| Kay Hawtrey | ... | Maude Chalmers (as Kay Hawtry) | |
| Lesleh Donaldson | ... | Heather | |
| Barry Morse | ... | Mr. Davis | |
| Dean Garbett | ... | Rick Yates | |
| Stephen E. Miller | ... | Billy Hibbs (as Stephen Miller) | |
| Alf Humphreys | ... | Joe Yates (as Alfred Humphreys) | |
| Peggy Mahon | ... | Florie | |
| Harvey Atkin | ... | Harry Browning | |
| Robert Warner | ... | Sheriff (as Bob Warner) | |
| Jack Van Evera | ... | James Chalmers | |
| Les Rubie | ... | Sam | |
| Doris Petrie | ... | Ruby | |
| Bill Lake | ... | Frank | |
| Brett Matthew Davidson | ... | Young Rick (as Brett Davidson) | |
| Christopher Crabb | ... | Teddy (as Chris Crabb) | |
| Robert Craig | ... | Barry Oaks | |
| Linda Dalby | ... | Linda | |
| Gerard Jordan | ... | Pete | |
| Eleanor Beecroft | ... | Shirley | |
| James Crammond | ... | Reporter | |
| Ronald Reece | ... | Developer | |
| Paul Hubbard | ... | Fighter 1 | |
| Terry Harford | ... | Fighter 2 | |
| Peter Sturgess | ... | Ed | |
| The Foster Family | ... | The Burns Family | |
| Barbara Wheeldon | ... | Helena Davis | |
| Barry Allen | ... | Restaurant Proprietor | |
| Allison Fruet | ... | Georgia | |
| Brett McAdams | ... | Funeral Family | |
| Janice Pinke | ... | Funeral Family | |
| Edith Bolsover | ... | Funeral Family | |
| Donald Saunders | ... | Funeral Family | |
| Kate McDonald | ... | Funeral Family | |
| Don Brennan | ... | Pall Bearer | |
| Robert Gatrell | ... | Pall Bearer | |
| Kenneth Garland | ... | Pall Bearer | |
| William Roth | ... | Pall Bearer |
Directed by | |||
| William Fruet | |||
Writing credits(in alphabetical order) | ||
| Ida Nelson | ||
Produced by | |||
| Barry Allen | .... | executive producer | |
| Patrick Doyle | .... | associate producer | |
| William Fruet | .... | producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| Mark Irwin | (director of photography) | ||
Film Editing by | |||
| Ralph Brunjes | |||
Production Design by | |||
| Roy Forge Smith | |||
Art Direction by | |||
| Susan Longmire | |||
Makeup Department | |||
| Shonagh Jabour | .... | makeup artist | |
Production Management | |||
| Patrick Doyle | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ray Elias | .... | second assistant director (as Raymond Elias) | |
| Bob Meneray | .... | third assistant director | |
| Ray Sager | .... | first assistant director | |
Art Department | |||
| Michael Fruet | .... | props assistant (as Mike Fruet) | |
| Elinor Rose Galbraith | .... | set assistant (as Elinor Galbraith) | |
| Bill Harman | .... | construction manager | |
| Nick Kosonic | .... | head painter | |
| Peter Lauterman | .... | set props | |
| Roy Forge Smith | .... | set designer | |
| Sue Smith | .... | assistant art director | |
| Angelo Stea | .... | on-set props | |
| Elinor Rose Galbraith | .... | set dresser (uncredited) | |
Sound Department | |||
| Gary C. Bourgeois | .... | foley mixer (as Gary Bourgeois) | |
| Terry Burke | .... | sound editor | |
| Wayne Griffin | .... | sound editor | |
| Joe Grimaldi | .... | sound mixer | |
| Ian Hendry | .... | sound | |
| David Joliat | .... | boom operator (as Dave Joliat) | |
Special Effects by | |||
| Dennis Pike | .... | special effects | |
Stunts | |||
| Bob Meneray | .... | stunts | |
Camera and Electrical Department | |||
| Scotty Allan | .... | best boy (as Doug Allan) | |
| Jock Brandis | .... | gaffer | |
| Daniel Hainey | .... | second assistant camera | |
| Maris H. Jansons | .... | key grip (as Maris Janson) | |
| Mark Manchester | .... | grip | |
| Robin Miller | .... | assistant camera | |
| Rick Porter | .... | stills photographer | |
| Cathy Robertson | .... | third assistant camera | |
Casting Department | |||
| Janis Allen | .... | casting coordinator | |
| Shelley Allen | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Gina Kiellerman | .... | wardrobe assistant | |
| Mary Jane McCarty | .... | wardrobe | |
Editorial Department | |||
| Richard Cadger | .... | assistant film editor (as Rick Cadger) | |
| Michael Fruet | .... | assistant film editor | |
| Dennis O'Brien | .... | assistant film editor | |
Music Department | |||
| Dan Carlin Sr. | .... | music editor (as Dan Carlin) | |
| Jerry Fielding | .... | conductor | |
| Andy Herman | .... | music mixer | |
Other crew | |||
| Janis Allen | .... | creative consultant | |
| Shelley Allen | .... | production assistant | |
| Marie Thérése Boily | .... | continuity (as Marie Therese Boily) | |
| Jerry Caradonna | .... | production assistant | |
| Paul Dreskin | .... | production assistant | |
| Alice Dwornik | .... | production assistant | |
| Sandra Kane | .... | assistant to production manager | |
| Goff Martin | .... | production assistant | |
| Karl Mitchell | .... | trainer: "Mitten" the cat | |
| Lynn Rotin | .... | production assistant | |
| Carlo Sguassero | .... | production assistant | |
| Carlo Sguassero | .... | stand-in: "Grandma" (as Carlo Sguassro) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Canada section |
An effectively spooky low-budget thriller that takes more inspiration from Hitchcock's Psycho (1960) rather than Carpenter's Halloween (1978), as so many horror films from this era did.
A girl goes to help her grandmother with her new boarding house, a former funeral parlor, and begins to uncover sinister things as the guests start vanishing.
Solid direction uplifts this tight thriller, whose storyline is ultimately not very surprising. A few well-drawn characters do help to keep the story interesting. The rustic filming locations help to add to a chilling summer atmosphere and an air of mystery that works well to the films advantage. The re-occurring images of the black cat are a nice touch. The film is fairly subtle in its horrors, and probably comes off more compelling (and classy) because of it. In short, it's simple but good.
The cast is a strong point. Kay Hawtry is a stand-out as the grandmother, Lesleh Donaldson is fetching as our young female, and Dean Garbett is good as Donaldson's summer love.
All around, Funeral Home is a film that serves well as a thriller. It's not especially brilliant, but it does make for good entertainment.
*** out of ****