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In 1893, Gandhi is thrown off a South African train for being an Indian and traveling in a first class compartment. Gandhi realizes that the laws are biased against Indians and decides to start a non-violent protest campaign for the rights of all Indians in South Africa. After numerous arrests and the unwanted attention of the world, the government finally relents by recognizing rights for Indians, though not for the native blacks of South Africa. After this victory, Gandhi is invited back to India, where he is now considered something of a national hero. He is urged to take up the fight for India's independence from the British Empire. Gandhi agrees, and mounts a non-violent non-cooperation campaign of unprecedented scale, coordinating millions of Indians nationwide. There are some setbacks, such as violence against the protesters and Gandhi's occasional imprisonment. Nevertheless, the campaign generates great attention, and Britain faces intense public pressure. Too weak from World ... Written by
A WORLD EVENT It took one remarkable man to defeat the British Empire and free a nation of 350 million people. His goal was freedom for India. His strategy was peace. His weapon was his humanity. See more »
300,000 extras appeared in the funeral sequence. About 200,000 were volunteers and 94,560 were paid a small fee (under contract). The sequence was filmed on 31st Jan 1981, the 33rd anniversary of Mohandas K. Gandhi's funeral. 11 crews shot over 20,000 feet of film, which was pared down to 125 seconds in the final release. See more »
In the scene where the Pakistani flag is being raised for the first time, the anthem that is playing is the current national anthem of Pakistan ("Qaumi Tarana"). The original national anthem of Pakistan was a different song (written by a Hindu), which was written days prior to the ceremony and only lasted 18 months as Pakistan's anthem. See more »
He will be saying prayers in the garden. Just follow the others.
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Took nearly twenty years to make - not a single minute was wasted
Here indeed is one of the great films of the 20th Century about one of the greatest men of the 20th Century. Ben Kingsley's interpretation of the Mahatma must go down in history as one of the most perfect cinema rôles ever carried out. Throughout the long film you forget you are watching an actor playing the part of a great man in history: you are watching the real Gandhi. A gigantic performance indeed. Richard Attenborough's patient and perfect directing added all the superlatives possible to make a crowning achievement, transporting biographic films into another dimension.
It is all there: from the most intimate and poignant portrait to the incredible crowd scenes, beautifully captured in the most painstaking photography. You do not just watch the scenes unfold you live them, you feel them, so captivating they are; and Ravi Shankar's music tugs at you, spellbinds you, forces you into sympathy, admiration and so many other feelings.
Enthralling: how such a cinematographic work of art can reach such proportions is truly amazing; this film is nothing less than a miracle. During 1971 I travelled a good bit around India; I constantly had to apologise to energetic Indians who approached me on the subject of the British Raj. I had not even been born. But as a young and unappointed ambassador, I felt it my duty to bow my head in that country which is a microcosm of the whole planet. Thanks to this film, `Gandhi', Attenborough and Kingsley have said just about all there was to say.
< For men may come and men may go, but Gandhi goes on forever >
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