Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ... See full summary »
A bored housewife poses as a call girl for a movie star sex-symbol, hoping she can prove to her husband, the star's agent, that she is still desirable to other men and thereby, rekindle the... See full summary »
The escaped delinquent John W. Burns, Jr. replaces Dr. Maitlin on a radio show, saying he's the psychiatrist Lawrence Baird. His tactless radio show is a hit, and he becomes very popular. ... See full summary »
The US needs to convince the visiting emir Khala'ad of Othar to allow an American military base in his strategic realm. Clueless nightclub waitress Sunny Ann Davis accidentally spots and ... See full summary »
Joseph Kotcher, a retired traveling salesman, lives with his son Gerald and daughter-in-law Wilma in Los Angeles. He dotes upon his young grandson Duncan irritating high-strung Wilma to the... See full summary »
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face. Written by
Dale O'Connor <email@example.com>
Actor Walter Matthau''s Herb Tucker character likes to gamble on horses at the races. Matthau was in real life a fan of the race-track and a big gambler. Matthau had long wanted to make a racing picture and got to do this when he starred in Casey's Shadow (1978). Matthau said of this: "Casey's Shadow is the first race picture that's come my way that I've liked". A couple of years after that movie, Matthau followed up that horse racing movie with another, Little Miss Marker (1980), then a couple years later, I Ought to Be in Pictures (1982). See more »
In the closing scenes Libby is first seen sitting on the left side of the bus talking to her seat mate, then when Herb drives his car up next to the bus on the right side she sees him through the right side window. See more »
[cursing in Spanish]
... and your father too, you shitheel!
No, Jew, but in Brooklyn first we learn Spanish then English
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The problem with this film was that it was a rotten play to begin with. It's the same old Neil Simon characters, same old Neil Simon storylines. For Matthau, this is the same Neil Simon characterization as with his previous ventures into Simon's work. He's much better as Oscar in "The Odd Couple." Ann Margaret is entirely out of place here, but so is the writing and Herbert Ross's direction. Only Dinah Manoff, who reprises her Tony Award winning role, comes off successful in the picture.
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