Return to rockin' Rydell High for a whole new term! It's 1961, two years after the original Grease gang graduated, and there's a new crop of seniors - and new members of the coolest cliques on campus, the Pink Ladies and T-Birds. Michael Carrington is the new kid in school - but he's been branded a brainiac. Can he fix up an old motorcycle, don a leather jacket, avoid a rumble with the leader of the T-Birds, and win the heart of Pink Lady Stephanie Zinone? He's surely going to try! Written by
Though Sandy and Michael are said to be cousins, they live on different continents and have different last names. Michael never talks about Sandy to Frenchy, or vice versa, even though Frenchy and Sandy were best friends in the original. See more »
During the "Calendar Girl" sequence, as the fake snow falls, "January" (right side of screen, in a champagne glass) gets some in her mouth, and tries to spit it out instead of singing. See more »
[after Johnny gives her an order]
Yeah? Well, you wanna hear my 'final word' Mr Push-everyone-around Nogarelli? You may be able to bully some of the chicks in this school, but this chick has been bullied by one Johnny Nogarelli for the last time. I may not be the classiest chick in this school, but I'm the best you're ever gonna get. So take it or leave it!
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Depending on when you saw this film relative to when you saw the original "Grease," your viewpoints probably differ as to the quality of this movie.
I saw both within a month of each other at age 13. I hated the original and loved this one.
As I've gotten older, I've come to recognize that the original is a better piece of work, overall. The music from the original is better when taken as a whole. The supporting cast of the original has better players. The storyline doesn't seem as convoluted at times.
But there's something about this movie that holds on to you. It appeals much more to the age group pictured in the movie (i.e., junior-high and high-schoolers). The song "Cool Rider" and the scenes that accompany it in the movie rival anything in the original.
The dialog is better in places and the interplay between the male and female leads are better, I believe, than in the original. The original movie's pairing of Travolta and Newton-John gave us a dimwit trying to woo a goodie-two-shoes girl whose performance was oftentimes wooden and uncomfortable. This one gives us Caulfield and Pfeiffer, and the interplay between an intelligent, wise-beyond-his-years male lead and the "wild child" female lead.
Adrian Zmed's supporting performance as Johnny still cracks me up and is one of the few performances from this movie that still entertain me as an adult.
That's because outside of the performances of accomplished character actors Christopher McDonald, Eve Arden and Dody Goodman, the rest of this cast is just plain bad. Some of it is bad acting, some of it is miscasting and a lot of it is bad writing.
What we're left with today, 20-something years later, is a movie that made a really good attempt to build on the original, but in the end, was the soufflé that fell. It's still better than most want to admit, but it could have stood a couple of rewrites and a little more attention to detail in the prospective cast interview room.
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