Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has ... See full summary »
Charley is a surgeon who's recently lost his wife; he embarks on a tragicomic romantic quest with one woman after another until he meets up with Ann, a singular woman, closer to his own age... See full summary »
Sorrowful Jones is a cheap bookie in 1930's. When a gambler leaves his daughter as a marker for a bet, he gets stuck with her. His life will change a great deal with her arrival and his ... See full summary »
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Joe Mulholland, Head of Production at a Hollywood studio, makes a rather fool-hardy promise to a dying friend. He undertakes to make a major movie using the title - if not the content - of ... See full summary »
Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
Set in the early 1910s at a time of passionate artistic experimentalism, and based on biographical fact, this is the story of Vaslav Nijinsky, the young and brilliant but headstrong premier... See full summary »
George De La Pena,
George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off. And just when things are moving along, the memory... See full summary »
Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face. Written by
Dale O'Connor <firstname.lastname@example.org>
In the closing scenes Libby is first seen sitting on the left side of the bus talking to her seat mate, then when Herb drives his car up next to the bus on the right side she sees him through the right side window. See more »
Grandma was right. Once a shitheel, always a shitheel.
Your grandmother talks like that?
The words are mine, the wisdom is hers!
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The problem with this film was that it was a rotten play to begin with. It's the same old Neil Simon characters, same old Neil Simon storylines. For Matthau, this is the same Neil Simon characterization as with his previous ventures into Simon's work. He's much better as Oscar in "The Odd Couple." Ann Margaret is entirely out of place here, but so is the writing and Herbert Ross's direction. Only Dinah Manoff, who reprises her Tony Award winning role, comes off successful in the picture.
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