Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
Jason Voorhees, having barely survived a wound to his shoulder from his own machete, is back to revenge on all that visit "his" woods. A new group of friends come over to party at an area close to the campsite. This time, Jason will be stronger than ever, and getting a hockey mask from one of those friends. Written by
Part 3 was the first production to use the Marks 3-D system, and it was a constant learning process. The earliest scenes they filmed, such as the opening tracking shot and Shelly and the bikers at the convenience store, had to be completely re-shot due to difficulties with the 3D camera. Plus, they had to be careful about which colors to include in costumes, and everything had to be lit far brighter than normal. It took hours to set-up individual shots meaning the actors on the film spent most of their time simply sitting around waiting for the next shot to be set-up, a common on-set experience for actors but just far longer than normal this time.
This focus on 3D spilled over to the actors. Initially, they were asked to learn how to use a paddle ball for a planned 3D sequence. When that was scrapped, they looked for any way the actors could do something that would play well in 3D, like Larry Zerner's juggling or throwing a wallet straight at the camera, or another actor dropping a jo-yo down toward a camera. Indeed, many of the actors now recall that there was far more focus on finding cool 3D things for them to do than actually bothering with silly little things like character motivation, or, you know, acting. See more »
(at around 37 mins) When Loco, Fox and Ali stand by the van before they steal the gas, the long black boom pole is clearly reflected in the back window of the van. See more »
Obviously, no "Friday the 13th" film is going to be Oscar material. You have to judge a film based on what it set out to do, and decide whether it met that goal or not. I don't think it's fair to judge these films by the same criteria as "The Godfather" or something.
If you go into this movie just expecting to have fun, you won't be disappointed. The story is essentially the same as every other "Friday" film, with a minor twist: this time it takes place on a little ranch owned by one of the main characters. Jason, fresh off his killing spree in part 2, makes his way across the countryside to find a new batch of hormonal kids vacationing at Crystal Lake. Of course, this time it looks nothing like the Crystal Lake from the previous two films, seeing as it was filmed on a ranch in California instead of New Jersey, but oh well.
The kids are all walking stereotypes--pretty much the only way to give them any characterization in a 90-minute movie that has to dispatch one of them every ten minutes. There's a pair of stoners that look older than the rest of the cast and make you question what they're even doing there, a hefty practical joker, and a couple expecting a baby of all things. But they all manage to be likable enough, and thankfully there is no one irritating enough to make you wish they would die already. There is no "mean girl" or "jerk"; they all seem to be friends, which is nice.
Jason gets his hands on the famous hockey mask in this installment, courtesy of one dead joker. The kills are the most creative in the series thus far, obviously taking advantage of the original 3D format this was released in back in 1982: one character's eyeball pops out at the screen in what must have been a pretty cool gag in 3D, an unlucky guy doing a handstand gets split in two, and a harpoon gun is put to deadly use.
The highlight of the film is the chase sequence in the final act. The "Friday" films are known for some of the most entertaining chase scenes, and this one is no exception. It starts out in a cabin and goes all over the place from there, with Jason pursuing our terrified heroine relentlessly. Jason is actually creepy in this film--some form of degenerate who runs (not walks) after his victims with something approaching excitement. Wait until you see him unmasked later in the film--clearly he is not feeling burdened by his work.
This is a perfect movie to put on with friends. It's entertaining, fun, and you'll have a blast watching these goof-balls bite it in interesting ways. You'll laugh at the dialogue, chuckle at some of the acting, and jump at some of the scares. So order a pizza, grab some beer, and just sit back and enjoy.
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