Teens in a Turkish prison struggle to survive under hideous conditions. Made by dying Yilmaz Guney in France, after he escaped from a Turkish prison, enabling him to accept his award at ... See full summary »
Ayse Emel Mesci Kuray,
Because of a local blood feud, a peasant family in eastern Turkey decides to sell its sheep - a most precious commodity - in far away Ankara. During their long train ride, bribes must be ... See full summary »
A bag full of money lands in front of you. Is it luck? The answer to your prayers? Part of a predetermined plan? Or all of the above? Set in the chaotic streets of Istanbul, 40 is a story ... See full summary »
Ntare Guma Mbaho Mwine,
A bookshop renowned for its rare works is mysteriously and completely filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac ... See full summary »
On a misty morning, an old bus leaves Batum to go to Istanbul. As the bus stops at various places on the way, Russian women of all ages and professions, each with a unique tale, board. In ... See full summary »
What do you do after graduating college? Go to work. And that is exactly what Matt wants to do. He wants to climb up the corporate ladder the old-fashion way: by working. But with the ... See full summary »
One of few Turkish films (somewhat) available in the USA
As a Turkish-American and someone who has studied Turkish cinema substantially, I have a very biased (but, I believe) accurate view that when it comes to selecting foreign-language films for distribution in the USA Turkish films - as well as Egyptian, Morrocan, and Tunisian films- are seriously overlooked. THE HORSE was released and is available from Kino Video. Like most Ali Ozgenturk films (HAZAL, BAALAYKA) it is a moving film featuring a journey and a family whose life is in desperate turmoil. There is deep symbolism, involving radio announcers and canary cages, which is a standard in not only Ozgenturk's films, but also in those of his mentors, the late Yilmaz Guney and Serif Goren. The Guney/Goren collaboration of YOL, considered by many to be the best Turkish film, is a sterling example of this as well. The streets of Istanbul look no different than the village of the title characters in this film, which illustrates another theme in many Turkish films in that 'paradise,' whether it is Istnabul or Germany, is no different than the 'koy' (village) where you came. I recommend this film, though in many aspects the harsh aspects presented in this film have become the topic of more social awareness in Turkey since this film was made 20 years ago.
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