Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ... See full summary »
Sorrowful Jones is a cheap bookie in 1930's. When a gambler leaves his daughter as a marker for a bet, he gets stuck with her. His life will change a great deal with her arrival and his ... See full summary »
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction,... See full summary »
Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
Set in the early 1910s at a time of passionate artistic experimentalism, and based on biographical fact, this is the story of Vaslav Nijinsky, the young and brilliant but headstrong premier... See full summary »
George De La Pena,
A bored housewife poses as a call girl for a movie star sex-symbol, hoping she can prove to her husband, the star's agent, that she is still desirable to other men and thereby, rekindle the... See full summary »
A major league star who is on the verge of breaking a record, meets a singer and they get married, but they have different goals, so they separate, jeopardizing his opportunity in sports and the possibility of making up with his wife.
Rebecca De Mornay,
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face. Written by
Dale O'Connor <firstname.lastname@example.org>
In this picture, Dinah Manoff reprises her Tony Award winning role for Best Featured Actress as Libby Tucker from the Broadway play 'I Ought to Be in Pictures'. Manoff also had won the 1980 Theatre World Award for that stage role. See more »
In the closing scenes Libby is first seen sitting on the left side of the bus talking to her seat mate, then when Herb drives his car up next to the bus on the right side she sees him through the right side window. See more »
Grandma was right. Once a shitheel, always a shitheel.
Your grandmother talks like that?
The words are mine, the wisdom is hers!
See more »
The movie starts out with Libby(Manoff)talking to her dead grandmother who we hear about all through the film. She has decided to travel cross country from New York to LA to find her estranged father, an out of work screenwriter. The only saving grace in this film is Ann Margaret. Libby spends the rest of the film parking cars for actors(putting her name and number on there windshields), trying to get laid and forcing her estranged father to talk to his ex-wife(her mother).Manoff is probably great on the stage but she was terrible in this movie. Its not so bad in the parts with just Matthau and Ann Margaret but otherwise no chemistry. The part where Libby asks her father about sex is hysterical and has to be one of the most embarrassing moments in screen history.
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