Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ...
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Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Eugene, a young teenage Jewish boy, recalls his memoirs of his time as an adolescent youth. He lives with his parents, his aunt, two cousins, and his brother, Stanley, whom he looks up to ... See full summary »
Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face. Written by
Dale O'Connor <firstname.lastname@example.org>
Reportedly, the film's script is predominantly the same as Neil Simon play, but with some settings added, such as the Dodger baseball stadium and the Hollywood Park Racetrack. See more »
In the closing scenes Libby is first seen sitting on the left side of the bus talking to her seat mate, then when Herb drives his car up next to the bus on the right side she sees him through the right side window. See more »
[cursing in Spanish]
... and your father too, you shitheel!
No, Jew, but in Brooklyn first we learn Spanish then English
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Touching movie - funny, tasteful, worth seeing again
In my and my wife's opinion(s) this picture ("I Ought To Be In Pictures") held our attention, made us laugh, and touched our heart strings. The plot is very believable and truly beautiful. Dinah Manoff and Walter Matthau were delightful. Ann-Margret's part was undoubtedly low-key, but we applaud her for being prepared to play it and play it well. (Who ever said an actress has always to play "knock-out" parts.) This is a movie we will buy for our collection of fine movies. Leonard Maltin's review rating: ** is an insult. We give it *** at least. We were thrilled to see Dinah Manoff playing a larger role than her role in "Ordinary People."
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