Two In The Morning. Two Before Lunch. Two After Dinner. Two Before Bed. Every Day. See more »

Genres:

Biography | Drama

Certificate:

R | See all certifications »
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Details

Country:

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Release Date:

5 March 1982 (USA)  »

Also Known As:

Dançando como Loucos  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The type of drug that Barbara Gordon was seriously addicted to was Valium. See more »

Connections

Referenced in Angels in America (2003) See more »

Soundtracks

I GUESS I'LL HAVE TO CHANGE MY PLAN
By Howard Dietz & Arthur Schwartz
Recorded by Tony Bennett and Count Basie
Courtesy of Roulette Records, Inc.
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User Reviews

 
Another triumph for Jill Clayburgh
27 April 2001 | by (las vegas, nv) – See all my reviews

A restructuring of Barbara Gordon's memoir about a successful female TV producer who is hooked on Valium--and who tries to kick cold turkey, with devastating results. A subplot regarding cancer patient Geraldine Page is expanded for the film (and seemingly takes over, even contributing the title in the film's dialogue!), but this didn't bother me as Jill Clayburgh's lead portrayal carries the movie and gives it strength and sarcastic bite. There are all sorts of conflicted emotions running rampant through the material, and the direction (while not smooth) does manage to sort it all out for the viewer. This was the first time I had ever seen Dianne Wiest in anything and she really impressed me as Clayburgh's therapist (however, Wiest uses all the acting tricks we've seen her do since then, and frankly they're starting to become old hat). The film has some editing problems and looks a little muddy, but I found Clayburgh's struggle intense and real, and her performance brave. *** out of ****


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