A group of young high society friends, aged between 18 and 25, are gathered at a friend's bar that they regularly frequent for the night. But when they finish of their last beer and prepare... See full summary »
Baris, a 5 year-old little boy, has to stay in a prison with her mother during her detention period. Baris develops a special relationship with Inci, a young woman who also stays in prison. She promises him that the kite will fly someday.
Teens in a Turkish prison struggle to survive under hideous conditions. Made by dying Yilmaz Guney in France, after he escaped from a Turkish prison, enabling him to accept his award at ... See full summary »
Ayse Emel Mesci Kuray,
"To Better Days" takes place in a day in Istanbul. It tells about five different character's paths crossing in daily life and intervention to each other's lives without awareness. The film ... See full summary »
A harsh portrait of Turkey, its people and its authorities, shown through the stories of five prisoners given a week's home leave, and the problems they encounter in adjusting to the world ... See full summary »
Mahmut and Abidin work as comedians at a night club, Mahmut is honest yet Abidin is sly. Sulo brings a deaf and dumb girl named Kumru, to work in the night club, but the club owner sends ... See full summary »
One of few Turkish films (somewhat) available in the USA
As a Turkish-American and someone who has studied Turkish cinema substantially, I have a very biased (but, I believe) accurate view that when it comes to selecting foreign-language films for distribution in the USA Turkish films - as well as Egyptian, Morrocan, and Tunisian films- are seriously overlooked. THE HORSE was released and is available from Kino Video. Like most Ali Ozgenturk films (HAZAL, BAALAYKA) it is a moving film featuring a journey and a family whose life is in desperate turmoil. There is deep symbolism, involving radio announcers and canary cages, which is a standard in not only Ozgenturk's films, but also in those of his mentors, the late Yilmaz Guney and Serif Goren. The Guney/Goren collaboration of YOL, considered by many to be the best Turkish film, is a sterling example of this as well. The streets of Istanbul look no different than the village of the title characters in this film, which illustrates another theme in many Turkish films in that 'paradise,' whether it is Istnabul or Germany, is no different than the 'koy' (village) where you came. I recommend this film, though in many aspects the harsh aspects presented in this film have become the topic of more social awareness in Turkey since this film was made 20 years ago.
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