Celal, lives an unhappy family life with his wife Sevilay and his child in a small town. Celal and his brother Cemal, running an electrician shop which doesn't go well. They are in debt. ... See full summary »
Two space cadets crash-land on a desert planet, where an evil wizard seeks the ultimate power to take over the world. Although the movie borrows some background footage from Star Wars, the plot is mostly unrelated.
A small, poor village leaning over high rocky mountains, facing the immense sea, flanked by olive yards. Villagers are simple and diligent people who struggle to cope with a harsh nature. ... See full summary »
"Umut" is the story of an illiterate man and his family, whose existence depends on his income as a horse cab driver. When one of his horses is killed by an automobile, and when it is clear... See full summary »
In Türkiyë, when a woman is sent to prison, her small children stay with her. In this film, Inci (say "Injee") is sent to prison for murder in self-defense (which warrants incarceration in ... See full summary »
This is the tragicomic story of two lovers who cannot ever get together. Sener is the son of a simple family in the village and he is in love with the village headman's daughter Mujde. Kaya... See full summary »
One of few Turkish films (somewhat) available in the USA
As a Turkish-American and someone who has studied Turkish cinema substantially, I have a very biased (but, I believe) accurate view that when it comes to selecting foreign-language films for distribution in the USA Turkish films - as well as Egyptian, Morrocan, and Tunisian films- are seriously overlooked. THE HORSE was released and is available from Kino Video. Like most Ali Ozgenturk films (HAZAL, BAALAYKA) it is a moving film featuring a journey and a family whose life is in desperate turmoil. There is deep symbolism, involving radio announcers and canary cages, which is a standard in not only Ozgenturk's films, but also in those of his mentors, the late Yilmaz Guney and Serif Goren. The Guney/Goren collaboration of YOL, considered by many to be the best Turkish film, is a sterling example of this as well. The streets of Istanbul look no different than the village of the title characters in this film, which illustrates another theme in many Turkish films in that 'paradise,' whether it is Istnabul or Germany, is no different than the 'koy' (village) where you came. I recommend this film, though in many aspects the harsh aspects presented in this film have become the topic of more social awareness in Turkey since this film was made 20 years ago.
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